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This is the first publication to bring together comparative research on the international expansion of Third Reich cinema. This volume investigates various attempts to infiltrate - economically, politically and culturally - the film industries of 20 countries and regions either occupied by, friendly with or neutral towards Nazi Germany.
Upon its original publication in 1976, The American Film Industry was welcomed by film students, scholars, and fans as the first systematic and unified history of the American movie industry. Now this indispensible anthology has been expanded and revised to include a fresh introductory overview by editor Tino Balio and ten new chapters that explore such topics as the growth of exhibition as big business, the mode of production for feature films, the star as market strategy, and the changing economics and structure of contemporary entertainment companies. The result is a unique collection of essays, more comprehensive and current than ever, that reveals how the American movie industry really worked in a century of constant change-from kinetoscopes and the coming of sound to the star system, 1950s blacklisting, and today's corporate empires.
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The Movie Brats is about power in the American film industry - how the legendary moguls lost it, and how a new young generation of filmmakers came to inherit it. The authors submit that social changes in America - and not just the advent of television - were the true cause of Hollywood's decline and tell how the movie brats - the first film school graduates and movie buffs to gain real power in the industry - took over the demoralized Hollywood of the 1960s and 1970s. Six top directors show how they succeeded and how the deals were made: Francis Coppola, George Lucas, Brian DePalma, John Milius, Martin Scorsese, Steven Spielberg.
This wide-ranging text is one of the first to look in detail at some of the principal genres, cycles and trends in Hollywood's output during the last two decades. It includes analysis of such films as Sense and Sensibility, Grifters, The Mask, When Harry Met Sally, Pocahontas, Titanic, Basic Instinct, Coppola's Dracula, and Malcolm X.
Film Theory Goes to the Movies fills the gap in film theory literature which has failed to analyze high-grossing blockbusters. The contributors in this volume, however, discuss such popular films as TheSilence of the Lambs, Dances With Wolves, Terminator II,Pretty Woman, Truth or Dare, Mystery Train, and JungleFever. They employ a variety of critical approaches, from industry analysis to reception study, to close readings informed by feminist, deconstructive and postmodernist theory, as well as recent developments in African American and gay and lesbian criticism. An important introduction to contemporary Hollywood, this anthology will be of interest to those involved in the fields of film theory, literary theory, popular culture, and women's studies.
An oversize volume that tells the history of American movies in text and hundreds of photographs.
The authorized biography of this Hollywood producer, who made REBECCA and GONE WITH THE WIND, looking at his career from his swift rise to prominence to the collapse of his empire.
In the more than twenty-five years since The Godfather was released, this monumental Paramount film has grown in stature, to such a degree that in several public 'Centenary of the Cinema' polls in 1995, it rated anywhere from #1 to #5 in the Best Film category. Francis Ford Coppola's Godfather trilogy redefined the gangster movie, transcending the genre to become a complex study of power, violence and ethnic solidarity. Few film books have delved so deep into the turmoil - both artistic and corporate - that make up modern Hollywood. Peter Cowie has had access to Francis Ford Coppola's archives for this book. He has interviewed Coppola himself, novelist Mario Puzo, Paramount production chief Robert Evans, and scores of other key personalities and techicians who worked on the films. Cowie also offers a masterful analysis of the themes and the historical inspiration that underpin the trilogy.