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Ron Herron, 20 Years of Drawings
  • Language: en
  • Pages: 56

Ron Herron, 20 Years of Drawings

  • Type: Book
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  • Published: 1980
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  • Publisher: Unknown

None

The Visions of Ron Herron
  • Language: en
  • Pages: 128

The Visions of Ron Herron

  • Type: Book
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  • Published: 1994
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  • Publisher: Unknown

Presenting the diagramatic designs behind Ron Herron's architectural works, this text provides a graphic presentation of numerous projects using CAD techniques.

The Visions of Ron Herron (Paper Only)
  • Language: en
  • Pages: 132

The Visions of Ron Herron (Paper Only)

Presenting the diagramatic designs behind Ron Herron's architectural works, this text provides a graphic presentation of numerous projects using CAD techniques.

Archigram
  • Language: en
  • Pages: 264

Archigram

  • Type: Book
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  • Published: 2005-06-24
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  • Publisher: MIT Press

The first book-length critical and historical account of an ultramodern architectural movement of the 1960s that advocated "living equipment" instead of buildings. In the 1960s, the architects of Britain's Archigram group and Archigram magazine turned away from conventional architecture to propose cities that move and houses worn like suits of clothes. In drawings inspired by pop art and psychedelia, architecture floated away, tethered by wires, gantries, tubes, and trucks. In Archigram: Architecture without Architecture, Simon Sadler argues that Archigram's sense of fun takes its place beside the other cultural agitants of the 1960s, originating attitudes and techniques that became standard...

Archigram
  • Language: en
  • Pages: 156

Archigram

The title Archigram came from the notion of a more simple and urgent item than a Journal, like a telegram or aerogramme - hence, "archi(tecture)-gram."".

Herron,R.:Notebooks
  • Language: en
  • Pages: 124

Herron,R.:Notebooks

None

Reyner Banham and the Paradoxes of High Tech
  • Language: en
  • Pages: 262

Reyner Banham and the Paradoxes of High Tech

Reyner Banham and the Paradoxes of High Tech reassesses one of the most influential voices in twentieth-century architectural history through a detailed examination of Banham’s writing on High Tech architecture and its immediate antecedents. Taking as a guide Banham’s habit of structuring his writings around dialectical tensions, Todd Gannon sheds new light on Banham’s early engagement with the New Brutalism of Alison and Peter Smithson, his measured enthusiasm for the “clip-on” approach developed by Cedric Price and the Archigram group, his advocacy of “well-tempered environments” fostered by integrated mechanical and electrical systems, and his late-career assessments of High Tech practitioners such as Norman Foster, Richard Rogers, and Renzo Piano. Gannon devotes significant attention to Banham’s late work, including fresh archival materials related to Making Architecture: The Paradoxes of High Tech, the manuscript he left unfinished at his death in 1988. For the first time, readers will have access to Banham’s previously unpublished draft introduction to that book.

A Good Friend
  • Language: en
  • Pages: 84

A Good Friend

Winner of The National Parenting Center's Seal of Approval

Catalog of Copyright Entries
  • Language: en
  • Pages: 1536

Catalog of Copyright Entries

  • Type: Book
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  • Published: 1976
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  • Publisher: Unknown

None

Drawing Futures
  • Language: en
  • Pages: 147

Drawing Futures

  • Type: Book
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  • Published: 2016-11-11
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  • Publisher: UCL Press

Drawing Futures brings together international designers and artists for speculations in contemporary drawing for art and architecture.Despite numerous developments in technological manufacture and computational design that provide new grounds for designers, the act of drawing still plays a central role as a vehicle for speculation. There is a rich and long history of drawing tied to innovations in technology as well as to revolutions in our philosophical understanding of the world. In reflection of a society now underpinned by computational networks and interfaces allowing hitherto unprecedented views of the world, the changing status of the drawing and its representation as a political act ...