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The papers in this volume were delivered and responded to at the Third Conference of the International Society for the Study of Time. The meeting took place during sunny days, punctuated by an occasional brief storm, in the confer ence facilities of the Österreichisches College in Alpbach, Austria, from ]uly 1 to ]uly 10, 1976. In the middle of it came ]uly 4, the 200th anniversary of the Declaration ofindependence, and in honor ofparticipants from the United States there was a special session of papers on the subject of Freedom and Time. [See Fraser, Park in this volume. ] The effect of the papers was kaleidoscopic; reading the table of contents one can surmise the experience of those enth...
The prestige of the Enlightenment has declined in recent years. Many consider its thinking abstract, its art and poetry uninspiring, and the assertion that it introduced a new age of freedom and progress after centuries of darkness and superstition presumptuous. In this book, an eminent scholar of modern culture shows that the Enlightenment was a more complex phenomenon than most of its detractors and advocates assume. It includes rationalist as well as antirationalist tendencies, a critique of traditional morality and religion as well as an attempt to establish them on new foundations, even the beginning of a moral renewal and a spiritual revival. The Enlightenment’s critique of tradition was a necessary consequence of the fundamental modern principle that we humans are solely responsible for the course of history. Hence we can accept no belief, no authority, no institutions that are not in some way justified. This foundation, for better or for worse, determined the course of the following centuries. Despite contemporary reactions against it, the Enlightenment continues to shape our own time and still distinguishes Western culture from any other.
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Employing a wide range of examples from Uncle Tom's Cabin and Birth of a Nation to Zelig and Personal Best, Janet Staiger argues that a historical examination of spectators' responses to films can make a valuable contribution to the history, criticism, and philosophy of cultural products. She maintains that as artifacts, films do not contain immanent meanings, that differences among interpretations have historical bases, and that these variations are due to social, political, and economic conditions as well as the viewers' constructed images of themselves. After proposing a theory of reception study, the author demonstrates its application mainly through analyzing the varying responses of au...
"During Sir Robert Walpole's term as "Prime Minister" exorbitant amounts of money were spent on propaganda in support of his administration. Since nearly all the major writers of the period adopted an anti-government stance, however, historians have shown far more interest in the organization and contents of opposition propaganda than in its pro-government counterpart. This book is the first comprehensive study of the literature published in support of Walpole's administration, and explores important pro-government themes, and also explains how the propaganda network was organized and what precisely the Old Corps Whig leadership hoped to achieve."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
A crucial period for the birth of modernity, France's 'long eighteenth century' (c. 1650-1820) was an era marked by the formulation of a new aesthetic and ethical code revolving around the intensification of emotions and the hyperbolic use of weeping. IThinking About Tears reveals another side to a period often called 'the age of reason'.
Although the root of the Hebrew name “Salome” is “peaceful”, the image spawned by the most famous woman to carry that name has been anything but peaceful. She and her story have long been linked to the beheading of John the Baptist, as described in the Gospels of Matthew and Mark, since Salome was the supposed catalyst for the prophet’s execution. This history of the myth of Salome describes the process by which that myth was created, the roles that art, literature, theology and music played in that creation, and how Salome’s image as evil varied from one period to another according to the prevailing cultural myths surrounding women. After setting forth the Biblical and historical origins of the Salome story, the book examines the major cultural, literary and artistic works which developed and propagated it, including those by Filippo Lippi, Rogier van der Weyden, Titian, Moreau, Beardsley, Mallarmé, Wilde and Richard Strauss.
Examines Ibsen's life and work, the ideas that shaped his art, and the influence he had on modern literature and thought
A World History of Tax Rebellions is an exhaustive reference source for over 4,300 years of riots, rebellions, protests, and war triggered by abusive taxation and tax collecting systems around the world. Each of the chronologically arranged entries focuses on a specific historical event, analyzing its roots, and socio-economic context.