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482 pages of excellent text, with many great black and white photos. This major biography encompasses more than the life of one man. It is an equally compelling study of political process, an anatomy of power, and an examination of the tactics of rule by subtle manipulations as well as by conscious tyranny.
Taken from the authoritative Oxford Chekhov, this collection features Chekhov's five greatest plays: Ivanov, The Seagull, Uncle Vanya, Three Sisters, and The Cherry Orchard. An Oxford University Press World Classic.
An extensive, anecdotal exploration of the Russian mind and character portrays salient behavior traits and attitudes and examines characteristic social and cultural phenomena.
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Most nineteenth-century Russian writers wrote for their own time and their own country. The assumed in their readers an intimate knowledge of imperial Russian life and familiarity with all sorts of detail with which modern students of their work cannot easily acquaint themselves. This background is supplied in systematic format in this book. It begins with a close look at the lives of writers, and the problems of the profession. It then examines their environment in its broader aspects, the Empire being considered from the point of view of geography, ethnography, economics, and the impact of Tsars on writers and society. Next comes a discussion of the main social "estates" -- peasants, landowning gentry, clergy, and townspeople. Finally, the competing forces of cohesion and disruption in imperial society are analyzed in their literary context -- the activities of civil service, law courts, police, army, schools, universities, press, censorship, revolutionaries, and agitators. -- From publisher's description.
Based on both previously available materials and abundant information made available in the Soviet Union since the publication in 1950 of Hingley's earlier critical study of Chekhov, A Life of Chekhov explores the wide range of private and public influences which shaped Chekhov's life.
In this book, Hingley, widely published critic and translator in the field of Russian literature, takes as his subject ''nightingale fever'' -- the poet's inability to stop singing regardless of consequences -- showing how this ''disease'' afflicted four of this century's greatest Russian poets: Osip Mandelstam, Anna Akhmatova, Marina Tsvetayeva, and Boris Pasternak. Linked by their closeness in age, their similar cultural, educational, and social backgrounds, and their hostility toward a social system of which all became victims, the four poets, their lives, and their creative outputs are examined here against a backdrop of revolutionary and social upheaval during the years immediately preceding World War I to those just after the outbreak of World War II.
This book, first published in 1959, contains passages with commentary from 12 of the most important Soviet authors. They are lively and typical passages, written in varying styles, depicting historical events such as the 1917 Revolution, collectivisation and the death of Stalin, as well as the everyday side of Soviet life. They are a key introduction to the Russian language used in the Soviet period, an analysis of the language used by its leading writers, and a snapshot of life in Russia at the time.