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Manuscript Diversity, Meaning, and Variance in Juan Manuel's El Conde Lucanor
Juan Manuel's El Conde Lucanor was arguably one of the great masterworks of early modern Spain. Although the work appears in five very different manuscript versions from the fourteenth to the sixteenth centuries, most modern editions of El Conde Lucanor have neglected to account for the fact that it was part of a manuscript tradition, and that its meaning is substantially affected when its original forms are not taken in to account. With Manuscript Diversity, Meaning, and Variance in Juan Manuel's El Conde Lucanor, Laurence de Looze demonstrates how the meaning of Juan Manuel's work changes depending on how the work is 'performed' in particular manuscripts. This study proceeds from the assumption that, in a pre-printing press world, each new copy or 'performance' of a work creates new meaning. By adopting this approach and by focusing on Parts II-V of the texts, de Looze argues that El Conde Lucanor raises questions about the interretation, intelligibility, and the production of knowledge. De Looze's complex and nuanced reading sheds new light on an important work and makes a significant contribution to medieval studies, Spanish studies, and the history of the book.
The End of the World as They Knew it
Maps the shifting constructions of the space of the South in Argentine discourses of identity, nation, and self-fashioning. This book examines how representations of the South - as primitive, empty, violent, or a place of potential - inform Argentine liberal ideology.
P/herversions
Ana Rossetti is a unique phenomenon in Spanish culture, a performer and a writer who resists categorization within any single genre, gender, period, or medium. One of the most exciting Spanish writers of the last twenty-five years, Rossetti can be both transgressive and playful, employing erotic signs (fetishes, taboos) derived from fashion, literature, design, pornography, psychology, theater, drag, and Catholicism to destabilize critical, analytic, political, social, and gender categories. Critics, however, have faced a dilemma that this book seeks to overcome: how to define her work - which bridges high and low cultures and includes poetry, fiction, essay, fashion, drama, children's literature, and opera - without resorting back to the very categories that her own artistic practice questions.
Rethinking Identity in Modern Japan
This volume is a major reconsideration of Japanese late modernity and national hegemony which examines the creative and academic works of a number of influential Japanese thinkers. The author situates the process of Japanese knowledge production in the interface between the immediate historical and the wider socio-economic and politico-cultural contexts accompanying the Japanese post-war experience of modernity. This book will be of great value to anyone interested in the history of contemporary Japanese culture and society.
Mexican Canto Nuevo
Mexican Canto Nuevo: Music, Politics, and Resistance explores the vibrant history of Canto Nuevo, a musical and cultural movement that influenced Mexican music, politics, and culture from the 1960s to the late 1980s. Author Claudio Palomares-Salas delves into every aspect of Canto Nuevo's evolution, from its origins during the 1968 student movement to its peak and eventual decline two decades later. Palomares-Salas offers a comprehensive, rigorous, and easy-to-follow path to understand Canto Nuevo in all its complexity, discussing Canto Nuevo's nomenclature and temporality, the Marxist-humanist principles that defined the movement's lyrical production and governed the lives of its participan...
The Lights of Home
Because of political, cultural, or economic difficulties in their homelands, Latin American writers have often sought refuge abroad. Their independent searches for a haven in which to write often ended in Paris, long a city of writes in exile. This is more than solely a group biography of these writers or an explication of material they wrote about Paris; it is also a luminous account of the work they wrote while in Paris, often based in their homelands. It explores how Paris reacted to this wave of Latin American writers and how these writers absorbed Parisian influences and welded them to their own traditions setting the stage for immense success and power of works coming from Central and South America over the last half of the twentieth century.
Embodied Archive
Disability and racial difference in Mexico's early post-revolutionary period
Latin American Detectives against Power
This book examines how Latin American detective stories portray individualism and the state through the figures of the private eye and the police. Fabricio Tocco argues that these portrayals constitute a far more radical critique than the one developed by the Anglo-American canon, culminating in a transnational “poetics of failure” rooted in dissatisfaction with the neoliberal state.
Yearbook of the European Convention for the Prevention of Torture and Inhuman or Degrading Treatment or Punishment/Annuaire de la convention européenne pour la prévention de la torture et des peines ou traitements inhumains ou dégradants
The European Convention for the Prevention of Torture and Inhuman or Degrading Treatment or Punishment was adopted by the Committee of Ministers of the Council of Europe in June 1987. It entered into force in February 1989 and all 47 member States are Parties to the Convention. The Convention has already established itself as an important human rights instrument. Its approach is quite different from that of the European Convention on Human Rights. Whereas the ECHR provides a remedy for particular human rights violations after the event, the Convention for the Prevention of Torture (ECPT) seeks to prevent human rights violations, through a system of visits to places of detention. The Conventi...
The Cambridge Companion to Latin American Poetry
This Companion provides a chronological survey of Latin American poetry, analysis of modern trends and six succinct essays on the major figures.
