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Juan Manuel's El Conde Lucanor was arguably one of the great masterworks of early modern Spain. Although the work appears in five very different manuscript versions from the fourteenth to the sixteenth centuries, most modern editions of El Conde Lucanor have neglected to account for the fact that it was part of a manuscript tradition, and that its meaning is substantially affected when its original forms are not taken in to account. With Manuscript Diversity, Meaning, and Variance in Juan Manuel's El Conde Lucanor, Laurence de Looze demonstrates how the meaning of Juan Manuel's work changes depending on how the work is 'performed' in particular manuscripts. This study proceeds from the assumption that, in a pre-printing press world, each new copy or 'performance' of a work creates new meaning. By adopting this approach and by focusing on Parts II-V of the texts, de Looze argues that El Conde Lucanor raises questions about the interretation, intelligibility, and the production of knowledge. De Looze's complex and nuanced reading sheds new light on an important work and makes a significant contribution to medieval studies, Spanish studies, and the history of the book.
Ana Rossetti is a unique phenomenon in Spanish culture, a performer and a writer who resists categorization within any single genre, gender, period, or medium. One of the most exciting Spanish writers of the last twenty-five years, Rossetti can be both transgressive and playful, employing erotic signs (fetishes, taboos) derived from fashion, literature, design, pornography, psychology, theater, drag, and Catholicism to destabilize critical, analytic, political, social, and gender categories. Critics, however, have faced a dilemma that this book seeks to overcome: how to define her work - which bridges high and low cultures and includes poetry, fiction, essay, fashion, drama, children's literature, and opera - without resorting back to the very categories that her own artistic practice questions.
This volume is a major reconsideration of Japanese late modernity and national hegemony which examines the creative and academic works of a number of influential Japanese thinkers. The author situates the process of Japanese knowledge production in the interface between the immediate historical and the wider socio-economic and politico-cultural contexts accompanying the Japanese post-war experience of modernity. This book will be of great value to anyone interested in the history of contemporary Japanese culture and society.
Maps the shifting constructions of the space of the South in Argentine discourses of identity, nation, and self-fashioning. This book examines how representations of the South - as primitive, empty, violent, or a place of potential - inform Argentine liberal ideology.
Disability and racial difference in Mexico's early post-revolutionary period
This Companion provides a chronological survey of Latin American poetry, analysis of modern trends and six succinct essays on the major figures.
Because of political, cultural, or economic difficulties in their homelands, Latin American writers have often sought refuge abroad. Their independent searches for a haven in which to write often ended in Paris, long a city of writes in exile. This is more than solely a group biography of these writers or an explication of material they wrote about Paris; it is also a luminous account of the work they wrote while in Paris, often based in their homelands. It explores how Paris reacted to this wave of Latin American writers and how these writers absorbed Parisian influences and welded them to their own traditions setting the stage for immense success and power of works coming from Central and South America over the last half of the twentieth century.
One of the world's renowned centres of culture, Barcelona is also one of the capitals of modernist art given its associations with the talents of Dali, Picasso, and Gaudi. Jazz Age Barcelona focuses the lenses of cultural studies and urban studies on the avant-garde character of the city during the cosmopolitan Jazz Age, delving into the cultural forces that flourished in Europe between the late 1910s and early 1930s. Studying literary journalism, photography, and the city of Barcelona itself, Robert Davidson argues that the explosion of jazz culture and the avant-garde was predominantly fostered by journalists and their positive reception of innovative new art forms and radical politics. Us...
The Spatiality of the Hispanic Avant-Garde: Ultraísmo & Estridentismo, 1918-1927 is a thorough exploration of the meanings and values Hispanic poets and artists assigned to four iconic locations of modernity: the city, the cafés, means of transportation, and the sea, during the first decades of the 20th century. Joining important studies on Spatiality, Palomares-Salas convincingly argues that an unsolvable tension between place and space is at the core of the Hispanic avant-garde cultural production. A refreshing, transatlantic perspective on Ultraism and Stridentism, the book moves the Hispanic vanguards forward into broader, international discussions on space and modernism, and offers innovative readings of well-known, as well as rarely studied works.
This book explores traditional and contemporary concerns surrounding gender and ethnicity in Chile through a textual analysis of historical novels depicting seventeenth-century figure, Catalina de los R�os y Lisperguer. Drawing on theories from the Global North and South, it incorporates postcolonial perspectives and decolonial feminist methodologies to expose patriarchal, Eurocentric hierarchies constructed during the colonial era, which remain in Chilean society today. Through close readings, the book demonstrates that it is in the inconsistent and fluid depictions of characters that identities are deconstructed and reconstructed in ways that defy and transform social norms. This is the ...