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Writing At Risk
Much has been made of the image of writers in Paris—romanticized and idealized in fiction and on screen, these émigré artists in sidewalk cafés spark our imagination with unusual force. But rarely do the real-life figures speak to us directly to comment on their work, their lives, and their reasons for choosing to live and work in Paris. In these striking interviews, E. M. Cioran, Julio Cortázar, Brion Gysin, Eugène Ionesco, Carlos Fuentes, Jean-Claude Carrière, Milan Kundera, Nathalie Sarraute, and Edmund Jabès do just this as they speak out on the risks they've taken, on their struggles and discoveries, on tradition, challenge, and their near-unanimous status as émigrés. A consu...
Steve Lacy
A collection of thirty-four interviews with the innovative soprano saxophonist and jazz composer Steve Lacy (1934&–2004).
SuperCash
"James Altucher is scary smart, and also a font of great and original ideas. So it's no surprise that SuperCa$h is so much fun to read and so devilishly informative. It is equally full of 'holy cow!' moments and 'why-didn't-I-think-of-that?' moments. A true keeper." —Stephen J. Dubner, coauthor of Freakonomics "Altucher describes in easy-to-understand terms the strategies used by the smartest managers in the world—those who are running the hottest hedge funds—to show how they are making money today. SuperCa$h is a great primer for those who are looking to trade like the pros. And it helps that Altucher writes in a clear and fun style!" —John Mauldin, President of Millennium Wave Advisors, LLC, and author of Bull's Eye Investing As hedge funds have become more mainstream, some of their strategies are less capable of producing extraordinary returns. In response, hedge fund managers and other sophisticated investors have found new ways to turn cash into supercash. Examine these new ways with hedge fund manager James Altucher and supersize your returns.
Our Last Carnival
Life changes drastically for Lyana Lagos and her family on Carnival Day - February 27, 1952 - when her father, Luis, a prominent lawyer, along with other dissidents, plan the assassination of Dominican Republic dictator Rafael Trujillo. When their plan is discovered, Luis Lagos rushes to his home just in time to rescue his wife and two children from Trujillo's militia. Speeding away from their home as gunshots permeate their family car, they flee to Haiti. With the help of a good friend, the Lagos family travels to New York City and moves into a tiny apartment in Hell's Kitchen, a neighborhood riddled with gang violence. Upon their arrival in the Big Apple, Lyana's father takes a job as a lo...
Other Lives Our Own
In Other Lives Our Own, Jason Weiss's nimble prose links rich viewpoints with precise lyricism and meditative calm. In poignant narrative sketches, language, place, time, and experience combine into words with the power to bind existence to memory and thought. Snapshots of joy, loss, change, travel, pain, distance, foreignness, spirituality, and laughter interconnect in his artful reflections; in these moments, you can glimpse parts of your own story.
Finding Nothing
Experimental literature accelerated dramatically in Vancouver in the 1960s as the influence of New American poetics merged with the ideas of Marshall McLuhan. Vancouver poets and artists began thinking about their creative works with new clarity and set about testing and redefining the boundaries of literature. As new gardes in Vancouver explored the limits of text and language, some writers began incorporating collage and concrete poetics into their work while others delved deeper into unsettling, revolutionary, and Surrealist imagery. There was a presumption across the avant-garde communities that radical openness could provoke widespread socio-political change. In other words, the interme...
Windows of the Heavens
When the heavens open on the small river town of Occoquan, Virginia, the streets flood and a candle shop is swept away. A Methodist pastor named Harley Camden witnesses the destructive deluge and then discovers, in the debris, a dead man with a crude carving of Satan's claws in his back. Harley is drawn into the mystery of what caused the flood and who killed the man, while diving into questions of good and evil, body and spirit, humanity and the environment--especially questions about the change in climate that now threatens life around the globe. He discovers that there is a spiritual dimension to every social issue, whether it be the violence of Central American gangs or the racism that leads a black businessman to make a fateful choice. When the windows of the heavens open, surprising truths are revealed about how people can coexist in an interfaith, multicultural community, and how humans can establish a sustainable relationship with the natural world around them.
