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Between Anthropology and Literature
This collection suggests that the disciplines of literature and anthropology are not static entities but instead fluid sites of shifting cultural currents and academic interests. The essays conclude that the origins, sources, and intersections of the two disciplines are constantly being revised, and reconceived, leading to new possibilities of understanding texts. The authors address the ways in which the language of social science fuses with that of the literary imagination. The essays fit excellently with the current interest in interdisciplinary studies and challenge students to see texts as parts of a larger global and cultural matrix.
Communities in Contemporary Anglophone Caribbean Short Stories
This book explores representations of community in Anglophone Caribbean short story collections and cycles of the late twentieth and early twenty-first century.
American Woman, Italian Style
With writings that span more than thirty-five years, American Woman, Italian Style is a rich collection of essays that fleshes out the realities of today's Italian American women and explores the myriad ways they continue to add to the American experience. The status of modern Italian-American women in the United States is noteworthy: their quiet and continued growth into respected positions in the professional worlds of law and medicine surpasses the success achieved in that of the general population--so too does their educational attainment and income. Contributions include Donna Gabaccia on the oral-to-written history of cookbooks, Carol Helstosky on the Tradition of Invention, an intervi...
The Rise and Fall of the Femme Fatale in British Literature, 1790-1910
The Rise and Fall of the Femme Fatale in British Literature, 1790-1910 explores the femme fatale's career in nineteenth-century British literature. It traces her evolution--and devolution--formally, historically, and ideologically through a selection of plays, poems, novels, and personal correspondence. Considering well-known fatal women alongside more obscure ones, The Rise and Fall of the Femme Fatale sheds new light on emerging notions of gender, sexuality, and power throughout the long nineteenth century. By placing the fatal woman in a still-developing literary and cultural narrative, this study examines how the femme fatale adapts over time, reflecting popular tastes and socio-economic landscapes.
A Class of Its Own
A Class of Its Own positions important and rediscovered American social protest authors within both a scholarly and student-centered context. The volume draws on the expertise and pedagogy of established and younger scholars who move gracefully from theories of what makes a text “working class” to how studies of class empower college teachers and courses. Among the authors discussed in the volume’s essays and prominent in the book’s syllabi section are Zora Neale Hurston, Stephen Crane, Agnes Smedley, and Ana Castillo.
Social Pluralism and Literary History
This book starts from the premise that emigration is a crucial concept for the understanding of recent development in criticism and literature. For only when the contribution of non-indigenous ethnicities is taken into account such other key phenomena as globalisation and multiculturalism or -- in some parts of the world -- colonialism or post-colonialism appear in full. The essays in this collection trace the presence of an Italian heritage in the literature of the United States, Canada, Australia, Germany, and ponder the consequences. While some articles describe the texts or review the history of the literature produced by authors of Italian origin, others address the theoretical implications or situate the discussion about authors and their works within the current critical debate. The result is a volume at once informative and intellectually challenging.
The Laughter of the Saints
Between the fourteenth and seventeenth centuries in Spain, a large number of parodic works were produced that featured depictions of humourous, satirical, and comical saints. The Laughter of the Saints examines this rich carnivalesque tradition of parodied holy men and women and traces their influence to the anti-heroes and picaresque roots of early modern novels such as Don Quixote. The first full-length treatment of the ways in which Spanish writers imitated religious depictions of saints' lives for comic purposes, Ryan D. Giles' erudite study explores the inversion of oaths, invocations, pious legends, and liturgical devotions. Analyzing a variety of texts from Libro de buen amor, to later works such as the Celestina, Carajicomedia, Lozana andaluza, and Lazarillo de Tormes, Giles not only sheds light on Golden Age Spanish literature, but also on the origins of the comic novel. A well-argued and convincing work, The Laughter of the Saints reveals the uproarious results of the collision of official and unofficial methods of storytelling.
