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Oceanic Mythology
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"Australian Art and Artists in London, 1950?965 "
Subtle and wide-ranging in its account, this study explores the impact of Australian art in Britain in the two decades following the end of World War II and preceding the 'Swinging Sixties'. In a transitional period of decolonization in Britain, Australian painting was briefly seized upon as a dynamic and reinvigorating force in contemporary art, and a group of Australian artists settled in London where they held centre stage with group and solo exhibitions in the capital's most prestigious galleries. The book traces the key influences of Sir Kenneth Clark, Bernard Smith and Bryan Robertson in their various (and varying) roles as patrons, ideologues, and entrepreneurs for Australian art, as ...
Professional Savages
In August 1882 the circus impresario P. T. Barnum called for examples of "all the uncivilized races in existence.” In response, the showman R. A. Cunningham shipped two groups of Australian Aborigines to the United States. They were displayed as "cannibals” in circuses, dime museums, fairgrounds, and other showplaces in America and Europe and examined and photographed by anthropologists. Roslyn Poignant tells the fascinating and often searing story of the transformation of the Aboriginal travelers into accomplished performers, professional savages who survived at least for a short time by virtue of the strengths they drew from their own culture and their individual adaptability. Most died somewhere on tour. A century later, the mummified body of Tambo, the first to die, was discovered in the basement of a recently closed funeral home in Cleveland, Ohio. Poignant recounts how Tambo’s posthumous repatriation stimulated a cultural renewal within the community from which he came, exposing the roots of present social and economic injustices experienced by indigenous Australians.
The Flash of Recognition
As a student, Jane Lydon was shocked by the photograph on the cover of Charles Rowley’s 1970 classic, The Destruction of Aboriginal Society, which showed two Aboriginal men in neck-chains. In this original and highly illustrated book she uses photography to tell a bigger story of the struggle for Aboriginal rights in Australia. While many of the images are confronting, the book tells the positive story of the way in which photography has been used as a tool for change and to argue for recognition of our shared humanity. Starting at the turn of the twentieth century and continuing to the NT Intervention in the present, the book includes more than 60 images taken from newspapers and journals, as well as the work of contemporary artists.
Photography's Other Histories
Moving the critical debate about photography away from its current Euro-American center of gravity, Photography’s Other Histories breaks with the notion that photographic history is best seen as the explosion of a Western technology advanced by the work of singular individuals. This collection presents a radically different account, describing photography as a globally disseminated and locally appropriated medium. Essays firmly grounded in photographic practice—in the actual making of pictures—suggest the extraordinary diversity of nonwestern photography. Richly illustrated with over 100 images, Photography’s Other Histories explores from a variety of regional, cultural, and historic...
Pictures Bring Us Messages
In 1925, Beatrice Blackwood of the University of Oxford's Pitt Rivers Museum took thirty-three photographs of Kainai people on the Blood Indian Reserve in Alberta as part of an anthropological project. In 2001, staff from the museum took copies of these photographs back to the Kainai and worked with community members to try to gain a better understanding of Kainai perspectives on the images. 'Pictures Bring Us Messages' is about that process, about why museum professionals and archivists must work with such communities, and about some of the considerations that need to be addressed when doing so. Exploring the meanings that historic photographs have for source communities, Alison K. Brown, L...
Photography: Theoretical Snapshots
Over the past twenty-five years, photography has moved to centre-stage in the study of visual culture and has established itself in numerous disciplines. This trend has brought with it a diversification in approaches to the study of the photographic image. Photography: Theoretical Snapshots offers exciting perspectives on photography theory today from some of the world’s leading critics and theorists. It introduces new means of looking at photographs, with topics including: a community-based understanding of Spencer Tunick’s controversial installations the tactile and auditory dimensions of photographic viewing snapshot photography the use of photography in human rights discourse. Photog...
Photography's Other Histories
Richly illustrated with over 100 images, this volume explores the role of photography in raising historical consciousness from a variety of geographic, cultural, and historical perspectives. 128 photos.
Sidney Nolan
Digging through the myths around Australia’s most famous artist, many of which he created himself as a masterful self-promoter, this book is the biography that Sidney Nolan deserves. In an authoritative, insightful and often irreverent biography that fully charts Nolan’s life and work, Nancy Underhill peels back the layers from a complicated, expedient and manipulative artistic genius. She carries the story from Nolan’s birth in 1917 to his death in 1992, tracing his early life, his experience as a commercial artist, his involvement in theAngry Penguins magazine, his painting and set design, his difficult marriages and friendships with some of the twentieth century’s most famous figures: Patrick White, Albert Tucker, Benjamin Britten, Robert Lowell, Stephen Spender and Kenneth Clark.
Keeping Time
Keeping Time: Dialogues on music and archives in Honour of Linda Barwick explores current issues in ethnomusicology and the archiving and repatriation of ethnographic field recordings. The 19 chapters by 36 authors consider archiving practices as a site of interaction between researchers and cultural heritage communities; cross-disciplinary approaches to understanding song; and the role of musical transcription in non-Western music. This volume is international in scope with case studies with Indigenous and minority peoples from Papua New Guinea, China, India, the Torres Strait and mainland Aboriginal Australia; the latter being the focus of the majority of chapters. Topics include the reviv...
