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Valie Export
  • Language: en
  • Pages: 356

Valie Export

ÒThis sumptuously illustrated volume is the first in English devoted to this important Austrian avant-gardist.Ó ÑChoiceÒRoswitha Mueller offers a sorely needed overview of Valie ExportÕs work in this comprehensive study. . . . the sheer breadth of MuellerÕs research constitutes an important contribution to film criticism . . . Ó ÑAustrian Studies NewsletterAn early, groundbreaking performance artist, Valie Export created a philosophy of ÒFeminist ActionismÓ and in multimedia performances used the female body to critique male spectatorship. Here Roswitha Mueller examines ExportÕs performance work, her photography and films, and her critical writings and interviews.

The Cambridge Companion to Brecht
  • Language: en
  • Pages: 338

The Cambridge Companion to Brecht

This updated edition properly retains much that was in the original Companion, but also introduces new voices and themes. It brings together the contrasting views of major critics and active practitioners and contains new essays on Brecht's early experience of cabaret, his significance in the development of film theory and his unique approach to dramaturgy. A detailed calendar of Brecht's life and work and a selective bibliography of English criticism complete this thorough overview of a writer who constantly aimed to provoke. Book jacket.

Text Into Image, Image Into Text
  • Language: en
  • Pages: 456

Text Into Image, Image Into Text

  • Type: Book
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  • Published: 1997
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  • Publisher: Rodopi

Text into Image: Image into Text is a truly interdisciplinary publication. Whilst all of the contributions focus upon the central problem of the relationship between literature and the visual arts -- one which has lost nothing of its fascination as the debate has expanded in numerous forms from antiquity into the realm of postmodern theory -- they come from contributors working in a large number of different areas. Represented are academics from the worlds of German Studies, French Studies, English Studies, Art History and Film Studies. Given their backgrounds each of the contributors can offer a different perspective upon the core issue of translation between media, but perhaps most valuable is the com-bination of perspectives made possible by the arrangement of the volume into sections dealing with aspects of the image/text debate. In the same way that the volume gains by ranging across traditional disciplinary boundaries so it also gains from dealing with a wide range of historical material from -- to take only one possible route -- Baroque icono-graphy through Romantic imagery to Expressionist agony.

The Theater of Heiner MŸller
  • Language: en
  • Pages: 303

The Theater of Heiner MŸller

The revised and enlarged edition of the first comprehensive English-language study of the work of Heiner Muller, widely regarded as Bertolt Brecht's spiritual heir and as one of the most important German playwrights of the twentieth century. "Kalb's quest to try and penetrate some of the surfaces of what he calls this 'glacially infuriating writer' is engrossing, and he negotiates his own ambivalences and reservations about Muller as theatre-maker and man with both honesty and adroitness...As a piece of scholarship [this] is a breathtaking tour de force." -Mary Luckhurst, New Theatre Quarterly

Brecht at the Opera
  • Language: en
  • Pages: 301

Brecht at the Opera

From an award-winning author, the first thorough examination of the important influence of opera on Brecht's writings.Brecht at the Opera looks at the German playwright's lifelong ambivalent engagement with opera. An ardent opera lover in his youth, Brecht later denounced the genre as decadent and irrelevant to modern society even as he continued to work on opera projects throughout his career. He completed three operas and attempted two dozen more with composers such as Kurt Weill, Paul Hindemith, Hanns Eisler, and Paul Dessau. Joy H. Calico argues that Brecht's simultaneous work on opera and Lehrstück in the 1920s generated the new concept of audience experience that would come to define epic theater, and that his revisions to the theory of Gestus in the mid-1930s are reminiscent of nineteenth-century opera performance practices of mimesis. From an award-winning author, the first thorough examination of the important influence of opera on Brecht's writings.Brecht at the Opera looks at the German playwright's lifelong ambivalent engagement with opera. An ardent opera lover in his youth, Brech

Revealing Masks
  • Language: en
  • Pages: 368

Revealing Masks

This book is about the use of exoticism, particularly the use of masks and stylized movement, in opera and other musical theater genres of the twentieth century. The author explores in depth a topic that effects a wide variety of important composers, dancers, and dramatists, but has never been comprehensively studied.

Triangulated Visions
  • Language: en
  • Pages: 310

Triangulated Visions

  • Type: Book
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  • Published: 1998-01-01
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  • Publisher: SUNY Press

This broad-ranging collection, the first of its kind, gathers essays on the representation of women in recent German cinema, as well as recent interviews with German women filmmakers.

Ernst Bloch
  • Language: en
  • Pages: 221

Ernst Bloch

  • Type: Book
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  • Published: 2019-08-03
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  • Publisher: Springer

This book provides a comprehensive introduction to and overview of the life and philosophy of Ernst Bloch. Bloch has had a strange fate in the English-speaking world. He wrote his famous three-volume opus, The Principle of Hope, while living in exile in the United States from 1938 to 1940. It was first published, however, in East Germany in the 1950s after he had returned to Europe and became a professor of philosophy at the University of Leipzig. Gradually, his other numerous works became better known and widespread in Europe and scholars in the US and UK started to take note of his works. Yet, he has still remained a somewhat neglected figure in the humanities. While this book does not set...

Transnational Chinese Cinemas
  • Language: en
  • Pages: 429

Transnational Chinese Cinemas

Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture.

Brecht, Turkish Theater, and Turkish-German Literature
  • Language: en
  • Pages: 176

Brecht, Turkish Theater, and Turkish-German Literature

Uncovers the central role of Brecht reception in Turkish theater and Turkish-German literature, examining interactions between Turkish and German writers, texts, and contexts.