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As an American author who chose to live in Europe, Henry James frequentlywrote about cultural differences between the Old and New World. Theplight of bewildered Americans adrift on a sea of European sophisticationbecame a regular theme in his fiction.This collection of twenty-four papers from some of the world's leadingJames scholars offers a comprehensive picture of the author's crossculturalaesthetics. It provides detailed analyses of James's perception ofEurope - of its people and places, its history and culture, its artists andthinkers, its aesthetics and its ethics - which ultimately lead to a profoundreevaluation of his writing.With in-depth analysis of his works of fiction, his autobiographical andpersonal writings, and his critical works, the collection is a major contribution to current thinking about James, transtextuality and cultural appropriation.
The thirteen contributions to this collection all explore or exemplify the ongoing British interest in the socialist world before 1990. In autobiography, fiction, film, history, and lexicography, these chapters show how contemporary Britain is engaging with the past project to build socialism in Europe, and what this means for the present and the future of our continent. Contributions come from a wide range of disciplinary and geographical backgrounds, and the volume is further enriched by a short story especially written for this book and by an in-depth interview with the author of a recent popular history of the GDR. Together, these chapters offer a unique perspective into contemporary British writing on the ‘second world’ and the enduring fascination with the failures of futures past.
This is the first comprehensive, multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)" over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes.
'War, Espionage, and Masculinity in British Fiction' explores the masculinities represented in British works spanning more than a century. Studies of Rudyard Kipling’s 'The Light That Failed' (1891) and Erskine Childer’s 'The Riddle of the Sands' (1903) investigate masculinities from before World War I, at the height of the British Empire. A discussion of R.C. Sherriff’s play 'Journey’s End' takes readers to the battlefields of World War I, where duty and the harsh realities of modern warfare require men to perform, perhaps to die, perhaps to be unmanned by shellshock. From there we see how Dorothy Sayers developed the character of Peter Wimsey as a model of masculinity, both strong ...
With the Treaty of Versailles, the Western nation-state powers introduced into the East Central European region the principle of national self-determination. This principle was buttressed by frustrated native elites who regarded the establishment of their respective nation-states as a welcome opportunity for their own affirmation. They desired sovereignty but were prevented from accomplishing it by their multiple dispossession. National elites started to blame each other for this humiliating condition. The successor states were dispossessed of power, territories, and glory. The new nation-states were frustrated by their devastating condition. The dispersed Jews were left without the imperial protection. This embarrassing state gave rise to collective (historical) and individual (fictional) narratives of dispossession. This volume investigates their intended and unintended interaction. Contributors are: Davor Beganović, Vladimir Biti, Zrinka Božić-Blanuša, Marko Juvan, Bernarda Katušić, Nataša Kovačević, Petr Kučera, Aleksandar Mijatović, Guido Snel, and Stijn Vervaet.
Offers a new conceptual framework rooted in mythological analysis to ground the field of Africana cultural memory studies. Black Cultural Mythology retrieves the concept of “mythology” from its Black Arts Movement origins and broadens its scope to illuminate the relationship between legacies of heroic survival, cultural memory, and creative production in the African diaspora. Christel N. Temple comprehensively surveys more than two hundred years of figures, moments, ideas, and canonical works by such visionaries as Maria Stewart, Richard Wright, Colson Whitehead, and Edwidge Danticat to map an expansive yet broadly overlooked intellectual tradition of Black cultural mythology and to prov...
Through close readings of works from Henry James to W. E. B. Du Bois, and from Virginia Woolf to Jean Rhys, this book discusses how fictional travelers negotiate and adapt various tropes of travel (such as quest, expatriation, displacement, and exile) as models for their own journeys. Specifically, Peat considers the ethical dimensions of modernist travel from two distinct vantages. The first focuses on the relationship between the secular and the sacred in modernist travel literature, arguing that the recurrent narrative of secular travel is haunted by a desire for spiritual transcendence. The second posits modernist travel fiction as a potentially positive example of transcultural relations, consciously arguing against the received notion that travel during an imperial era is always by nature itself imperialist. Throughout, particular attention is paid to the transnational nature of modernism and the various global flows traced by modernist literature.
The East Central Europe in Exile series consists of two volumes which contain chapters written by both esteemed and renowned scholars, as well as young, aspiring researchers whose work brings a fresh, innovative approach to the study of migration. Altogether, there are thirty-eight chapters in both volumes focusing on the East Central European émigré experience in the nineteenth and twentieth centuries. The first volume, Transatlantic Migrations, focuses on the reasons for emigration from the lands of East Central Europe; from the Baltic to the Adriatic, the intercontinental journey, as well as on the initial adaptation and assimilation processes. The second volume is slightly different in scope, for it focuses on the aspect of negotiating new identities acquired in the adopted homeland. The authors contributing to Transatlantic Identities focus on the preservation of the East Central European identity, maintenance of contacts with the “old country”, and activities pursued on behalf of, and for the sake of, the abandoned homeland. Combined, both volumes describe the transnational processes affecting East Central European migrants.
This volume looks at the growing interest of different specialists in the problems associated with political discourse, in general, and parliamentary discourse, as one of its major sub-genres, in particular. Its main goal is to offer a deeper understanding of the diversity of parliamentary practices across space and time. The papers aim to highlight the role played by local social and historical factors, ideologies, collective mentalities, and social psychology in building up culture-specific traditions of political institutions. Approaching the problems from a large variety of theoretical perspectives, the investigations are based on flexible, interdisciplinary, and multi-layered methodologies, offering an image of the multifaceted manifestations of parliamentary debates. The volume addresses specialists in several fields, such as linguistics, discourse analysis, history, political science, sociology, (social) anthropology, (social) psychology, media and communication.
This book analyzes three of the most accomplished twentieth century black diaspora activists: Malcolm X, Stokely Carmichael and Walter Rodney. All began their careers in the Diaspora and later turned toward Africa. This became the foundation for developing and solidifying a global force that would advance the struggles of Africans and people of African descent in the Diaspora. Adeleke explores this "African-centered" discourse of resistance which informed the collective struggles of these activists. The book illuminates shared attributes and differences, presenting these men as unified by a struggle against, and resistance to, shared historical and cultural challenges.