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A Literary and Historical Exploration of the Life and Works of Runar Schildt
This is the first book written for an English language audience on the work of the Finland-Swedish author, Runar Schildt (1888-1925). Schildt was a highly cosmopolitan writer, who kept a keen eye on the latest continental prose and showed an affinity for the literary decadence that was in fashion around the turn-of-the-century, as well as early modernism. He worked as a literary critic, a theater director, and a translator, which kept him in touch with the latest literary trends in Europe. The book posits that Schildt’s work bears witness to the turbulent times he lived in: he saw his native Finland transformed from a Grand Duchy of Russia to a republic, against the backdrop of the Russian Revolution and the Finnish Civil War. Schildt’s literary career provides important cultural and historical insights into this significant moment of modern European history.
Travel Writing and Cultural Transfer
Travel Writing and Cultural Transfer addresses the multifaceted concept of cultural transfer through travel writing, with the aim of expanding our knowledge of modes of travel in the past and present and how they developed, as did the way in which travel was reported. Travel as both factual and fictional— with authors and narratives moving between different worlds— is one of the many devices that demonstrate the fluidity of the genre. This fluidity accounts for the manifold and powerful influence of travel writing on processes of cultural transfer. This volume also illustrates that cultural transfer is frequently linked to issues of power, colonialism and politics. The various chapters investigate the transmission of other cultures, ideas and ideologies to the writer’s own cultural sphere and consider how the processes of cultural transfer interact with the forms and functions of travel writing.
Living Pictures, Missing Persons
In the late nineteenth century, Scandinavian urban dwellers developed a passion for a new, utterly modern sort of visual spectacle: objects and effigies brought to life in astonishingly detailed, realistic scenes. The period 1880-1910 was the popular high point of mannequin display in Europe. Living Pictures, Missing Persons explores this phenomenon as it unfolded with the rise of wax museums and folk museums in the largest cities of Denmark, Sweden, and Norway. Mark Sandberg asks: Why did modernity generate a cultural fascination with the idea of effigy? He shows that the idea of effigy is also a portal to understanding other aspects of visual entertainment in that period, including the wid...
Scandinavian Review
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