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Poetics
In Poetics Aristotle (384-322 BCE) treats Greek tragedy and epic. The subject of On the Sublime, attributed to an (unidentifiable) "Longinus" and probably composed in the first century CE is greatness in writing. On Style, attributed to an (unidentifiable) "Demetrius" and perhaps composed in the second century BCE, analyzes four literary styles. This volume brings together the three most influential ancient Greek treatises on literature. Aristotle's Poetics contains his treatment of Greek tragedy: its history, nature, and conventions, with details on poetic diction. Stephen Halliwell makes this seminal work newly accessible with a reliable text and a translation that is both accurate and rea...
Poetics
In one of the most perceptive and influential works of criticism in Western literary history, third century B.C. Greek philosopher Aristotle examines the literature of his time, describing the origins of poetry as an imitative art and drawing attention to the distinctions between comedy and tragedy. Aristotle helped establish the foundations of Western philosophy, and his influence is evident in philosophical thought today.
The Antiatticist
The so-called Antiatticista is a Greek Atticistic lexicon crucial for understanding the Atticism of the 2nd cent. CE. The anonymous author approved a broader idea of Attic language in contrast to the most rigorous Atticists. For this (polemic) purpose, he used some older sources (in particular Hellenistic ones, such as Aristophanes of Byzantium) where he could find rich quotations from classical authors, especially from comic poets. Given that many of them are no longer extant, this work now represents the only source for them. The first critical edition of this lexicon is prefaced by a survey of its textual tradition, direct and indirect, which concerns its relationship to the Byzantine lexicon Synagoge. The authorship, the typology, and the sources of the work are also investigated. The unedited annotations by David Ruhnkenius for his planned edition of the text are appended. Comprehensive indexes are provided at the end of the book.
Fabulae
This new Oxford Classical Text of Sophocles is the product of many years of close collaboration between the two editors. Most of the major difficulties of text and interpretation have been discussed in graduate seminars held in Oxford. The evidence of the manuscript tradition has been carefully assessed, and the results of one important discovery have been exploited for the first time. It has also been possible to take account of many little-known or forgotten conjectures, mostly due to critics of the nineteenth century, and some of these have been adopted or given a place in the apparatus criticus. A number of other conjectures are correctly attributed for the first time, and in a few passages the editors have ventured to offer proposals of their own.
Ancient Love Letters
This volume investigates the form of love letters and erotic letters in Greek and Latin up to the 7th Century CE, encompassing both literary and documentary letters (the latter inscribed and on papyrus), and prose and poetry. The potential for, and utility of treating this large and diverse corpus as a ‘genre’ is examined. To this end, approaches from ancient literary criticism and modern theory of genre are made; mutual influences between the documentary and the literary form are sought; and origins in proto-epistolary poetic texts are examined. In order to examine the boundaries of a form, limit cases, which might have less claim to the label ‘love letter’, are compared with more c...
Healing Grief
Both our view of Seneca’s philosophical thought and our approach to the ancient consolatory genre have radically changed since the latest commentary on the Consolatio ad Marciam was written in 1981. The aim of this work is to offer a new book-length commentary on the earliest of Seneca’s extant writings, along with a revision of the Latin text and a reassessment of Seneca’s intellectual program, strategies, and context. A crucial document to penetrate Seneca’s discourse on the self in its embryonic stages, the Ad Marciam is here taken seriously as an engaging attempt to direct the persuasive power of literary models and rhetorical devices toward the fundamentally moral project of healing Marcia’s grief and correcting her cognitive distortions. Through close reading of the Latin text, this commentary shows that Seneca invariably adapts different traditions and voices – from Greek consolations to Plato’s dialogues, from the Roman discourse of gender and exemplarity to epic poetry – to a Stoic framework, so as to give his reader a lucid understanding of the limits of the self and the ineluctability of natural laws.
A Heavenly Chorus
The claim that Revelation's hymns function as did Classical tragic choral lyrics insofar as they comment upon or interpret the surrounding narrative has become axiomatic in studies of Revelation. Justin Jeffcoat Schedtler marks an advance in this line of inquiry by offering an exegetical analysis of Revelation's hymns alongside a presentation of the forms and functions of ancient tragic choruses and choral lyrics. Evaluating the hymns in light of the varieties and complexities of ancient tragic choruses, he demonstrate that they are not best evaluated in terms of choral lyrics generally, but in terms of dramatic hymns in particular, insofar as they constitute mythological-theological reflections on the surrounding narrative, and function to situate the surrounding dramatic activity in a particular mythological-theological contexts.
DA Pam
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Light from the Gentiles: Hellenistic Philosophy and Early Christianity
Rather than viewing the Graeco-Roman world as the “background” against which early Christian texts should be read, Abraham J. Malherbe saw the ancient Mediterranean world as a rich ecology of diverse intellectual traditions that interacted within specific social contexts. These essays, spanning over fifty years, illustrate Malherbe’s appreciation of the complexities of this ecology and what is required to explore philological and conceptual connections between early Christian writers, especially Paul and Athenagoras, and their literary counterparts who participated in the religious and philosophical discourse of the wider culture. Malherbe’s essays laid the groundwork for his magisterial commentary on the Thessalonian correspondence and launched the contemporary study of Hellenistic moral philosophy and early Christianity.
Antike und Christentum
Der Band enthält dreizehn Aufsätze aus den Jahren 1990-97, die teils in deutscher und teils in englischer Sprache verfaßt sind. Der Titel zeigt die schwerpunktmäßige Thematik der Einzelstudien an: die urchristliche Literatur in der Auseinandersetzung mit Antike und Christentum. Eine erste Gruppe ist der Erforschung des historischen Jesus gewidmet, eine zweite den Problemen der Entstehung des Christentums, eine dritte der nichtchristlichen religiösen Welt des Hellenismus (besonders Magie, Heroenkult, Hermetik). Im vierten Teil erörtert Hans Dieter Betz die berühmten orphischen Goldplättchen und lenkt zu Paulus zurück. Den Abschluß bildet eine grundsätzliche Darstellung der Problematik von Antike und Christentum.
