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The Symbolic World of Federico Garcia Lorca, by Rupert C. Allen
  • Language: en
  • Pages: 205

The Symbolic World of Federico Garcia Lorca, by Rupert C. Allen

  • Type: Book
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  • Published: 1972
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  • Publisher: Unknown

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Psyche and Symbol in the Theater of Federico Garcia Lorca
  • Language: en
  • Pages: 235

Psyche and Symbol in the Theater of Federico Garcia Lorca

Symbol and psyche are twin concepts in contemporary symbological studies, where the symbol is considered to be a "statement" by the psyche. The psyche is a manifold of conscious and unconscious contents, and the symbol is their mediator. Because Lorca's dramatic characters are psychic entities made up of both conscious and unconscious elements, they unfold, grow, and meet their fate in a dense realm of shifting symbols. In Psyche and Symbol in the Theater of Federico García Lorca, Rupert Allen analyzes symbologically three dramatic works of Lorca. He has found Perlimplín to be a good deal more complex in both psyche and symbol than it has been admitted to be. Yerma involves psychological c...

Psyche and Symbol in the Theater of Federico Garcia Lorca
  • Language: en
  • Pages: 234

Psyche and Symbol in the Theater of Federico Garcia Lorca

  • Type: Book
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  • Published: 1998
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  • Publisher: Unknown

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The Symbolic World of Federico García Lorca
  • Language: en
  • Pages: 228
Register of the University of California
  • Language: en
  • Pages: 1506

Register of the University of California

  • Type: Book
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  • Published: 1957
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  • Publisher: Unknown

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The Yin-Yang Journal
  • Language: en
  • Pages: 120

The Yin-Yang Journal

  • Type: Book
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  • Published: 1996
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  • Publisher: Saru

Cultural Writing. Asian American Studies. Translation. This version of the Tao Te Ching extrapolates the premise that wise development of Psyche means downplaying ego's role. Lao Tzu uses a telegraphic style, a kind of Basic Chinese. Once we identify the Chinese character Lao Tzu has used, we must ask how to understand that concept, Chinese or not. If Lao Tzu writes, "Know male, but keep to female," what does this mean in terms of Psyche? What indeed is a sage or a wise man? Allen provides a fresh answer, a vision of wisdom that patriarchal scholars disregard--ego-transcendence in favor of the creative unconscious.

Emily Dickinson, Accidental Buddhist
  • Language: en
  • Pages: 274

Emily Dickinson, Accidental Buddhist

Emily Dickinson, at an early age, became enlightened. Ego-transcendence awakened her to the Higher Self, unleashing a torrent of creative energy that sustained her for 35 years, producing hundreds of poems dealing with the phenomena of cosmic awareness. This also made her a heretic, for she (like the Buddhists) recognizes no creator god, much less a deathless ego-self in the form of a soul; hence the secrecy of her poetic enterprise. Over the years she made booklets of her poems and stashed them away, to be discovered posthumously. Dickinson's worldview was first described by the Buddha, and has been examined at length in countless Buddhist commentaries, which makes the dharma accessible to ...

Official List of Officers of the Officers' Reserve Corps of the Army of the United States, 1919
  • Language: en
  • Pages: 872
Catalog of Copyright Entries. Third Series
  • Language: en
  • Pages: 1786
Symbolic Experience, a Study of Poems by Pedro Salinas
  • Language: en
  • Pages: 200

Symbolic Experience, a Study of Poems by Pedro Salinas

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