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In the essay, Ferguson discusses the rise and fall of the pictorial in photography in the early 20th century and how the spontaneous style of street photography came to dominate the medium, before looking at the return of considered composition from the late 1970s onward. Often quoting the artists in the exhibition, and describing their very deliberate processes for making pictures, Ferguson traces this tendency in contemporary photography. He articulates the conceptual goals of the work and positions in a wider context.
Essays by Russell Ferguson and Kerry Brougher.
Interdisciplinary in approach, this book employs the key concepts of fragmentation and reconfiguration to consider the ways in which human experience and artistic practice can engage with and respond to the disintegration that characterises modern cities. Asking how we might unsettle and decrypt the homogeneous images of cities created by processes linked to capitalism and globalisation, it invites us to consider the possibility of reimagining and rethinking the urban spaces we inhabit. An exploration of the complex relationship between aesthetics, the arts and the city, Rethinking the City: Reconfiguration and Fragmentation will appeal to scholars across various disciplines, including philosophy, urban sociology and geography, anthropology, political theory and visual and media studies.
In Memory of My Feelings: Frank O'Hara and American Art is a reexamination of the relationship between art and poetry at a crucial moment in American art. It also offers new insights into the charismatic figure of Frank O'Hara and his world and interests, which included art, music, theater, dance, film, and mass culture.
Love and the Working Class is a unique look at the emotions of hard-living, racially diverse nineteenth-century Americans who were often on the cusp of literacy. Wrongly assumed to be inarticulate on paper, these laboring folk highly valued letters and, however difficult it was, wrote to stay connected to those they loved.
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In this collection of essays, architects, urban designers and planners reshape the physical and social space of the contemporary city. The projects represent a broad spectrum of ideologies and approaches that depart from accepted contemporary strategies of urban planning.
For too long awareness of serial murder in Canada has been confined to the likes of Clifford Olson, Paul Bernardo, Karla Homolka, and pig farmer Robert Pickton. However, there have been more than 60 serial killers in Canadian history, and Cold North Killers is a wake-up call.
The contributions gathered in this volume bear witness to the fact that belonging is a multi-faceted concept that necessitates different and shifting idioms of expression. It continually requires reconsideration and redefinition of our affiliations in response to the rapid social, cultural, and political changes of our world. The literary paradigms, linguistic practices, and cultural formations of belonging testify to the impossibility of confining it to conventional and established structures of knowledge. The different reflections on belonging introduced in this book are instrumental in reassessing and remodelling the general assumptions that have informed its definition and representation. The current global reality and the self-other encounter make inevitable the continuous search for new forms of belonging that are in tune with one’s evolving and changing sense of self. Theoretically informed by and substantially grounded in lively and heated debates on cultural identity and belonging, this book proposes new critical directions in understanding national and transnational belonging.