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W.G. Sebald and the Writing of History
Summary: "W.G. Sebald, frequently mentioned in the same breath as Franz Kafka and Vladimir Nabokov, is one of the most important European writers of recent decades. He has been lauded by such major cultural commentators as Susan Sontag and Paul Auster, and he has combined wide public appeal with universal critical acclaim. His work is concerned with questions of memory, exile, representation, and, above all else, history. But his approach to history is strikingly different from conventional historiographical writing on the one hand, and from the historical novel on the other. His texts are hybrid in nature, mixing fiction, biography, historiography, travel-writing and memoir, and incorporating numerous photographic images. This volume seeks to respond to the complexities of Sebaldʼs image of history by presenting essays by a team of international scholars, all of whom are acknowledged Sebald experts. It offers a unique and exciting perspective on the dazzling work of one of the major literary figures of our times."--Publisher description.
Cinema, Memory, Modernity
Since its inception, cinema has evolved into not merely a ‘reflection’ but an indispensable index of human experience – especially our experience of time’s passage, of the present moment, and, most importantly perhaps, of the past, in both collective and individual terms. In this volume, Kilbourn provides a comparative theorization of the representation of memory in both mainstream Hollywood and international art cinema within an increasingly transnational context of production and reception. Focusing on European, North and South American, and Asian films, Kilbourn reads cinema as providing the viewer with not only the content and form of memory, but also with its own directions for use: the required codes and conventions for understanding and implementing this crucial prosthetic technology — an art of memory for the twentieth-century and beyond.
W.G. Sebald's Postsecular Redemption
W. G. Sebald's Postsecular Redemption brings to light certain recurrent ideas scattered through Sebald's writings, including the two-sided question of "cultural redemption" in a supposedly secular world: can culture save us from the catastrophe of history, and/or how can we save our culture in the process?
The Cinema of Paolo Sorrentino
"Paolo Sorrentino, the director of Il Divo (2008) and The Great Beauty (2013) and the creator of the HBO series The Young Pope (2016) (and The New Pope (2019)), has in recent years emerged as one of the most popular figures in 21st century European filmmaking. Critics, however, remain sharply divided in their opinions of his films and what tradition his work can be placed in. Questions of what his stylistic relationship to Neorealism, the touchstone of virtually all Italian cinema, his local/national identity, and the posturing of his films vis a vis gender and a seemingly reactionary conceptualization of masculinity, his embracing or subverting of the role of art house "auteur," surround hi...
W. G. Sebald’s Postsecular Redemption
Focusing on W. G. Sebald's four works of prose fiction—The Rings of Saturn, Vertigo, The Emigrants, and Austerlitz—Russell J. A. Kilbourn traces the author's abiding preoccupation with redemption in a world that has been described as postsecular. He shows that Sebald's work stands between modernism's ironic hopes for redemption and whatever comes after. Out of the spectacle of humankind's slow-motion self-destruction, a "Sebaldian subject"—masculine, melancholic, ironic, potentially queer-emerges across the four prose narratives. Alongside Sebald studies' traditional subjects, which include memory, historiography, Sebald's critique of an image-based culture, and his highly intermedial ...
Reverse Shots
From the dawn of cinema, images of Indigenous peoples have been dominated by Hollywood stereotypes and often negative depictions from elsewhere around the world. With the advent of digital technologies, however, many Indigenous peoples are working to redress the imbalance in numbers and counter the negativity. The contributors to Reverse Shots offer a unique scholarly perspective on current work in the world of Indigenous film and media. Chapters focus primarily on Canada, Australia, and New Zealand and cover areas as diverse as the use of digital technology in the creation of Aboriginal art, the healing effects of Native humour in First Nations documentaries, and the representation of the pre-colonial in films from Australia, Canada, and Norway.
Opera
Our modern narratives of science and technology can only go so far in teaching us about the death that we must all finally face. Can an act of the imagination, in the form of opera, take us the rest of the way? Might opera, an art form steeped in death, teach us how to die, as this provocative work suggests? In "Opera: The Art of Dying" a physician and a literary theorist bring together scientific and humanistic perspectives on the lessons on living and dying that this extravagant and seemingly artificial art imparts. Contrasting the experience of mortality in opera to that in tragedy, the Hutcheons find a more apt analogy in the medieval custom of "contemplatio mortis"--a dramatized exercis...
Late Europeans and Melancholy Fiction at the Turn of the Millennium
This book is the first comparative study of novels by Patrick Modiano, W. G. Sebald, and Antonio Muñoz Molina. Drawing on many literary figures, movements, and traditions, from the Spanish Golden Age, to German Romanticism, to French philosophy, via Jewish modernist literature, Ian Ellison offers a fresh perspective on European fiction published around the turn of the millennium. Reflecting on what makes European fiction European, this book examines how certain novels understand themselves to be culturally and historically late, expressing a melancholy awareness of how the past and present are irreconcilable. Within this framework, however, it considers how backwards-facing, tradition-oriented self-consciousness, burdened by a sense of exhaustion in European culture and the violence of its past, may yet suggest the potential for re-enchantment in the face of obsolescence.
