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What could it mean to live the life of an artist, and how can it be done? Is it a form of sleepwalking or a sullen selfassertion?How is it possible to unite literary, scientific or philosophical deliberations with art? The artist duo Ruth Anderwald + Leonhard Grond uses film as a tool to visually discuss the present with all its contradictions, following the realization that to record images always correlates with a form of modeling reality. In their book, Ruth Anderwald + Leonhard Grond combine a comprehensive collection of their collaborative filmic work (1999 - 2013) with texts by authors who have accompanied them along the way.
Diversity in artistic research This book presents the results of the Octopus Programme, an innovative fellowship in the field of artistic research. This international network of eleven institutions included selected participants from Europe, the Mediterranean, and Africa, and generated numerous events, workshops, and exhibitions. By promoting international collaboration, new critical perspectives were developed to investigate the diversity of artistic research and practice in different contexts – academic as well as nonacademic – inside and outside institutions, or in relation to resources. This brings into focus not only different curatorial models, but also different modes of knowledge production. Artistic research and collaboration between academies, art institutions, students, and experts Curatorial forms of presentation, research and documentation, progressive educational methodology Contributions by Ruth Anderwald / Leonhard Grond, Jonatan Habib Engqvist, Maria Lantz, Barbara Putz-Plecko, Johan Thom, and others
The Routledge Handbook of Social Studies of Outer Space offers state-of-the-art overview of contemporary social and cultural research on outer space. International in scope, the thirty-eight contributions by over fifty leading researchers and artists across a variety of disciplines and fields of knowledge, present a range of debates and pose key questions about the crafting of futures in relation to outer space. The Handbook is a call to attend more carefully to engagements with outer space, empirically, affectively, and theoretically, while characterizing current research practices and outlining future research agendas. This recalibration opens profound questions of intersectional politics,...
Dizziness is more than feeling dizzy. In this multidisciplinary reader, artists, philosophers, and researchers from a range of experimental sciences and cultural studies trace dizziness not only as a phenomenon of sensory input impacting our vestibular system, but also as a twofold phenomenon of “sense”—creating meaning and triggering emotions. It is an interdependence of sense and sensing, of cultural constructs and sensuality, of somatic and cognitive knowledge, that can only be conceived of as a complex relation of both formation and dissolution, habituations and transformations, pertaining to our shared reality and our individual experiences. This is further reflected in the programmatic claim that states of dizziness can be seen as a resource. co-published with Academy of Fine Arts Vienna Contributors Ruth Anderwald, Mathias Benedek, Oliver A. I. Botar, Katrin Bucher Trantow, Davide Deriu, Karoline Feyertag, Leonhard Grond, François Jullien, Sarah Kolb, Rebekka Ladewig, Jarosław Lubiak, Alice Pechriggl, Oliver Ressler, Maya M. Shmailov, Maria Spindler, Marcus Steinweg
This book offers a brief, incisive accessible overview of the fast-changing field of environmental literary criticism in an age of global environmental threat.
Schmücker, Reinhold, Theisohn, Philipp: Noch einmal: zur Einführung. Wiesner, Maria: Gewalt, Mord und Antihelden – Moral im Kino. Ein kritischer Essay Dikovich, Albert: Die Untugend der Kunst . Pragmatistische Reflexionen über den Kitsch anlässlich des gegenwärtigen Krieges Paret, Christoph: Der kalt erwiderte Blick. Oscar Wilde, die Nebensächlichkeit der Kunst und das Unästhetische der Existenz Shusterman, Ronald: The Metaethical Turn: Beyond ›Good‹ and ›Evil‹. Bertrand-Hoettcke, Aude, Kettner, Matthias: Framing people's justice . Normative Aporien des interkulturellen Dialogs über Kunst am Beispiel der documenta fifteen Mersmann, Birgit, Ohls, Hauke: Die Ausstellung als geopolitische Versuchsanordnung. Künstlerischer Wissenstransfer und transmediale Vermittlung in Latours Gedankenausstellung Critical Zones – Horizonte einer neuen Erdpolitik Besprechung
Part I. Knowledge: 1. Conclusive reasons 2. Epistemic operators 3. The pragmatic dimension of knowledge 4. The epistemology of belief 5. Two conceptions of knowledge: rational vs. reliable belief Part II. Perception and Experience: 6. Simple seeing 7. Conscious experience 8. Differences that make no difference 9. The mind's awareness of itself 10. What good is consciousness Part III. Thought and Intentionality: 11. Putting information to work 12. If you can't make one, you don't know how it works 13. The nature of thought 14. Norms and the constitution of the mental 15. Minds, machines, and money: what really explains behavior.
The first study of a crucial aspect of Roman stone sculpture, exploring the functions and aesthetics of non-figural supports.
The decades around 1800 constitute the seminal period of European nationalism. The linguistic corollary of this was the rise of standard language ideology, from Finland to Spain, and from Iceland to the Habsburg Empire. Amidst these international events, the case of Dutch in the Netherlands offers a unique example. After the rise of the ideology from the 1750s onwards, the new discourse of one language–one nation was swiftly transformed into concrete top-down policies aimed at the dissemination of the newly devised standard language across the entire population of the newly established Dutch nation-state. Thus, the Dutch case offers an exciting perspective on the concomitant rise of cultural nationalism, national language planning and standard language ideology. This study offers a comprehensive yet detailed analysis of these phenomena by focussing on the ideology underpinning the new language policy, the institutionalisation of this ideology in metalinguistic discourse, the implementation of the policy in education, and the effects of the policy on actual language use.
The Br cke Museum in Berlin houses the world's largest collection of works by the early twentieth-century expressionist movement Die Br cke, or The Bridge. Formed in Dresden by Fritz Bleyl, Erich Heckel, Ernst Ludwig Kirchner, and Karl Schmidt-Rottluff, this group had a major impact on the evolution of modern art. But as Escape into Art? reveals, they were also affected by the rise of Germany's National Socialist party in the 1930s. Discussing in detail the everyday reality of the Br cke artists under National Socialism, this book takes a critical look at the fates and artistic practice of the movement's former members in the years after 1933. Explaining the measures carried out against Br c...