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Prodigals and Those Who Love Them
Ruth Bell Graham knew about prodigals--two of her five children were spiritual wanderers. This is not a "how to" book that dispenses easy advice on ways to win back a prodigal. Instead, it is a collection of readings one woman turned to for comfort when her children wandered from God. It shows how Graham's faith persevered and grew regardless of the outcome of her prodigals' stories. Part One introduces readers to five prodigals who "returned to the father." Part Two offers comfort and encouragement through Scripture, poems, hymns, prayers, and more. Readers will be touched by the honest feelings of pain, frustration, and uncertainty Graham expresses so eloquently. And they will share in the lessons she learned about God's sovereignty and ultimate peace. Now beautifully repackaged, Prodigals and Those Who Love Them brings peace and hope to all parents of "wayward" children.
Footprints of a Pilgrim
Footprints Of A Pilgrim is Ruth Bell Graham's life story told in her own words (weaving together her prose and poetry) with added tidbits and anecdotes from her family (husband Billy and her children Gigi, Anne, Franklin, Ruth and Ned) and many of her friends (including Barbara Bush, Lady Bird Johnson, Jan Karon, Patricia Cornwell and others). With snatches of insight and glimpses of grace, Footprints Of A Pilgrim tells the story of a life (a very full and special life) complete with memories of joy, pain, brokenness, and healing. Also included are many never before published pictures which illustrate the remarkable journey of Ruth Bell Graham, as a child of a missionaries in Quingjiang, China in 1920, until today at her home in Little Piney Cove, Montreat, North Carolina.
Being Interrupted
Beginning with a ‘Street Nativity Play’ that didn’t end as planned, and finishing with an open-ended conversation in the midst of the COVID-19 pandemic, "Being Interrupted" locates an institutionally-anxious Church of England within the wider contexts of divisions of race and class in ‘the ruins of empire’, alongside ongoing gender inequalities, the marginalization of children, and catastrophic ecological breakdown. In the midst of this bleak picture, Al Barrett and Ruth Harley open a door to a creative disruption of the status quo, ‘from the outside, in’: the in-breaking of the wild reality of the ‘Kin-dom’ of God. Through careful and unsettling readings in Mark’s gospel, alongside stories from a multicultural outer estate in east Birmingham, they paint a vivid picture of an 'alternative economy' for the Church's life and mission, which begins with transformative encounters with neighbours and strangers at the edges of our churches, our neighbourhoods and our imaginations, and offers new possibilities for repentance and resurrection.
What Love Comes to
A finalist for the 2009 Pulitzer Prize. “Ruth Stone is . . . a pre-eminent American poet.” —Harvard Review
Legacy of a Pack Rat
"Some of the bits and pieces stored away in my memory I've jotted down to enjoy or think about ... how the Lord's goodness and mercy have followed me all the days of my life"--Page 16.
Missing Mummy
Written and illustrated by the talented and award-winning author-illustrator Rebecca Cobb, this extraordinary book deals with the loss of a parent from a child's point of view. Perfectly pitched text and evocative artwork explore the many emotions a bereaved child may experience, from anger to guilt and from sadness to bewilderment. And importantly, the book also focuses on the positive - the recognition that the child is still part of a family, and that his memories of his mother are to be treasured. Beautifully illustrated with moments of wonderful warmth and the gentlest humour, Missing Mummy is a touching, honest and helpful book that approaches a difficult subject with great integrity.
Telephone Directory
Each issue includes a classified section on the organization of the Dept.
Ruth Asawa
Known for her extensive body of intricate and dynamic wire sculptures, American sculptor, educator, and arts activist Ruth Asawa challenged conventional notions of material and form through her emphasis on lightness and transparency. Asawa began her now iconic looped-wire works in the late 1940s while still a student at Black Mountain College. Their unique structure was inspired by a 1947 trip to Mexico, during which local craftsmen taught her how to create baskets out of wire. While seemingly unrelated to the lessons of color and composition taught in Josef Albers’s legendary Basic Design course, these works, as she explained, are firmly grounded in his teachings in their use of unexpecte...
