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RUTH FINNEGAN ANTHROPOLOGIST
An account and compendium of the life and writings of the English anthropologist Ruth Finnegan FBA. Part memoir, part reference.
Oral Literature in Africa
Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.
Oral Poetry
This classic study is an introduction to “oral poetry,” a broad subject which Ruth Finnegan interprets as ranging from American folksongs, Eskimo lyrics, and modern popular songs to medieval oral literature, the heroic poems of Homer, and recent epic compositions in Asia or the Pacific. The book employs a broad comparative perspective and considers oral poetry from Africa, Asia, and Oceania as well as Europe and America. The results of Finnegan’s vast research illuminate and suggest fresh conclusions to many current controversies: the nature of oral tradition and oral composition; the notion of a special oral style; possible connection between types of poetry and types of society; the ...
The Hidden Musicians
A landmark in the study of music and culture, this acclaimed volume documents the remarkable scope of amateur music-making in the English town of Milton Keynes. It presents in vivid detail the contrasting yet overlapping worlds of classical orchestras, church choirs, brass bands, amateur operatic societies, and amateur bands playing jazz, rock, folk, and country. Notable for its contribution to wider theoretical debates and its influential challenge to long-held assumptions about music and how to study it, the book focuses on the practices rather than the texts or theory of music, rejecting the idea that only selected musical traditions, "great names," or professional musicians are worth studying. This opens the door to the invisible work put in by thousands of local people of diverse backgrounds, and how the pathways creatively trodden by amateur musicians have something to tell us about both urban living and what it is to be human. Now with a new preface by the author, this long-awaited reissue of The Hidden Musicians will bring its insights and innovations to a new generation of students and scholars.
The Oral and Beyond
Ruth Finnegan examines the verbal arts in Africa and looks at whether the image of Africa as the 'oral' continent stands up to a more comparative and critical approach to 'orality' and performance.
Oral Traditions and the Verbal Arts
The study of oral traditions and verbal arts leads into an area of human culture to which anthropologists are increasingly turning their attention. Oral Traditions and the Verbal Arts provides up-to-date guidance on how to approach the study of oral form and their performances, treating both the practicalities of fieldwork and the methods by which oral texts and performances can be observed, collected or analysed. It also relates to those current controversies about the nature of performance and of 'text'. Designed as a practical and systematic introduction to the processes and problems of researching in this area, this is an invaluable guide for students, and lecturers of anthropology and cultural studies and also for general readers who are interested in enjoying oral literature for its own sake.
Ol' Man Adam
A wonderful retelling of and new insight ino the familiar biblical tales in wonderfully rich and telling language (a delight in itself), written by the nineteenth-century American author Roark Bradford. For a while devalued due to its supposedly demeaning and patronising use of 'blackie' speech, it is now recognised as a serious contribution to American literature. As later adapted by Marc Connelly it forms the original text for the successful ( but in some views less robust) play Green Pastures.
Literacy and Orality
An enlarged and updated edition of Ruth Finnegan's authoritative and fully evidenced classic.
The Oral and Beyond
Africa has long been known as the oral continent, at once the home of oral literature, orature and orality, the oral background to the postcolonial literatures of today, and the inspirer of the voiced traditions of the diaspora. But does this image of Africa and orality still stand up to scrutiny? In this new synthesis of her earlier and most recent work Ruth Finnegan illustrates the continuing interest of African verbal arts and performances and reflects on the related development of 'orality' studies through the decades since the 1960s. Her provocative conclusion is that it is time to abandon the long-entrenched image of Africa as 'the oral continent' and to adopt a more critical comparative perspective on 'the oral'. RUTH FINNEGAN, FBA is Visiting Research Professor and Emeritus Professor in the Faculty of Social Sciences at the Open University and is the author of the classic study Oral Literature in Africa North America: University of Chicago Press; South Africa: University of KwaZulu-Natal Press
Communicating
Many accounts of human communication suggest that we are limited to communicating through words, visual images, the mass media and by digital means. This perspective underestimates the multisensory qualities of much of our human interconnecting and the multiple sounds, touches, sights and material objects which humans use so creatively to interconnect both nearby and across space and time. Ruth Finnegan brings together research from linguistic and sensory anthropology, alternative approaches to 'material culture' and 'the body', non-verbal communication, cultural studies, computer-mediated communication, and illuminating work on animal communication. Examples from both western and non-wester...
