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For all the interest in emotions in antiquity, there has been little study of positive emotions. This collection aims to redress the balance with eleven studies of emotions like hope, joy, good will, and mercy that show some of the complexity these emotions play in ancient literature and thought.
Roman plays have been well studied individually (even including fragmentary or spurious ones more recently). However, they have not always been placed into their ‘context’, though plays (just like items in other literary genres) benefit from being seen in context. This edited collection aims to address this issue: it includes 33 contributions by an international team of scholars, discussing single plays or Roman dramatic genres (including comedy, tragedy and praetexta, from both the Republican and imperial periods) in contexts such as the literary tradition, the relationship to works in other literary genres, the historical and social situation, the intellectual background or the later reception. Overall, they offer a rich panorama of the role of Roman drama or individual plays in Roman society and literary history. The insights gained thereby will be of relevance to everyone interested in Roman drama or literature more generally, comparative literature or drama and theatre studies. This contextual approach has the potential of changing the way in which Roman drama is viewed.
The author applies to Athenian culture and literature insights on the contexts, conscious and subconscious motivations, subjective manifestations, and indicative behaviours of envy, jealousy, and related emotions, derived from modern (post-1950) philosophical, psychological, psychoanalytical, sociological, and anthropological scholarship. This enables an exploration of both the explicit theorization and evaluation of envy and jealousy in ancient Greek texts, and also the more oblique ways in which they find expression across a variety of genres - in particular philosophy, oratory, comedy and tragedy.
In this volume based on her 2014 'Locke Lectures', Martha C. Nussbaum provides a bracing new view that strips the notion of forgiveness down to its Judeo-Christian roots, where it was structured by the moral relationship between a score-keeping God and penitent, self-abasing and erring mortals.
The present collection samples the most current approaches to Lucan’s poem, its themes, its dialogue with other texts, its reception in medieval and early modern literature, and its relevance to audiences of all times.
Heroism has long been recognised by readers and critics of Roman epic as a central theme of the genre from Virgil and Ovid to Lucan and Statius. However the crucial role female characters play in the constitution and negotiation of the heroism on display in epic has received scant attention in the critical literature. This study represents an attempt to restore female characters to visibility in Roman epic and to examine the discursive operations that effect their marginalisation within both the genre and the critical tradition it has given rise to. The five chapters can be read either as self-contained essays or as a cumulative exploration of the gender dynamics of the Roman epic tradition. The issues addressed are of interest not just to classicists but also to students of gender studies.
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The passions were a topic of widespread interest in antiquity, as has been shown by the recent interest and research in the emotions in Greek and Roman literature. Until now, however, there has been very little focus on love elegy or its relation to contemporary philosophical positions. Yet Roman love elegy depends crucially upon the passions: without love, anger, jealousy, pity, and fear, elegy could not exist at all. The Elegiac Passion provides the first investigation of the ancient representation of jealousy in its Roman context, as well as its significance for Roman love elegy itself. The poems of Propertius, Tibullus, and Ovid are built upon the presumed existence of a love triangle in...
The Elegiac Passion is a study of the central role of jealousy in Roman love elegy, both the detailed ways in which it is represented and the ramifications of these features for the nature of the genre itself.