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The Work of Dance
Explores the complex relationship between dance, work and labor in the 1930s. In this insightful new book, Mark Franko explores the many genres of theatrical dancing during the radical decade of the 1930s and their relationship to labor movements, including Fordist and unionist organizational structures, the administrative structures of the Federal Dance and Theatre Project, the International Ladies Garment Workers Union, and the Communist Party. Franko shows how the structures of labor organization were reproduced and acted out — but also profoundly reasoned through in corporeal terms — by choreography and performance of the proletarian mass dance, the chorus line of the Ziegfeld Follies and the reflexive backstage musical film, Martha Graham's modern dance, the revolutionary dance movement of the proletarian avant-garde, African-American "ethnic" opera-ballet, and Lincoln Kirstein's "American" ballet. The contributions of many important personalities of American theatrical, visual and literary culture are included in this study. Franko's focus extends from the direct impact of performances on audiences to the reviewing, reporting and photography of print journalism.
Dress Codes
Rich with illustrations, this revised and updated second edition of Dress Codes systematically analyzes the meaning and relevance of clothing in American culture. Presented here is an up-to-date analysis of images of power and authority, gender, seduction (the sexy look, the alluring look, the glamorous look, the vulnerable look), wealth and beauty, youth and health, and leisure and political hierarchy. Taken together, the chapters offer to the student and the general reader a complete "semiotics of clothing" in a form that is highly readable, very entertaining, and thoroughly informative. The illustrations provide fascinating glimpses into the history of American fashion and clothing-along ...
The Cedars of Beckenham
THE MYSTERY OF AN ANTIQUE GERMAN DOLL REUNITES MEMBERS OF A FAMILY TORN APART DURING THE THIRD REICH OF NAZI GERMANY. This family saga, starting in the leafy suburb of Beckenham on the borders of Kent and London, begins in 1930 in the comfortable world of four British upper-middle class families blind to the impending changes that are about to threaten not only their world, but everyone else’s world, too. A doll belonging to the Abuthnott family becomes the catalyst that brings about two sides of the Rubenstein family, who were able to escape from Germany in the late 1930s finding refuge in the United States of America and in the British Mandate of Palestine. Along the way, the horrors of ...
Giorgio Vasari and the Birth of the Museum
Giorgio Vasari and the Birth of the Museum offers the first dedicated and comprehensive study of Vasari?s original contributions to the making of museums, addressing the subject from the full range of aspects - collecting, installation, conceptual-historical - in which his influence is strongly felt. Uniting specialists of Giorgio Vasari with scholars of historical museology, this collection of essays presents a cross-disciplinary overview of Vasari?s approaches to the collecting and display of art, artifacts and memorabilia. Although the main focus of the book is on the mid-late 16th century, contributors also bring to light that Vasari?s museology enjoyed a substantial afterlife well into the modern museum era. This volume is a fundamental addition to the museum studies literature and a welcome enhancement to the scholarly industry on Giorgio Vasari.
Artists' Art in the Renaissance
Marilyn Aronberg Lavin has taught the history of art at Washington University, the University of Maryland, Yale, Princeton, and Universita di Roma, La Sapienza. Specializing in Italian 13th-16th century painting, she is internationally known for her books and articles on Piero della Francesca. Her other books include The Place of Narrative: Mural Painting in Italian Churches, 431-1600 AD., and Seventeenth-Century Barberini Documents and Inventories of Art , both of which were recipients of international prizes for distinguished scholarship. She is one of the leaders in the use of computers and digitized imagery for research, teaching, and publication in the history of art. This book offers a...
Lorenzo De' Medici at Home
"An inventory of the private possessions of Lorenzo il Magnifico de' Medici, head of the ruling Medici family during the apogee of the Florentine Renaissance"--Provided by publisher.
Leonardo Da Vinci
Examines Leonardo da Vinci's beginnings as an artist and his earliest works, including the Uffizi Annunciation and the Munich Madonna and Child
Innocence and Villainy
School board defendants are poisoned during a courtroom farce and Jim O'Kelly is a suspect. Jim's youth and education are garnished by mostly innocent older girls. He and Pat Wakely honeymoon and join the 'mile high club'. Jim supports racial integration and is fired from his position as school principal in Cobacco County, Virginia. Educators flee from Cobacco County's villainous Ku Klux Klan. Jim and black ex-educator Howard Hammond sue the Cobacco School Board for employment discrimination. Police investigate others suspected of the courtroom murders. The guilty party confesses on a death bed. Cobacco public schools integrate.
The Fragment
The universe may well have begun with an immense act of fragmentation, "the big bang," that sent particles flying in all directions to perform spectacular acts of creation and destruction. The fragment, volatile and unpredictable, is not simply the static part of a once-whole thing but itself something in motion. Drawing upon art history, archaeology, literature, numismatics, philosophy, and film, this book explores the significance of the fragment and addresses the powerful drives that have impelled it into the cultural mainstream. Book jacket.
Violence in Fifteenth-century Text and Image
Special issue focusing on violence in fifteenth-century life, text, and image: warfare and justice, violence in family and milieu (court, town, village, and forest), hagiography, ethnicity and xenophobia, gender relations and sexual violence, brutality on the stage, and the relation of text and image in the depiction of violence.
