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Ha! Ha! Anglais
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Swallowed
In 1966, Réjean Ducharme, then a 24-year-old unknown, published L'Avalée des avalés, this debut novel that would go on to serve as a zeitgeist for several generations of French-Canadian readers. Over the last fifty years, it has become a cornerstone for a culture, taught in high schools and universities as the foundation of the modern Québécois literature. Astoundingly, an English-language edition of the book hasn't been in print since 1968, and has never before been available in Canada. At nine years old, Berenice feels trapped by home, family, and dogmas both real and invented. Precocious and over-intelligent, she despises her dysfunctional parents too viciously, loves her brother Chr...
Miss Take
Take a magic pass to the rich, luscious world of Quebec's Williams Faulkner.
The Postwar Novel in Canada
As a comparative study which includes the analysis of both English-Canadian and Quebec novels, this book provides an overview of the novel as it has developed in this country since the Second World War. Focusing on narratological rather than thematic elements, the book represents a systematic application of the insights and analytical tools of reader-reception theory, in particular the models proposed by Wolfgang Iser and Hans Robert Jauss. Placing the emphasis on the text and its effects rather than on the historical or psycho-sociological genesis of the text, the author invokes the models and paradigms of other literatures to establish a broader cultural context permitting the significance of a literature to emerge as a carrier of meaning in and beyond the culture that produces it. Tracing a critical path from Hugh MacLennan's hierarchic romance structures and Gabrielle Roy's social realism to the metafictions of Hubert Aquin and Timothy Findley, the author reveals that the novel's narratological features themselves are often closely linked with ideological positions.
The Renaissance of Impasse
In his 1963 debut essay for the militant Quebec journal, Parti pris, André Brochu invoked the figure of the sixteenth-century skeptic Michel de Montaigne in the name of what Ralph Waldo Emerson, responding to the same over a century earlier, had called, «an original relation to the universe». «Écrire», wrote Brochu, «c'est redéfinir la relation originelle de l'homme à l'univers, c'est, comme écrit magnifiquement Montaigne, 'faire l'homme'...» By tracing the idealism of nineteenth-century American and twentieth-century Quebec writers back to Montaigne and his rejection of Aristotelian and Scholastic reason, The Renaissance of Impasse offers an alternate history to that found in much (post)Romantic criticism, wherein modern skepticism tends to be identified with, and so in a sense confined to, the project of Enlightenment reason. Key works from Thomas Carlyle, Emerson and Herman Melville to Hubert Aquin, Réjean Ducharme and Victory-Lévy Beaulieu serve to define and to refine the sense of an impasse - personal, social, spiritual, historical, and political - that accompanies the «modern» drive to renaissance.
Wild to Mild
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Canadian Film and Video
This extensive bibliography and reference guide is an invaluable resource for researchers, practitioners, students, and anyone with an interest in Canadian film and video. With over 24,500 entries, of which 10,500 are annotated, it opens up the literature devoted to Canadian film and video, at last making it readily accessible to scholars and researchers. Drawing on both English and French sources, it identifies books, catalogues, government reports, theses, and periodical and newspaper articles from Canadian and non-Canadian publications from the first decade of the twentieth century to 1989. The work is bilingual; descriptive annotations are presented in the language(s) of the original pub...
Encounters with Quebec
Examines works of Québécois narrative fiction from a variety of perspectives.
