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What Style Is It?
Architectural style is defined as a definite type of architecture, distinguished by special characteristics of structure and ornament. This revised edition of What Style Is It? includes new sections on Neoclassical, Romanesque and Rustic Styles. It also provides more examples of how pure styles vary by geographic region across the US. * Includes sections on 25 of the most significant architectural styles including Early Colonial, Federal and Second Empire * More than 200 photos and line drawings make this a visually rich resource. 30% of photos and drawings are new to this edition * A glossary offers quick access to architectural terms * Includes an added guide to using the Historical American Buildings Society online catalogue of more than 30,000 historic structures, giving access to more than 51,000 measured drawings, 156,000 photographs and more than 30,000 original historical reports
Buildings of West Virginia
Buildings of West Virginia provides a comprehensive guide to the state's built environment, from the prehistoric mounds that are its earliest structures to buildings that have shaped its image--log cabins, elegant spas, and coal company towns--to its everyday commercial, industrial, government, religious, and domestic structures. Buildings and sites are described and interpreted in some 1,000 guidebook entries illustrated with approximately 375 photographs and keyed to 60 maps. Throughout, West Virginia's architecture is related to its distinctive geography, natural resources, early prosperity and later economic decline, and colorful history, first as part of the colony and state of Virginia...
What Style Is It?
Architectural style is defined as a definite type of architecture, distinguished by special characteristics of structure and ornament. This revised edition of What Style Is It? includes new sections on Neoclassical, Romanesque and Rustic Styles. It also provides more examples of how pure styles vary by geographic region across the US. * Includes sections on 25 of the most significant architectural styles including Early Colonial, Federal and Second Empire * More than 200 photos and line drawings make this a visually rich resource. 30% of photos and drawings are new to this edition * A glossary offers quick access to architectural terms * Includes an added guide to using the Historical American Buildings Society online catalogue of more than 30,000 historic structures, giving access to more than 51,000 measured drawings, 156,000 photographs and more than 30,000 original historical reports
Lynchburg, an Architectural History
This presents the architectural development of one of Virginia's major cities, from its founding in 1786 to the present. More than 175 photographs and 150 drawings, prints, and early pictures illustrate the historic significance of this "city of seven hills." Major architectural styles are represented by structures designed by nationally prominent architects of the day, including Thomas Jefferson, Alexander Jason Davis, Ralph Adams Cram, and Vincent Kling. Influenced by their Quaker origins, early Lynchburg builders were conservative. It was not until the 1890s "boom" that more exuberant architecture gave the city a Victorian countenance. Eventually, Lynchburg could boast some of the most impressive residential enclaves in the state, with Tudor, Norman, and Spanish Revival houses. Predictably, the traditional Virginia Georgian proved to be the most popular of the period styles. -- From publisher's description.
Thomas Jefferson on Taste and the Fine Arts
Jefferson tended to classify the books of his libraries under the Baconian headings of memory, reason, and imagination, which corresponded to history, philosophy, and the fine arts. Thus, education in the Fine Arts, which Jefferson listed as eight, was considered an indispensible part of the life of an educated person—especially a Virginian. An educated person needed knowledge of architecture, gardening, painting, sculpture, rhetoric, belle lettres, poetry music, and criticism, considered as a sort of meta-art. Knowledge of such arts was indispensible because each person, thought Jefferson, was equipped with a faculty of taste as well as ratiocination and a moral-sense faculty—each of which required cultivation for human thriving. An uncultivated imagination would severely impair ratiocination and moral sensitivity. This book is the first book-length attempt to flesh out and critically assess Jefferson’s views on taste and the Fine Arts. It is a must read for any serious biographer of Jefferson.
Lynchburg
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HABS/HAER Review
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A Building History of Northern New England
The first and only full-scale technical and stylistic analysis of 200 years of architectural evolution in northern New England
