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The fourth volume in a history of photography, this is a bibliography of books on the subject.
What happens to student activism once mass protests have disappeared from view, and youth no longer embody the political frustrations and hopes of a nation? After the Revolution chronicles the lives of student activists as they confront the possibilities and disappointments of democracy in the shadow of the recent revolution in Serbia. Greenberg's narrative highlights the stories of young student activists as they seek to define their role and articulate a new form of legitimate political activity, post-socialism. When student activists in Serbia helped topple dictator Slobodan Milosevic on October 5, 2000, they unexpectedly found that the post-revolutionary period brought even greater probl...
Early Autumn is a profound exploration of love, loss, and the complexities of human relationships. Louis Bromfield delves into the emotional turmoil faced by his characters, capturing the essence of their struggles amidst the backdrop of rural life. The novel portrays the intricacies of romance and the lingering effects of past decisions, emphasizing how choices shape one's future. From its publication, Early Autumn has been celebrated for its vivid depiction of character interactions and the subtle nuances of emotional depth. Bromfield's ability to weave intricate relationships makes his characters relatable and memorable, allowing readers to engage deeply with their journeys. The themes of...
Curating the Contemporary in the Art Museum investigates the art museum as a space where the contemporary is staged – in exhibitions, collecting practices, communication, and policies. Curating the Contemporary in the Art Museum traces the art museum back to the postwar era. Including contributions by established and emerging art historians, academics and curators, the book proposes that the art museum is engaged in the contemporary in a double sense: it (re)presents contemporary art, while the contemporary condition itself also has a significant impact on art and the museum that houses it. Presenting a diverse range of international cases of exhibitions and curatorial practices, which hai...
Process poetics is about radical poetry — poetry that challenges dominant world views, values, and aesthetic practices with its use of unconventional punctuation, interrupted syntax, variable subject positions, repetition, fragmentation, and disjunction. To trace the aesthetically and politically radical poetries in English Canada since the 1960s, Pauline Butling and Susan Rudy begin with the “upstart” poets published in Vancouver’s TISH: A Poetry Newsletter, and follow the trajectory of process poetics in its national and international manifestations through the 1980s and ’90s. The poetics explored include the works of Nicole Brossard, Daphne Martlatt, bpNichol, George Bowering, Roy Kiyooka, and Frank Davey in the 1960s and ’70s. For the 1980-2000 period, the authors include essays on Jeff Derksen, Clare Harris, Erin Mour, and Lisa Robertson. They also look at books by older authors published after 1979, including Robin Blaser, Robert Kroetsch, and Fred Wah. A historiography of the radical poets, and a roster of the little magazines, small press publishers, literary festivals, and other such sites that have sustained poetic experimentation, provide context.
Simon Fraser University went from an idea in 1963 to opening its doors in 1965, a feat that led it to be dubbed “the instant university.” This multi-authored history chronicles the excitement of that first radical decade of the arts at SFU. The 1960s were famously a decade of cultural revolution, and Simon Fraser University was a creature of its time. The counter-culture spirit infected all levels of society, but none more than the new university and its innovative arts programming. Early SFU was shaped by a vision of a new kind of university where thought was free-flowing and lines between the disciplines were blurred. The open format attracted experimental artists such as the dramatist...
Banksy is known worldwide for his politically subversive works of art, but he is far from the only artist whose creations are infused with internationally relevant, activist themes. How else can the arts help activate citizen participation in social justice movements? Moreover, what is the role of culture in a globalizing world? Transnationalism, Activism, Art goes beyond Banksy by investigating how the three complementary political, social, and cultural phenomena listed in the title interact in the twenty-first century. Renowned and emerging critics use current theory on cultural production and politics to illuminate case studies of various media, including film, literature, visual art, and performance, in their multiple manifestations, from electronic dance music to Wikileaks to bestselling poetry collections. By addressing how these artistic media are used to enact citizen participation in social justice movements, the volume makes important connections between such participation and scholarly study of globalization and transnationalism.
Shows how Lefebvre's theory of space developed out of direct engagement with architecture, urbanism, and urban sociology.
Henri Lefebvre’s was the major theorist of space and of the urban. This is the definitive book on Lefebvre. Shortlisted for the Deutscher Memorial Prize 2023 This book presents an encompassing, detailed and thorough overview and reconstruction of Lefebvre’s theory of space and of the urban. Henri Lefebvre belongs to the generation of the great French intellectuals and philosophers, together with his contemporaries Michel Foucault and Jean-Paul Sartre. His theory has experienced a remarkable revival over the last two decades, and is discussed and applied today in many disciplines in humanities and social sciences, particularly in urban studies, geography, urban sociology, urban anthropolo...