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Ephrem the Syrian
In this volume is a translation of a collection of hymns of Christ, composed by Ephrem the Syrian (c. 306-373), the most famous and prolific of the Fathers of the Syriac-speaking Church.
The Hymns on Faith
Ephrem is known for a theology that relies heavily on symbol and for a keen awareness of Jewish exegetical traditions. Yet he is also our earliest source for the reception of Nicaea among Syriac-speaking Christians. It is in his eighty-seven Hymns on Faith - the longest extant piece of early Syriac literature - that he develops his arguments against subordinationist christologies most fully. These hymns, most likely delivered orally and compiled after the author's death, were composed in Nisibis and Edessa between the 350s ans 373. They reveal an author conversant with Christological debates further to the west, but responding in a uniquely Syriac idiom. As such, they form an essential source for reconstructing the development of pro-Nicene thought in the eastern Mediterranean.
Hymns of Saint Ephrem the Syrian
Fairacres Publications 149 St Ephrem the Syrian (306-376), a visionary poet and spiritual teacher of the early Christian centuries, is known chiefly as the author of numerous hymns. These examples of his ‘Table Blessings’, recalling the events of salvation history, combine lyrical delight in the good and beautiful things of creation with an outpouring of praise and thanksgiving to their Creator.
Selected Prose Works
This volume presents for the first time in the Fathers of the Church series the work of an early Christian writer who did not write in either Greek or Latin. It offers new English translations of selected prose works by St. Ephrem the Syrian (c. A.D. 309-373).
Saint Ephrem's Commentary on Tatian's Diatessaron
This is the first English translation of the commentary by fourth century AD theologian Ephrem the Syrian on the Diatessaron, a Gospel woven from the text of the four Gospels, which predates our earliest evidence of the official Syriac translation of the New Testament.
Hymns on Paradise
St Ephrem the Syrian's cycle of fifteen hymns on paradise offers a fine example of Christian poetry, in which the author weaves a profound theological synthesis around a particular Biblical narrative. Centered on Genesis 2 and 3, he expresses his awareness of the sacramental character of the created world, and of the potential of everything in the created world to act as a witness and pointer to the creator. God's two witnesses, says Ephrem, are: 'Nature, through man's use of it, [and] Scripture, through his reading it." In his writing, Ephrem posits an inherent link between the material and spiritual worlds. St Ephrem's mode of theological discussion is essentially Biblical and Semitic in character. He uses types and symbols to express connections or relationships to 'reveal' something that is otherwise 'hidden,' particularly expressing meanings between the Old Testament and the New, between this world and the heavenly, between the New Testament and the sacraments, and between the sacraments and the eschaton. His theology is not tied to a particular cultural or philosophical background, but operates by means of imagery and symbolism basic to all human experience.
Evidence of Greek Philosophical Concepts in the Writings of Ephrem the Syrian
Ephrem the Syrian (d. 373) has often been taken to represent an unhellenized Semitic form of Christianity in unbroken continuity with the tradition of Jesus and the apostles. This somewhat romanticized view of Ephrem disregards the fact that Syria had been subject to Greek influence since its conquest centuries earlier by Alexander the Great. Ephrem's own writings however frequently betray a familiarity with Greek philosophical ideas. This book first introduces Ephrem's intellectual context and his attitude towards learning. It then systematically analyzes parallels between Ephrem and Greek writers on the subjects of atomism, space, on corporeals, vision, and the four elements. This study thereby demonstrates that Ephrem draws not only on Semitic cultural traditions, but also on Greek philosophical thought.
S. Ephraim's Prose Refutations of Mani, Marcion, and Bardaisan
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
