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A member of the moneyed Bingham family recounts her family's rise to power over several decades and their subsequent downfall amidst family infighting and rumors of a family murder
David Chandler's riveting expose of the rise and fall of the house of Bingham, a controversial American dynasty, is finally released after generating one of the most heated publishing disputes in years. 8 pages of black-and-white photographs.
Readers familiar with Sallie Bingham’s 1989 memoir, Passion and Prejudice, will remember her provocative chronicle of the Bingham family saga, cited by Gloria Steinem as “a major step toward feminist change and democracy.” In Little Brother, she reflects on just one of her siblings: the youngest son Jonathan and his all-too brief life. The book begins with a count she calls her “dreadful list” of nine close relatives who died by accident, suicide, overdose, exposure to the elements, and electrocution, all before the age of 50. Jonathan was only twenty-two years old when he climbed a pole, hoping to rig up some lighting for a barn party and, by some fluke, grabbed a live wire. But even before his fatal fall to the ground, the boy suffered from insecurity, isolation, and difficulty relating to his large family. Bingham draws from archived material, chief among them the young man’s journal and letters. She writes his short history with obvious affection and tenderness, along with more than a dash of survival guilt. Little Brother is a moving and honest new work.
A family history centered around three generations of women spans the Civil War through the Jazz Age.
Mending collects stories from four books and includes six new ones, representing the best of Bingham's 50-year career.
The inside story of the tragic collapse of the Binghams of Louisville and the bitter family quarrel that led to the loss of their journalistic empire. 16-page black-and-white photo insert.
The Patriarch traces the turbulent history of one of the nation's most powerful newspaper companies and the family that built it. Based on years of archival research and interviews with Bingham intimates, it is a searing examination of three generations of an American family beset with mystery and vicious rivalry. 16 pages of photos.
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In the 1990s, a generation of women born during the rise of the second wave feminist movement plotted a revolution. These young activists funneled their outrage and energy into creating music, and zines using salvaged audio equipment and stolen time on copy machines. By 2000, the cultural artifacts of this movement had started to migrate from basements and storage units to community and university archives, establishing new sites of storytelling and political activism. The Archival Turn in Feminism chronicles these important cultural artifacts and their collection, cataloging, preservation, and distribution. Cultural studies scholar Kate Eichhorn examines institutions such as the Sallie Bingham Center for Women’s History and Culture at Duke University, The Riot Grrrl Collection at New York University, and the Barnard Zine Library. She also profiles the archivists who have assembled these significant feminist collections. Eichhorn shows why young feminist activists, cultural producers, and scholars embraced the archive, and how they used it to stage political alliances across eras and generations. A volume in the American Literatures Initiative