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Ethics for Journalists critically explores many of the dilemmas that journalists face in their work and supports journalists in good ethical decision-making. From building trust, to combatting disinformation, to minimizing harm to vulnerable people through responsible suicide reporting, this book provides substantial analysis of key contemporary ethical debates and offers guidance on how to address them. Revised and updated throughout, this third edition covers: the influence of press freedom and misinformation on trust the novel ethical challenges presented by social media the need for diversity of sources and in the newsroom, specifically relating to gender, ethnicity, sexual orientation and disability issues around vulnerable people—reporting traumatic events, bereaved people, suicide and privacy health journalism and reporting a pandemic; and the impact of regulation on professional standards Taking an accessible and engaging approach, including expert reflections on personal and professional experience, Ethics for Journalists provides a wealth of insight for those in journalism, from students and trainees to specialist correspondents and experienced editors.
This volume was first published by Inter-Disciplinary Press in 2013. At present cyberculture is a dominating cultural paradigm and nothing seems to be able to replace it. We globally share the same cyberspace but there is a question whether we all together–the whole humankind–are really living in the same cyberculture? This book proves that we rather tend to define the contemporary state of culture as cybercultures. The process of spreading technologies, trends and ideas is not the same in all parts of the world. The varying speeds of this process and cultural diversity of its forms are created by different social, political, economic and cultural contexts. By representing different perspectives the authors depict a wide spectrum of the most important current problems connected with networked life, global sharing of data, loss of privacy, new meanings of community and developments in narrative structures and social behaviours arising from new communication possibilities, instantaneity of information and global viral sensitivity.
This volume was first published by Inter-Disciplinary Press in 2016. Trauma is no longer, and perhaps has never been, an uncommon occurrence – it is now commonplace in human experience. Notoriously difficult to define, when one tries to offer a definition of trauma that works across disciplines and beyond the boundaries of subjects, one enters a new territory. This collection participates in a reconstructive movement in which the boundaries of trauma, trauma theory, and trauma recovery are flung wide. The vastly differing experiences, contexts, and critical reflections of the contributors serve to ensure this monograph offers a fresh voice in the field of Trauma Studies. This collection of essays on trauma seeks to open dialogue and expand discussion. Blurring the boundaries of traditional disciplinary lines, this monograph strives to interrupt and rupture the debate on trauma. It is in the fissures created by such rupture that new and compelling voices can be heard.
The first comprehensive overview of an important genre of American art, Souls Grown Deep explores the visual-arts genius of the black South. This first work in a multivolume study introduces 40 African-American self-taught artists, who, without significant formal training, often employ the most unpretentious and unlikely materials. Like blues and jazz artists, they create powerful statements amplifying the call for freedom and vision.
During the past one hundred years or so, the depiction of traumatic historical events and experiences has been a recurrent theme in the work of artists and media professionals—including those in literature, theatre, visual art, architecture, cinema, and television—among other forms of cultural expression and social communication. The essays collected in this book follow a contemporary critical trend in the field of trauma studies that reflects comparatively on artistic and media representations of traumatic histories and experiences from countries around the world. Focusing on a diversity of art and media forms—including memorials, literature, visual and installation art, music, video, film, and journalism—they both apply dominant theories of trauma and explore the former’s limitations while bearing in mind other possible methodologies. Trauma, Media, Art: New Perspectives contributes to a critical trauma studies, a field that reinvigorates itself in the twenty-first century through its constant reassessment of the relationship between theory, representation, and global histories of violence and suffering.
The future of journalism is hotly contested and highly uncertain reflecting developments in media technologies, shifting business strategies for online news, changing media organisational and regulatory structures, the fragmentation of audiences and a growing public concern about some aspects of tabloid journalism practices and reporting, as well as broader political, sociological and cultural changes. These developments have combined to impoverish the flow of existing revenues available to fund journalism, impact radically on traditional journalism professional practices, while simultaneously generating an increasingly frenzied search for sustainable and equivalent funding – and from a wi...
In this timely and important study Martin Montgomery unpicks the inside workings of what must still be considered the dominant news medium: broadcast news. Drawing principally on linguistics, but multidisciplinary in its scope, The Discourse of Broadcast News demonstrates that news programmes are as much about showing as telling, as much about ordinary bystanders as about experts, and as much about personal testimony as calling politicians to account. Using close analysis of the discourse of television and radio news, the book reveals how important conventions for presenting news are changing, with significant consequences for the ways audiences understand its truthfulness. Fully illustrated with examples and including detailed examination of the high profile case of ex-BBC journalist Andrew Gilligan, The Discourse of Broadcast News provides a comprehensive study which will challenge our current assumptions about the news. The Discourse of Broadcast News will be a key resource for anyone researching the news, whether they be students of language and linguistics, media studies or communication studies.
Reporting Bad News addresses a gap in the literature concerning death reporting and stories of personal tragedy. Much has been written about disasters and large-scale tragedies, but this research concentrates on individual loss and the relationship between journalist and vulnerable interviewee. While much discussion in this area is negative, focusing on the ethics of intrusion and journalists who act insensitively under pressure, the authors' aim is to turn this focus around by looking at best practice in encounters between reporters and the bereaved, survivors and the vulnerable. It is hoped that by examining contemporary death reporting, explaining its public service role, proposing a new model of ethical participation and offering a structure for sensitive interviewing, the most harmful aspects of the process can be reduced for both the journalist and, more importantly, the grieving and the victims. The work is based on years of research by the authors, on interviews with journalists, journalism educators, bereaved families and support groups and is supplemented with a detailed analysis of the reporting of death across academic disciplines and perspectives.
This proceedings book, together with the conference, looks forward to spark inspirations and promote collaborations. International Conference on Economic Management and Green Development (ICEMGD) is an annual conference aiming at bringing together researchers from the fields of economics, business management, public administration, and green development for the sharing of research methods and theoretical breakthroughs. The proceedings consist of papers accepted by the 6th ICEMGD, which are carefully selected and reviewed by professional reviewers from corresponding research fields and the editing committee of the conference. The papers have a diverse range of topics situated at the intersect...
Crime reporting, in one form or another, is as old as crime itself. Almost all young reporters have spent some time on this beat, and their work affects all of us. Covering Canadian Crime offers a deep and detailed look at perennial issues in crime reporting and how changes in technology, business practices, and professional ethics are affecting today's crime coverage. Social media in the courtroom, the stigmatization of mental illness, the influence of police media units, the practice of knocking on victims' doors, the culture of masculinity in the newsroom: these are among the topics of discussion, explored from various disciplinary perspectives and combined with poignant interviews and thought-provoking introspection from seasoned journalists such as Christie Blatchford, Timothy Appleby, Linden MacIntyre, Kim Bolan, and Peter Edwards. A critical account of the challenges involved in crime reporting in ethical, informed, and powerful ways, Covering Canadian Crime poses the questions that reporters, journalism students, and the public at large need to ask and to answer.