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Aquest llibre no pretén fer càtedra ni ensenyar a fer pastissos als qui ja en saben. Aquest llibre vol que qualsevol persona a qui li agradi fer dolços pugui tenir la confiança que els que faci li sortiran bé a la seva cuina familiar. Està escrit de manera entenedora, perquè el resultat final sigui bo, rigorós i s'assembli al màxim al producte professional. Seguint els processos que proposa el llibre, no hi ha pèrdua per obtenir el resultat esperat. També està pensat per als qui tenen afició a la cuina en general, i fins i tot ens atrevim a dir que els cuiners professionals hi poden trobar un ajut pel que fa a les postres i a la interrelació entre la cuina salada i els pastissos. L'autor proposa en aquest llibre perdre la por i atrevir-se a elaborar postres de pastisseria. Els resultats segur que us encoratjaran i tindreu una gran satisfacció quan porteu les vostres creacions a taula.
Whilst in certain quarters it may be fashionable to suppose that there is no such thing as society historians, they have had no difficulty in finding their subject. The difficulty, rather, is that an outpouring of research and writing is hard for anyone but the specialist to keep up with the literature or grasp the overall picture. In these three volumes, as is the tradition in Cambridge Histories, a team of specialists has assembled the jigsaw of topical monographic research and presented an interpretation of the development of modern British society since 1750, from three perspectives: those of regional communities, the working and living environment, and social institutions. Each volume is self-contained, and each contribution, thematically defined, contains its own chronology of the period under review. Taken as a whole they offer an authoritative and comprehensive view of the manner and method of the shaping of society in the two centuries of unprecedented demographic and economic change.
THE STORY: The brilliant, promising Emma Joseph proudly carries the torch of her family's Marxist tradition, devoting her life to the memory of her blacklisted grandfather. But when history reveals a shocking truth about the man himself, the entire
Barcelona Prose is a collection of autobiographical essays by the gifted translator, literary scholar, and dissident, Efim Etkind. These engaging, deeply psychological vignettes capture the reality of daily life and work in the Soviet Union. Unlike other memoirists who have faced hardships, Etkind's tone is never cruel or embittered. Told through the lens of a practiced scholar, he captures the absurdity of a cultural-political experiment that destroyed his family’s life, his own career, and that of many of his colleagues. By the time of Etkind’s death, he did not rework these essays into a continuous narrative. Originally published in Russian, this first-ever English translation prepared by Etkind’s daughter presents his memoirs as a document of his time, without any changes or abridgements. The editors’ additions are limited to several notes, proofreading of quotes, and checking or inserting the full forms of the characters’ names.
Finally, an authentic collection of Salsa/Latin favorites. Complete with syncopations, voicings, and bass figures guaranteed to make you play in whole new ways and expand your musical awareness. There is no drumset on this recording. The percussion is purely Latin/American and the rhythm section is tight. This is like no other play-along in the series. Rhythm Section: Mark Levine (p); David Belove (b); John Santos, Timbales & Miscellaneous Percussion; Harold Muniz (Congas & Miscellaneous Percussion). Titles: Sabor * Linda Chicana * Mambo Inn * ii/V7/I Cha Cha * ii/V7/I Bolero * Afro Blue * Come Candela * Delirio * Manteca * Curacao * Philly Mambo * Mindanao * Picadillo.
In clear, concise language--a model for what he advocates--William Thomson shows how to make written and oral presentations both inviting and efficient.
Pulitzer Prize-nominated, a poignant play about loss and an unlikely friendship.
The project represents a determination to recognize, appreciate and reformulate the specificity of local Catalan architecture in contrast with the global and franchised architecture that has been dominant in recent years. The starting point is Bofarull House (1913-1933), one of the key works of Josep Maria Jujol. In this Tarragonan architect's way of working we can identify an attitude that can be traced through many projects built in the last century and which is based on an intensive dialogue with pre-existing features (physical or otherwise) that enable a project including and blending new and existing elements to be developed, just as cuttings are grafted to a tree.
A new translation of Fo's play which aims to be faithful to the clear-sighted insanity of the original. The author's other plays include "Mistero Buffo", "Trumpets and Raspberries" and "Archangels Don't Play Pinball".