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The Politics of Art
Over the last three decades, a new generation of conceptual artists has come to the fore in the Arab Middle East. As wars, peace treaties, sanctions, and large-scale economic developments have reshaped the region, this cohort of cultural producers has also found themselves at the center of intergenerational debates on the role of art in society. Central to these cultural debates is a steady stream of support from North American and European funding organizations—resources that only increased with the start of the Arab uprisings in the early 2010s. The Politics of Art offers an unprecedented look into the entanglement of art and international politics in Beirut, Ramallah, and Amman to under...
Archives, Museums and Collecting Practices in the Modern Arab World
Collecting has a long tradition in the Middle East but the museum as a public institution is relatively new. Today there are national museums for antiquities in most Arab countries. While in some cases the political and social climate has hindered the foundation of museums, with existing collections even destroyed at times, the recent museum boom in the Gulf States is again changing the outlook. This unique book is the first to explore collecting practices in archives and museums in the modern Arab world, featuring case studies of collecting practices in countries ranging from Egypt and Lebanon to Palestine, Jordan, Iraq and the Gulf, and providing a theoretical and methodological basis for ...
Story of Water and Fire
Story of Water and Fire is a captivating account of the joint life of two prominent figures in the Iraqi art scene, poet and art critic May Muzaffar and artist Rafa Nasiri. This book offers a glimpse into the social and artistic milieu of Baghdad from the 1960s to the 1990s, as well as the couple's travels during this period and their years of exile in Amman and Manama. Through vivid descriptions and rarely seen photographs, May Muzaffar provides insights into their position in the Arab and international art scenes. The book serves as a guide to the archival material that al Mawrid Arab Center for the Study of Art at NYU Abu Dhabi has digitized and made available for researchers, creating an...
Strategies of Resistance in the Dramatic Texts of North African Women
This study presents the first broad analysis of Maghrebian women's dramatic literature undertaken in English. The book considers sixty-five plays and works of performance art by they twenty-eight women dramatists from the Maghreb.
Commitment in the Artistic Practice of Aref el-Rayess
In April 1968, ten months after the Arab defeat of the 1967 June War, Aref El-Rayess’s Dimaʾ wa Hurriyya (Blood and Freedom) opened to the public in the exhibition hall of the L’Orient newspaper headquarters in Beirut, Lebanon. The 5th of June, or, The Changing of Horses, a realist mural painting on canvas, was the exhibition’s centerpiece. With this artwork, El-Rayess declared his commitment to national liberation and socialist revolution. The Changing of Horses was presented and received as an allegory of political commitment, but the slips, silences, and repetitions in the public reception point to its excessive, disturbing, and fundamentally uncanny character. In Commitment in the...
The Cambridge Companion to Modern Arab Culture
An accessible and wide-ranging survey of modern Arab culture covering political, intellectual and social aspects.
Islamism and Cultural Expression in the Arab World
Whereas most studies of Islamism focus on politics and religious ideology, this book analyses the ways in which Islamism in the Arab world is defined, reflected, transmitted and contested in a variety of creative and other cultural forms. It covers a range of contexts of production and reception, from the early twentieth century to the present, and with reference to cultural production in and/or about Morocco, Algeria, Tunisia, Egypt, Yemen, the Gulf, Lebanon and Israel/Palestine. The material engaged with is produced in Arabic, English and French and includes fiction, autobiography, feature films, television series, television reportage, the press, rap music and video games. Throughout, the book highlights the multiple forms and contested interpretations of Islamism in the Arab world, exploring trends and tensions in the ways Islamism is represented to (primarily) Arab audiences and complicating simplistic perspectives on this phenomenon. The book considers repeated and idiosyncratic themes, modes of characterisation, motifs, structures of feeling and forms of engagement, in the context of an ongoing struggle for symbolic power in the region.
Women, Patronage, and Self-Representation in Islamic Societies
The first to combine the study of representation, gender theory, and Muslim women from a historical and geographical perspective, this book examines where women have represented themselves in art, architecture, and the written word in the Muslim world. The authors explore the gendering and implicit power relations present in the positioning of subject and object in the visual field and look specifically at occasions when women publically adopted the stance of the viewer, speaker, writer, or patron.
Women's Voices in Middle East Museums
Written with verve and style, this book begins with an historical overview of the museums of Turkey, Syria, Lebanon, Jordan, Iraq and the West Bank of Palestine and then focuses on the museums of Jordan and the women who work in them. Carol Malt intertwines a history of Islam and a discussion of the emerging public role of women in Muslim society. A museum director herself, the author provides a unique perspective and meaningful insights into the lives and work of twenty-four women who founded, curate, administer, and support Jordan's museums. Their individual and collective contributions to the development of cultural institutions in Jordan are well documented by Malt. Interviews with women in leadership positions capture the difficulties and demands of balancing their profession and maintaining their traditional family lifestyles.
Etching Our Own Image
Etching Our Own Image: Voices From Within the Arab American Art Movement is a celebration of Arab American art and identity. In the wake of 9/11, the need for Arab Americans to define themselves, rather than be defined by others has galvanized an artistic movement. This collection of writers includes poets, musicians, playwrights, creative writers, painters, conceptual artists, comedians and scholars of the arts who have gathered to assert for themselves what it means to be Arab American and an artist. Arab American artists use their art both to resist and to embrace their past, present and future. Through their art they retain their origins, while creating something new. They collaborate and come together. The artists included here are above all artists and the artistic renderings in this collection demonstrate their commitment to craft, innovation, and expression. They take on the task of etching their own image willingly or unwillingly, consciously or unconsciously. By telling their own stories through their own artistic mediums, these voices from within the Arab American art movement reclaim their own image and tell the world who they are.
