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This book examines in a detailed and comprehensive manner, the genealogy of the historiography of the Early Mamluk Circassian period and provides a source-critical assesment of the sources for the reign of al-Z?hir Barq?q (784-91, 792-801/1382-9, 1390-9).
This book offers students and scholars an introduction to and insight into the wealth of historiographies produced in various Muslim milieus. Four articles deal with the classical period: archaeology and history in early Islamic Amman; an analysis of sources dealing with Muwaḥḥid North Africa; al-Maqrizī’s prosopographical production; the rise of early Ottoman historiography. Three examine sacred history as historiography: in 10th century Fatimid Egypt; in the 16th century Indian Chishtī Sufi milieu; and in the Sino-Muslim Confucian tradition in Qing China. The final two articles provide fresh approaches to historiography by respectively looking into the sijils of Ottoman Cairo as historical sources and by highlighting the regional approach to the writing of the history of the Indian Ocean. Contributors: Frédéric Bauden, Heather J. Empey, Derryl MacLean, Sami G. Massoud, Murat Cem Mengüç, Reem Meshal, Hyondo Park, Patricia Risso, Shafique N. Virani and Michael Wood.
Although scholars have long studied how Muslims authenticated and transmitted Muhammad’s sayings and practices (hadith), the story of how they interpreted and reinterpreted the meanings of hadith over the past millennium has yet to be told. Joel Blecher takes up this charge, illuminating the rich social and intellectual history of hadith commentary at three critical moments: classical Andalusia, medieval Egypt, and modern India. Weaving together tales of public debates, high court rivalries, and colonial politics with analyses of contemporary field notes and fine-grained arguments adorning the margins of manuscripts, Said the Prophet of God offers new avenues for the study of religion, history, anthropology, and law.
The only Arabic voice to have witnessed the Ottoman conquest of Cairo, Ibn Iyās, is an eminent historical source for the late Mamluk period. This book is the first to take stock of the author's complete works, approaching him through an examination of his narrative voice and writing strategies. Tracing Ibn Iyās's working process by compilation analysis, it shows how the author adapted his representations of Egyptian history to his writing projects and audience. Ibn Iyās's ways of worldmaking are shaped deeply by beliefs, biases and intellectual trends as well as the impact of the social and historical context the author wrote in. Knowing these conditioning factors allows to understand his presentation of history as an individual voice of his time.
The book is a bio-bibliography of the Turkologist, Tungusologist, Altaist, historian of science and ethnologist Michael Knüppel (*1967) for the years 1996-2022.
This book explores several fascinating medieval Christian and Islamic artworks that represent and reimagine Jerusalem’s architecture as religious and political instruments to express power, entice visitors, console the devoted, offer spiritual guidance, and convey the city’s mythical history.
Union in Separation presents a series of case studies on diasporic groups in the late medieval and early modern Mediterranean and Black Sea regions. It explores how Armenian, Byzantine/Greek, Florentine, Genoese, Hospitaller, Jewish, Mamluk, and Venetian communities characterized by diasporic identities and inserted into local contexts navigated religious and socio-ethnic boundaries as well as other categories of difference. The volume draws on a wide range of historical and social-scientific methods and offers new perspectives on the arbitration of difference in the wider eastern Mediterranean from Tana to Cairo and Marseille to Isfahan prior to the emergence of nation states. It provides not only an analytical toolbox for historical diaspora studies but also reveals how, under the looming threat of crusade and within the daily routines of trade, diasporic groups and their hosts negotiated modes of coexistence that oscillated between cooperation and conflict, integration and rejection, union and separation.
Afterword: Middle East Studies for the New Millennium: Infrastructures of Knowledge -- Appendix: Producing Knowledge on World Regions: Overview of Data Collection and Project Methodology, 2000-Present -- About the Contributors -- Index
A unique Mamlūk manuscript tells the story of a Damascene jurist. Ibn al-Zamlakānī's story revolves around a dramatic episode in the life of his master, the great judge Tāj al-Dīn al-Subkī, who is the central figure (hero) of the tale. The composer justly names his document maqāmah. In rhyming prose, it narrates several episodes. Transmitted by a narrator (or at least his voice), who distances himself from the event, it is a story about an escape from hardship of a hero who is supported by good characters and face some evil enemies. Yet, it is not a biography, but a dramatic plot that transmits a moral lesson. The maqāmah illuminates the relations between the Mamlūk ruling military aristocracy and the religious establishment, as well as the competition that divided the Damascene urban elite.