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Held Together with Water
The recently founded (2004) and very actively acquisitive Verbund Collection integrates contemporary American and European art with works created since 1970. Its two central areas of interest are pieces exploring ideas of performance or space and place. Under the rubric of performance, Verbund, funded by the German power company of the same name, has gathered a substantial block of early Cindy Sherman, along with works by Valerie Export, Birgit Jürgenssen, Francesca Woodman, Sarah Lucas, Urs Lüthi, Gilbert and George and Gillian Wearing. Under the rubric of "spaces/places," holdings range from the works of Gordon Matta-Clark, which intervene in existing architectural structures, through Fred Sandback's Minimalist drawings in thread, to the organically formed objects of Ernest Neto, and include Louise Lawler, Bernd and Hilla Becher, Jeff Wall, Teresa Hubbard and Alexander Birchler, Simon Starling, Janet Cardiff and George Bures Miller, Gabriel Orozco and Loan Nguyen.
The Feminist Avant-Garde of the 1970s
Featuring a wide variety of work from artists both well-known and under the radar, this dynamic book reveals how women artists reclaimed control of the feminine image in photography, video, and performance art. Included are works by Eleanor Antin, Cindy Sherman, Ana Mendieta, Nil Yalter, Ketty La Rocca, Birgit Jurgenssen, Renate Bertlmann, Francesca Woodman and others. This important book emphasizes the accomplishments of women artists who have made a name for themselves while encouraging the young generation."
Francesca Woodman
"This monograph on Francesca Woodman (1958--1981), the most comprehensive to date, charts new approaches to her oeuvre. Whereas the evanescence of the female figure in the artist's photographs has often been read as an aesthetic anticipation of her suicide, the essays by publishers Gabriele Schor and Elisabeth Bronfen as well as those from Johannes Binotto, Abigail Solomon-Godeau and Beate Söntgen illustrate Woodman's passionate self-staging in the tradition of the tableau vivant. Her poetic and metaphorical use of props (mirrors, gloves, rugs etc.) and her staging in a room, where the laws of geometry seem to no longer apply, are examined in the essays. The 80 photographs in the SAMMLUNG VERBUND collection can be seen for the first time in their original size."--Publisher infomation.
Feminist Avant-Garde
Now available again in an expanded edition and featuring a variety of work from artists both well-known and under the radar, this volume explores the pioneering achievements of the Feminist Avant-Garde. For art history, the 1970s represent the beginning of women subverting culturally and socially established constructions and traditional norms. Second-wave feminism, with its slogan "The personal is political", challenged the one-dimensional roles assigned to women--mother, housewife, and spouse. During this period, women artists radically questioned their duties and created a plurality of self-determined representations of themselves. Rejecting traditional male-dominated techniques, such as ...
Donna
A look at the outstanding contribution given to contemporary art by female artists like Eleanor Antin, Valie Export, Birgit Jrgenssen, Cindy Sherman, Hannah Wilke, Francesca Woodman.
Cindy Sherman
"For more than thirty years now, Cindy Sherman has been visualizing a whole gamut of role models and female identities. ... Contrary to popular belief, the famous Untitled Film Stills (1978-80) are not her earliest works, but rather those photographs she took as a student in Buffalo between 1975 and 1977. During those years, Sherman made playing with disguises her artistic concept, producing numerous previously unknown photographs that unite a striking number of theatrical elements. Using a variety of wigs, make-up, mimicry, gestures, expressions, and costumes, Sherman reveals different social identities by playing different roles. Gabriele Schor, director of the SAMMLUNG VERBUND, has performed a scholarly assessment of the conceptual beginnings of her oeuvre and is now publishing a catalogue raisonné of her early work."--Publisher description.
Feministische Avantgarde der 1970er Jahre
Provokativ, radikal, authentisch: Die Pionierinnen der feministischen Kunst0In der Geschichte der Kunst fungierte die Frau meist als Projektionsfläche männlicher Fantasien, Vorurteile und Beziehungsmuster. In den 1970er-Jahren begannen Künstlerinnen jedoch, sich mit dem Bild des weiblichen Selbst auseinanderzusetzen. Sie erkundeten ihren eigenen Körper und schufen eine Bildsprache selbstbewusster weiblicher Identität. Die Werke der Pionierinnen des Feminismus in der Kunst waren provokativ, radikal und poetisch, ironisch und zynisch, zornig und authentisch. Alles Vorherige wurde verworfen, neu definiert und mit der Fotografie, Performance, Film und Videokunst wurden neue Ausdruckswege gefunden. Der Band vereint Werke von Cindy Sherman, Ana Mendieta, Ulrike Rosenbach, Eleanor Antin, Birgit Jürgenssen, Renate Bertlmann, Francesca Woodman und anderen entschieden feministischen Künstlerinnen.0Exhibition: Hamburger Kunsthalle, Germany (13.3.-31.5.2015) / Kunsthalle Munich, Germany (19.8.-6.11.2016) / Museum für Moderne Kunst, Vienna, Austria (11.2016-2.2017).
