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Surrealist Ghostliness
In this study of surrealism and ghostliness, Katharine Conley provides a new, unifying theory of surrealist art and thought based on history and the paradigm of puns and anamorphosis. In Surrealist Ghostliness, Conley discusses surrealism as a movement haunted by the experience of World War I and the repressed ghost of spiritualism. From the perspective of surrealist automatism, this double haunting produced a unifying paradigm of textual and visual puns that both pervades surrealist thought and art and commemorates the surrealists’ response to the Freudian unconscious. Extending the gothic imagination inherited from the eighteenth century, the surrealists inaugurated the psychological cen...
So, You Want To Be A Singer?
A Manual for up-and coming Divas, musicians and composers on the how-tos of the music business and performance.
The Call Of Solitude
Achieving inner calm while feeling centered is a human goal that is never easy to master. But why of late do serenity and peace of mind seem further from reach than ever before? The world appears very busy, and finding moments to catch up with ourselves looks to be almost impossible. Something has occurred to change life's circumstances, to make peaceful, restorative time terribly elusive. Alonetime is a great protector of the self and the human spirit. Many in society have railed against it. Some have overused its healing potential. Others have kept it as a special resource both knowingly and unknowingly. ... (Yet) the only way we shall achieve ... ideal love is if we are allowed to flower in the due course and pace of our inner life. Whether or not we were fortunate in our growing up to blossom this way, plenty of time -- alone-times -- awaits us now to make the necessary readjustments.
Everything, All the Time, Everywhere
A radical new history of a dangerous idea Post-Modernity is the creative destruction that has shattered our present times into fragments. It dynamited modernism which had dominated the western world for most of the 20th century. Post-modernism stood for everything modernism rejected: fun, exuberance, irresponsibility. But beneath its glitzy surface, post-modernism had a dirty secret: it was the fig leaf for a rapacious new kind of capitalism. It was also the forcing ground of the 'post truth', by means of which western values got turned upside down. But where do these ideas come from and how have they impacted on the world? In his brilliant history of a dangerous idea, Stuart Jeffries tells ...
Folly
The author of the national bestseller Monkeys has written a new novel that will appeal to fans of The Age of Innocence. Set in 1917 New England, it is the story of a conventional girl with unconventional stirrings, in a world where the choosing of a husband determines a woman's life.
In Pursuit of a Melody
This is the hard cover edition of Joan Cartwright's first book of memoirs, poetry, songs, and lectures.
Tailgate to Heaven
Despite a global recession, Englishman Adam Goldstein felt 2008 was the perfect time to invest in his lifelong passion. So he sold his flat and left his job and girlfriend in London for American football. Goldstein’s goal was to achieve what no other fan of American football has accomplished: to attend one live National Football League (NFL) game at every NFL stadium during the regular season, plus those played in London and Canada. He traveled over 65,000 miles to watch forty football games in eighteen weeks and to experience and understand the phenomenal appeal of that classic American pastime, the tailgate party. He drove from stadium to stadium, tailgate to tailgate, sometimes eight hu...
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Relational Designs in Literature and the Arts
This collection focuses on texts that address the other arts – from painting to photography, from the stage to the screen, and from avant-garde experiments to mass culture. Despite their diversity of object and approach, the essays in Relational Designs coalesce around the argument that representations are defined by relations and dynamics, rather than intrinsic features. This rationale is supported by the discourses and methodologies favoured by the book’s contributors: their approaches offer a cross section of the intellectual and critical environment of our time. The book illustrates the critical possibilities that derive from the broad range of modes of inquiry - poststructuralist criticism, gender studies, postcolonial studies, new historicism – that the book’s four sections bring to bear on a wealth of intermedial practices. But Relational Designs compounds such critical emphases with the voice of the practitioner: the book is rounded off by an interview in which a contemporary novelist discusses her attraction to the other arts in terms that extend the book’s insights and bridge the gap between academic discourse and artistic practice.
Francesca Woodman
"This monograph on Francesca Woodman (1958--1981), the most comprehensive to date, charts new approaches to her oeuvre. Whereas the evanescence of the female figure in the artist's photographs has often been read as an aesthetic anticipation of her suicide, the essays by publishers Gabriele Schor and Elisabeth Bronfen as well as those from Johannes Binotto, Abigail Solomon-Godeau and Beate Söntgen illustrate Woodman's passionate self-staging in the tradition of the tableau vivant. Her poetic and metaphorical use of props (mirrors, gloves, rugs etc.) and her staging in a room, where the laws of geometry seem to no longer apply, are examined in the essays. The 80 photographs in the SAMMLUNG VERBUND collection can be seen for the first time in their original size."--Publisher infomation.
