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Marking the Centenary of Samuel Alexander's Space, Time and Deity
This book is an edited collection of essays in celebration of the centenary of Samuel Alexander’s Space, Time and Deity, published in 1920. Samuel Alexander (1859-1938) was a leading figure of British philosophy in the early twentieth century. He was partly responsible for the ‘new realism’ movement along with G.E. Moore and Bertrand Russell. However, his work has been overlooked in developments of twentieth century philosophy and yet his theories and style of theorising are in vogue. This book begins with three previously unpublished papers by Alexander that shed light on his metaphysical commitments about time, universals, God, knowledge of past truths, grounding, and inference in logic and science. There are also two important posthumous chapters by philosophers of the mid-twentieth century, who elaborate on his life and most significant contributions. The second half of the book contains new essays by current scholars, discussing Alexander on metaphysical realism, idealism, naturalism, space and time, process ontology, ontological categories, epistemology, perception, philosophy of history, emergentism, and empiricism.
Marking the Centenary of Samuel Alexander's Space, Time and Deity
This book is an edited collection of essays in celebration of the centenary of Samuel Alexander's Space, Time and Deity, published in 1920. Samuel Alexander (1859-1938) was a leading figure of British philosophy in the early twentieth century. He was partly responsible for the 'new realism' movement along with G.E. Moore and Bertrand Russell. However, his work has been overlooked in developments of twentieth century philosophy and yet his theories and style of theorising are in vogue. This book begins with three previously unpublished papers by Alexander that shed light on his metaphysical commitments about time, universals, God, knowledge of past truths, grounding, and inference in logic and science. There are also two important posthumous chapters by philosophers of the mid-twentieth century, who elaborate on his life and most significant contributions. The second half of the book contains new essays by current scholars, discussing Alexander on metaphysical realism, idealism, naturalism, space and time, process ontology, ontological categories, epistemology, perception, philosophy of history, emergentism, and empiricism.
Art Against Empire
What role might art need to play in the transition beyond consumer capitalism? Can 'culture jamming' contribute to the necessary revolution in consciousness? And might art be able to provoke social change in ways that rational argument and scientific evidence cannot? In this stimulating new book, "Art Against Empire: Toward an Aesthetics of Degrowth," degrowth scholar Samuel Alexander explores these questions, both in theory and practice. He begins with a novel theoretical defence of art and aesthetic interventions as activity that is necessary to effective social and political activism, and concludes by presenting over one hundred 'culture jamming' artworks from a range of contributors that challenge the status quo and expand the horizons of what alternatives are possible.
Voluntary Simplicity
Intended as an invitation to an alternative way of life, this anthology, released by Wanganui publishers Stead and Daughters, brings together some of the most important literature on the post-consumerist living strategy known as 'voluntary simplicity.' By examining afresh our relationship with money, material possessions, the planet, ourselves and each other, the simple life of voluntary simplicity is about discovering the freedom and contentment that comes with knowing how much consumption is truly enough. And this might be a theme that has something to say to everyone, especially those of us who are everyday bombarded with thousands of cultural messages insisting that 'more is always bette...
Sugar Water
Hawaii's sugar industry enjoyed great success for most of the 20th century, and its influence was felt across a broad spectrum: economics, politics, the environment, and society. This success was made possible, in part, through the liberal use of Hawaii's natural resources. Chief among these was water, which was needed in enormous quantities to grow and process sugarcane. Between 1856 and 1920, sugar planters built miles of ditches, diverting water from almost every watershed in Hawaii. "Ditch" is a humble term for these great waterways. By 1920, ditches, tunnels, and flumes were diverting over 800 million gallons a day from streams and mountains to the canefields and their mills. Sugar Water chronicles the building of Hawaii's ditches, the men who conceived, engineered, and constructed them, and the sugar plantations and water companies that ran them. It explains how traditional Hawaiian water rights and practices were affected by Western ways and how sugar economics transformed Hawaii from an insular, agrarian, and debt-ridden society into one of the most cosmopolitan and prosperous in the Pacific.
