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Oral Tradition and Hispanic Literature
  • Language: en
  • Pages: 684

Oral Tradition and Hispanic Literature

First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

Hispanic medieval studies in honor of Samuel G. Armistead
  • Language: en
  • Pages: 328

Hispanic medieval studies in honor of Samuel G. Armistead

  • Type: Book
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  • Published: 1992
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  • Publisher: Unknown

None

Folk Literature of the Sephardic Jews, Vol. III
  • Language: en
  • Pages: 438

Folk Literature of the Sephardic Jews, Vol. III

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.

Judeo-Spanish Ballads from New York
  • Language: en
  • Pages: 160

Judeo-Spanish Ballads from New York

In New York City during the winter of 1922 and the spring of 1923, Mair Jose Benardete recorded the texts of the thirty-nine traditional ballads published in this volume. His collection, the beginning of Judeo-Spanish ballad research in America, was assembled when the oral tradition was still rich and vigorous among immigrants to New York from the Sephardic settlements of the Eastern Mediterranean and North Africa. Among the ballads are a number of rare text types, some never again recorded in the Sephardic communities of the United States, In addition, many of the texts provide new insights into the origins of the thematic traditions they represent. Samuel G. Armistead and Joseph H. Silverm...

Jewish Folklore and Ethnology Newsletter
  • Language: en
  • Pages: 76

Jewish Folklore and Ethnology Newsletter

None

Cinderella in America
  • Language: en
  • Pages: 530

Cinderella in America

For years many folklorists have denied the possibility of a truly American folk or fairy tale. They have argued that the tales found in the United States are watered-down derivatives of European fare. With this gathering, William Bernard McCarthy compiles evidence strongly to the contrary. Cinderella in America: A Book of Folk and Fairy Tales represents these tales as they have been told in the United States from Revolutionary days until the present. To capture this richness, tales are grouped in chapters that represent regional and ethnic groups, including Iberian, French, German, British, Irish, other European, African American, and Native American. These tales are drawn from published col...

Folklore and Literature
  • Language: en
  • Pages: 340

Folklore and Literature

  • Type: Book
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  • Published: 2000-03-09
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  • Publisher: SUNY Press

Explores how modern folklore, through its preservation of ballads and folktales, supplements our understanding of the oral tradition and enhances our knowledge of early literature.

Festschrift
  • Language: en
  • Pages: 594

Festschrift

  • Type: Book
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  • Published: 1997
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  • Publisher: Tamesis

Distinguished scholars from both sides of the Atlantic make a major contribution to medieval literary studies in contributions ranging from early epic to Fernando de Rojas. Studies on cuaderna via' verse and the poets of the cancionero' figure prominently, as do the Libro de buen amor' and Celestina'; these are complemented by individual essays on texts outside the mainstream, on the language and versification of the period, on the prose writers of the fifteenth century, and on literary activity in Catalonia, Galicia and Portugal. The collection demonstrates the range of interest and approach characteristic of recent Hispanic scholarship, and provides new insights into the medieval mind at w...

Sonic Ruins of Modernity
  • Language: en
  • Pages: 240

Sonic Ruins of Modernity

Sonic Ruins of Modernity shows how social, cultural and cognitive phenomena interact in the making and distribution of folksongs beyond their time. Through Judeo-Spanish (or Ladino) folksongs, the author illustrates a methodology for the interplay of individual memories, artistic initiatives, political and media policies, which ultimately shape “tradition” for the past century. He fleshes out in a series of case studies how folksongs can be conceived, performed and circulated in the post-tradition era – constituting each song as a “sonic ruin,” as an imagined place. At the same time, the book overall provides a unique perspective on the history of the Judeo-Spanish folksong.