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A major contribution to the cultural and literary history of the Victorian age, Rule of Darkness maps the complex relationship between Victorian literary forms, genres, and theories and imperialist, racist ideology. Critics and cultural historians have usually regarded the Empire as being of marginal importance to early and mid-Victorian writers. Patrick Brantlinger asserts that the Empire was central to British culture as a source of ideological and artistic energy, both supported by and lending support to widespread belief in racial superiority, the need to transform "savagery" into "civilization," and the urgency of promoting emigration. Rule of Darkness brings together material from publ...
A railway is not just a collection of machines, rails and buildings – it is also about people. Railway People tells of the wayward Brontë brother Branwell, and his extraordinary but short lived career as a station master. It recounts some little known episodes in the lives of the great railway engineers, including one conceming Isambard Brunel, whose barmy army of navvies took part in the last pitched battle to be seen on British soil. There are tales drawn from the diaries of the first railway police, by turns humorous and gripping. Much relate to railway’s early days and describe the steep learning curve required of the world’s first railwaymen as they engage with the novel technolo...
Australia has a fascinating history of visions. As the antipode to Europe, the continent provided a radically different and uniquely fertile ground for envisioning places, spaces and societies. Australia as the Antipodal Utopia evaluates this complex intellectual history by mapping out how Western visions of Australia evolved from antiquity to the modern period. It argues that because of its antipodal relationship with Europe, Australia is imagined as a particular form of utopia – but since one person’s utopia is, more often than not, another’s dystopia, Australia’s utopian quality is both complex and highly ambiguous. Drawing on the rich field of utopian studies, Australia as the Antipodal Utopia provides an original and insightful study of Australia’s place in the Western imagination.
Originally published in 1934 this book became recognised as one of the principal standard works on industrial design and industrial architecture. The chapters explain the complete operation, character and background history of industrial art, its relation to architecture, materials, industrial production and retail distribution. It is fully illustrated with line drawings and photographs.
Together with a list of auxiliary and cooperating societies, their officers, and other data.
Describes the time in America prior to the first World War, the vast differences between the wealthy and the poor, the changing from farming to factory work, and the inventions of conveniences such as electric lights, telephones, and bicycles.
Reprint of the original, first published in 1874.
This provocative book examines the vision of Australia in nineteenth-century English literature. The industrial revolution destroyed the myth of an idyllic rural way of life in England, and writers like Charles Dickens, Bulwer Lytton and Charles Reade created it anew in the improbable environment of Australia. The popular image of Australia in English literature was Arcadian; in turn it dominated the thought and traditions of writing in Australia. The man who supplied the material for English writers was Samuel Sidney; he was for a time regarded as an expert on Australia, although he had never set foot in the antipodes and all his material was second-hand. His influence on the literature of the period, and consequently on Australia, has received scant attention. Sidney's influence is fully examined; the book also offers entirely new material on Wakefield, Dickens, Lytton and Reade. It provides a new and challenging interpretation of literature and social history in both England and Australia.
In Susan A. Brewer's fascinating The Best Land, she recounts the story of the parcel of central New York land on which she grew up. Brewer and her family had worked and lived on this land for generations when the Oneida Indians claimed that it rightfully belonged to them. Why, she wondered, did she not know what had happened to this place her grandfather called the best land. Here, she tells its story, tracing over the past four hundred years the two families—her own European settler family and the Oneida/Mohawk family of Polly Denny—who called the best land home. Situated on the passageway to the west, the ancestral land of the Oneidas was coveted by European colonizers and the founders...