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Fears, Doubts and Joys of Not Belonging
This book is an opportune warning that alienation, estrangement and intentional diminishment serve as a cancer upon those who disburse it. The outsider suffers by being alone; the insider suffers even more by being forever known as a hypocrite who perpetuates dystopia. It uses literature as a hothouse for poisonous potted plants, the workings of a mind in turmoil and the exploration of a society or societies that seems to derive pleasure from others' ruin. Fears, Doubts, and Joy of Not Belonging considers themes that are biblical in scope from different societies and historical epochs. It is a sobering spiritual enlightenment of a child's "silent treatment" in adult form. The text complement...
African Women Writing Diaspora
African Women Writing Diaspora: Transnational Perspectives in the Twenty-First Century examines contemporary fiction by African women authors to resonate diaspora perspectives on what it means to be African within transnational spaces. Through a critical lens, the collection interrogates the ways in which women construct new ways of telling the African story in the global age of social, economic, and political transformation. African Women Writing Diaspora illustrates that for African women, life in the diaspora is an uncharted journey across new landscapes of identity beyond Africa’s borders as a unifying theme. The fictional works analyzed represent the leading women writers who dominate the African literary canon, and the contributors explore diverse themes of immigrant life, racialized identities, and otherness within transnational spaces of the west.
Everything Is Sampled
Everything Is Sampled examines the shifting modes of production and circulation of African artistic forms since the 1980s, focusing on digital culture as the most currently decisive setting for these changes. Drawing on works of cinema, literature, music, and visual art, Akin Adekan. addresses two main questions. First, given the various changes that the institutions producing African arts and letters have undergone in the past four decades, how have the representational impulses in these forms fared in comparison with those at work in pervasively digital cultures? Second, how might a long view of these artistic forms across media and in different settings affect our understanding of what co...
Narrating the New African Diaspora
This book provides the first comprehensive survey and collection of Nigerian diaspora literature, offering readings of novelists such as Chimamanda Ngozi Adichie, Sefi Atta, Helon Habila, Helen Oyeyemi, Taiye Selasi, Chika Unigwe, Chris Abani, and Ike Oguine. As members of the new African diaspora, their literature captures experiences of recent Nigerian migration to the United States and the United Kingdom. Examining representative novels, such as Adichie’s Half of a Yellow Sun and Americanah, Habila’s Waiting for an Angel, Abani’s GraceLand, and Oyeyemi’s The Icarus Girl, the book discusses these novels’ literary and narrative methods and provides detailed analyses of two of the most common themes: depictions of migratory experiences and representations of Nigeria. Placing the novels in their relevant historical, sociological, philosophical, and theoretical contexts, Narrating the New African Diaspora presents an insightful study of current anglophone Nigerian narrative literature.
At the Crossroads
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Impostors
Writing a new page in the surprisingly long history of literary deceit, Impostors examines a series of literary hoaxes, deceptions that involved flagrant acts of cultural appropriation. This book looks at authors who posed as people they were not, in order to claim a different ethnic, class, or other identity. These writers were, in other words, literary usurpers and appropriators who trafficked in what Christopher L. Miller terms the “intercultural hoax.” In the United States, such hoaxes are familiar. Forrest Carter’s The Education of Little Tree and JT LeRoy’s Sarah are two infamous examples. Miller’s contribution is to study hoaxes beyond our borders, employing a comparative fr...
ALA Bulletin
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West African Women in the Diaspora
This book examines fictional works by women authors who have left their homes in West Africa and now live as members of the diaspora. In recent years a compelling array of critically acclaimed fiction by women in the West African diaspora has shifted the direction of the African novel away from post-colonial themes of nationhood, decolonization and cultural authenticity, and towards explorations of the fluid and shifting constructions of identity in transnational spaces. Drawing on works by Chimamanda Ngozi Adichie, Buchi Emecheta, Ama Ata Aidoo, Sefi Atta, Chika Unigwe and Taiye Selasie, this book interrogates the ways in which African diaspora women’s fiction portrays the realities of otherness, hybridity and marginalized existence of female subjects beyond Africa’s borders. Overall, the book demonstrates that life in the diaspora is an uncharted journey of expanded opportunities along with paradoxical realities of otherness. Providing a vivid and composite portrait of African women’s experiences in the diasporic landscape, this book will be of interest to researchers of migration and diaspora topics, and African, women’s and world literature.
History and Violence in Contemporary Kenyan Fiction
This book is a collection of essays on Yvonne Owuor’s writings, mainly her most acclaimed novel, Dust as well as Dragonfly Sea and her short story “Weight of Whispers”. While the chapters in this book grapple with diverse themes, they generally converge on Owuor’s preoccupation with different forms of violence that has dominated Kenya’s postcolonial experiences, especially those around the politics of power and the roles of regional, ethnic, and gender identities in influencing such politics. Many of the chapters in this book problematize the violence of genocide, trauma, and flight as they are variously and singularly underpinned by silences that signal the failure of adequate avenues for articulation of what impact such violence has on its victims. Other chapters focus on the style of Owuor’s writing, thereby highlighting the many literary innovations that Owuor crafts in order to effectively carry the weight of her concerns. This book will be of interest to scholars and advanced students of Literature, Politics, History, and Sociology. It was originally published as a special issue of the journal Eastern African Literary and Cultural Studies.
