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Race riots. Labor strikes. Women's battle for the vote. The aftermath of the Great War. The transformative events and harsh realities of the year 1919 still reverberate a century later. Nineteen Nineteen, published to accompany a centennial exhibition of the Huntington Library, Art Collections, and Botanical Gardens in San Marino, California, explores the institution and its founding through the lens of this single, tumultuous year. The fully illustrated catalog features works from The Huntington's vast collections of books, manuscripts, photographs, ephemera, and art, many of them never exhibited or published before.
This edition has 65 new images, making a total of 500. The original configurations were altered so that there is only one species per plate. The text is a revision of the Ornithological Biography, rearranged according to Audubon's Synopsis of the Birds of North America (1839).
An introduction to the William Blake Collection in the Henry E. Huntington Library and Art Gallery, San Marino, California.
Praise for the previous editions: "A beautiful keepsake . . . and a great gift for garden lovers."--"Los Angeles Times " "An armchair expedition through one of Southern California's greatest public gardens . . . . An outstanding tribute."--"Southern California Gardener "
Tudor Historical Thought is a revealing account of vital changes in intellectual orientation. Originally published in 1967, F.J. Levy's seminal work explores the factors ? humanism, theology, antiquarianism, Machiavellianism ? that brought about the changes in historical thinking from the time of Caxton to that of Bacon, Raleigh, and Camden. Earlier, the study of the past was justified on utilitarian grounds, and the purpose of history writing was didactic. At the beginning of the sixteenth century, chroniclers exemplified the workings of Providence and taught personal morality; a hundred years later, however, the idea of teaching practical statecraft had been introduced. The Italian humanis...
The first monograph on the acclaimed American environmental artist Lita Albuquerque, whose works belong to the Land Art generation, alongside James Turrell, Christo, Robert Smithson, and others. Known internationally for her temporary and ephemeral installations, paintings, and sculptures, Lita Albuquerque uses the most unusual and challenging of Earth’s surfaces as a canvas: Antarctica, the Arctic, Death Valley, the Mojave Desert, and South Dakota’s Badlands. She "paints" with a variety of mediums, including brightly clad humans or fabricated spheres, which form patterns over vast, wide-open spaces. This beautifully designed survey of her career highlights Stellar Axis, for which Albuquerque led an expedition to the South Pole to create the first installment of a groundbreaking global project. In addition to essays placing the artist’s works in the broader contexts of environmental art and science, Albuquerque provides personal reflections on her life’s work.
The Art of Wealth provides a fresh perspective on the complicated mix of public and private motives and models that characterized art collecting and philanthropy in America in the early twentieth-century. The author focuses on four remarkable individuals: Collis Huntington, who started out as a peddler and went on to found a railroad empire; his second wife, Arabella, a woman of great intelligence and taste; her son, Archer, who devoted his life to creating and supporting museums; and Collis's nephew, Henry E. Huntington, who built up an extraordinary foundation and then gave it to the public as an enduring legacy.