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Nineteen Nineteen
  • Language: en
  • Pages: 260

Nineteen Nineteen

Race riots. Labor strikes. Women's battle for the vote. The aftermath of the Great War. The transformative events and harsh realities of the year 1919 still reverberate a century later. Nineteen Nineteen, published to accompany a centennial exhibition of the Huntington Library, Art Collections, and Botanical Gardens in San Marino, California, explores the institution and its founding through the lens of this single, tumultuous year. The fully illustrated catalog features works from The Huntington's vast collections of books, manuscripts, photographs, ephemera, and art, many of them never exhibited or published before.

Maynard L. Parker
  • Language: en
  • Pages: 290

Maynard L. Parker

Overzicht van het werk van de Amerikaanse architectuurfotograaf (1900-1976).

Roaring Camp: The Social World of the California Gold Rush
  • Language: en
  • Pages: 464

Roaring Camp: The Social World of the California Gold Rush

Winner of the Bancroft Prize The world of the California Gold Rush that comes down to us through fiction and film is one of half-truths. In this brilliant work of social history, Susan Lee Johnson enters the well-worked diggings of Gold Rush history and strikes a rich lode. Johnson explores the dynamic social world created by the Gold Rush in the Sierra Nevada foothills east of Stockton, charting the surprising ways in which the conventions of identity—ethnic, national, and sexual—were reshaped. With a keen eye for character and story, she shows us how this peculiar world evolved over time, and how our cultural memory of the Gold Rush took root.

The Nineteenth-century Visual Culture Reader
  • Language: en
  • Pages: 436

The Nineteenth-century Visual Culture Reader

  • Categories: Art

The nineteenth century is central to contemporary discussions of visual culture. This reader brings together key writings on the period, exploring such topics as photographs, exhibitions and advertising.

Bruce Davidson/Paul Caponigro
  • Language: en

Bruce Davidson/Paul Caponigro

  • Type: Book
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  • Published: 2014
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  • Publisher: Unknown

Bruce Davidson (b. 1933) and Paul Caponigro (b. 1932) are two of the greatest American photographers of their generation. Working in different traditions, and exhibiting fundamentally distinct approaches, they are both brilliant observers whose art inspires and provokes. This book, the first to pair the two, examines the work they produced during visits to Britain and Ireland in the 1960s and 1970s. The gritty sensibility that made Bruce Davidson's series Brooklyn Gang such a sensation was unmistakable as he trained his camera on the gamut of British society, travelling from London to Scotland and later to the mining region of Wales. Paul Caponigro, steeped in a formalist black-and-white landscape tradition, made expressive portraits of prehistoric stone circles, dolmens, and ancient Irish churches in the landscape. Bruce Davidson/Paul Caponigro brings the work of these artists together into a dramatic visual dialogue. Published in association with the Yale Center for British Art Exhibition Schedule: Yale Center for British Art (06/26/14-09/14/14) The Huntington Library (11/09/14-02/23/15)

Daddy on Board
  • Language: en
  • Pages: 120

Daddy on Board

From the mommy wars to stay-at-home dads, this work looks at how far parenting roles have evolved from the late 1960s and what child rearing issues still linger in the 21st century.

Backyard Oasis
  • Language: en

Backyard Oasis

  • Type: Book
  • -
  • Published: 2012-01-01
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  • Publisher: Unknown

As part of the Getty Foundation's Pacific Standard Time: Art in L.A., 1945-1980 regional initiative, the exhibition Backyard Oasis, mounted by Palm Springs Art Museum in 2012, examines photographs of swimming pools from 1945 to 1982 as visual analogs of the ideals and expectations associated with Southern California. These images of individual water-based environs in the arid landscape are an integral part of the region's identity, a microcosm of the hopes and disillusionments of the country's post-World War II ethos. The catalogue contains an introductory essay providing an overview of the development of the swimming pool and its attendant aesthetic and social culture. Authored by the exhib...

Making a Photographer
  • Language: en
  • Pages: 289

Making a Photographer

An unprecedented and eye-opening examination of the early career of one of America’s most celebrated photographers One of the most influential photographers of his generation, Ansel Adams (1902–1984) is famous for his dramatic photographs of the American West. Although many of Adams’s images are now iconic, his early work has remained largely unknown. In this first monograph dedicated to the beginnings of Adams’s career, Rebecca A. Senf argues that these early photographs are crucial to understanding Adams’s artistic development and offer new insights into many aspects of the artist’s mature oeuvre. Drawing on copious archival research, Senf traces the first three decades of Adams’s photographic practice—beginning with an amateur album made during his childhood and culminating with his Guggenheim-supported National Parks photography of the 1940s. Highlighting the artist’s persistence in forging a career path and his remarkable ability to learn from experience as he sharpened his image-making skills, this beautifully illustrated volume also looks at the significance of the artist’s environmentalism, including his involvement with the Sierra Club.

Top Hits (Songbook)
  • Language: en
  • Pages: 57

Top Hits (Songbook)

(Educational Piano Library). Seven red-hot hits arranged for piano solo. This collection of intermediate-level arrangements is sure to be a student saver and motivator! Contains: Every Teardrop Is a Waterfall * For the First Time * Jar of Hearts * Just the Way You Are * Rolling in the Deep * Someone like You * You and I.

Edward Weston
  • Language: en
  • Pages: 288

Edward Weston

"This is the first major book to celebrate the Huntington's collection of five hundred Edward Weston photographs, all of them selected and printed for the institution by the artist in the 1940s. The Guggenheim photographs lie at the heart of this legacy, but Weston also included in his gift still-life studies from the early 1920s and 1930s, as well as later landscapes from the 1940s. Weston selected these photographs as representative of his best work, and they are reproduced here, complemented by investigations into the influences that shaped them."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved