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Graduation Show
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Masters of Rietveld
Overzicht van het werk van grafische ontwerpers die afstudeerden aan het Sandberg Instituut van de Rietveld Academie in Amsterdam.
Sandberg Instituut Graduation 2020. The Subject of the Email
From non-humans to real estate developers, this volume compiles the draft and final works by the 2020 graduates from master?s programmes in fine arts, design, critical studies, and more at Amsterdam?s Sandberg Instituut. The publication is in part comprised by ?Seven Clicking Index Fingers?, a series of letters conceived by various guest writers and curators which interpret the array of graduation works. Each letter is formulated as an email addressed to an organisation, industry, or part of society, adding context to the graduates? creations and addressing related topics and phenomena as perceived by this new generation of artists, designers, architects, thinkers, and visionaries. 00Exhibition: Het Hembrugterrein (Het HEM / De Dood), Zaandam, The Netherlands (29.10.-02.11.2020).
Is Art Real?.
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Radical Cut-up
This volume investigates the cut-up as a contemporary mode of creativity and important global model of cultural production. The term cut-up thereby serves as an open container for a long list of terms and actions that describe the combination and reassembly of existing motifs, fragments, images and ideas from diverse and disconnected origins into newly synthesized entities. Refusing any disciplinary coherence, this book assembles texts from multifarious eras and origins. At the same time, the contributors share an urgency to question the dichotomy of original creation and derivative appropriation. In this way, the book itself is a cut-up of previously published essays and articles that in their proximity allow for multiple readings to arise. It aims to translate the topic into a wider societal discourse to serve as both a source of inspiration and a platform for critical reflection. Contributors Thom Bettridge, Marcus Boon, Nicolas Bourriaud, Lars Eckstein, Rachel Falconer, Lukas Feireiss, Joerg Koch, Jonathan Lethem, Lucas Mascatello, Paul D. Miller, Eduardo Navas, Tamar Shafrir, Robert Shore, Stacey Waite, and Jan Verwoert Copublished with Sandberg Instituut, Amsterdam
Immediate Spaces
The Studio for Immediate Spaces (SIS) is a two-year MA programme at Amsterdam's renowned Sandberg Instituut. It aims at exploring and shaping spatial practices on the genesis and production of contemporary spatial configurations. Through extensive field investigations, SIS works as a laboratory testing ideas relevant to how we live today and how we could live tomorrow. Rural flatlands, suburbia and gritty city settings; Mediterranean shorelines and Alpine mountainscapes; open-pit mines and industrial legacies; abandoned buildings and unfinished infrastructures; harbors, airports and refugee camps: Such places were the sites of SIS's research and production between 2016 and 2019. Directed by ...
Willem Sandberg
"In this book, which is compiled from interviews taken more than 30 years ago, Sandberg looks back on his life, particularly on the period from around 1945 until 1970, during which he was active as a typographic designer and as director of the Stedelijt Museum in Amsterdam ... The basic material for the book is the interviews that art critic Paul Aletrino held in the years 1970-1971 with Sandberg for the VARA radio "Staalkaart" [augmented by other sources including] the documentary biography that Ad Petersen and Pieter Brattinga made in 1975 on the occasion of the Erasmus prize, which was awarded to Sandberg ... In 1981 I was given the task to compile this book from the material that been collected. I arranged from the chapters according to the most important themes which were raised in the interviews. In addition, I turned the spoken language of Sandberg into reading language and reflected as faithfully as possible his own word usage. The text was authorised by Sandberg for the first edition ..."-- Excerpted from the author's introduction.
School of Missing Studies
Founded by Bik van der Pol, the Dutch collaborative art duo of Liesbeth Bik (b. 1959) and Jos van der Pol (b. 1961), the School of Missing Studies started in 2003 as a collective made-up of artists and architects who recognized the missing as a matter of urgency in public space and how cultural education was so close yet so far removed from cultural production. They investigated what cultures laid the foundations for the loss that we are experiencing from modernization, and how we can learn from this loss. Their project was recreated for programming at the Sandberg Institute, Amsterdam. It also became the subject of the Sandberg Institutes first publication in this new cultural series. The School of Missing Studies is calling for a space to turn existing knowledge against itself to affect our capacity to see things otherwise, to trust that seeing, and to set our own pedagogical terms. essays by Liz Allan, Bik van der Pol, Charles esche, e. C. feiss, Laymert Garcia dos Santos, Sarah Pierce, eloise Sweetman, Paulo Tavares, and nato Thompson.
