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Coffee, Tea, and Reality
Created by Canadian cartoonist Sandra Bell-Lundy, the syndicated comic strip Between Friends offers a near-telepathic view of the female psyche and illustrates the essence and angst of modern women today. Between Friends chronicles the highs and lows of three archetypal women in their early forties who have known each other since high school: Susan, who balances her full-time job with her responsibilities at home; Maeve, the divorced, sophisticated professional who's always searching for Mr. Right; and Kim, who works at home while taking care of her six-year-old stepson. Readers will recognize themselves and their friends in this contemporary slice-of-life strip. Susan, Maeve, and Kim talk t...
A Doemain of Our Own
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Trauma Narratives and Herstory
Featuring contributions from a wide array of international scholars, the book explores the variety of representational strategies used to depict female traumatic experiences in texts by or about women, and in so doing articulates the complex relation between trauma, gender and signification.
The New Nancy
The New Nancy explores how Olivia Jaimes's 2018 reboot of the legacy comic strip exemplifies the adaptability of contemporary flexible comics to serve divergent audiences, from nostalgic fans who read the daily comics in newspapers to newer webcomic readers.
Invaders from the North
What do Superman, Prince Valiant, Cerebus the Aardvark, and Spawn have in common? Their creators — Joe Shuster, Harold Foster, Dave Sim, and Todd McFarlane are Canadians. And while many of the cutting-edge talents of contemporary comix and graphic novels are also from Canada — artists such as Chester Brown, Seth, Dave Cooper, and Julie Doucet — far too few Canadians realize their country had a remarkable involvement with the "funnies" long before. Invaders from the North profiles past and present comic geniuses, sheds light on unjustly neglected chapters in Canada’s pop history, and demonstrates how this nation has vaulted to the forefront of international comic art, successfully challenging the long-established boundaries between high and low culture. Generously illustrated with black-and-white and colour comic covers and panels, Invaders from the North serves up a cheeky, brash cavalcade of flamboyant and outrageous personalities and characters that graphically attest to Canada’s verve and invention in the world of visual storytelling.
The Last Of The Funnies
After a worldwide energy and economic crisis, newspapers have ceased production and nearly every form of art and entertainment is a digital simulation. In this seemingly impossible (but plausible) future, a crusty old cartoonist named Frost has a great gift to leave Giles, his only child. Frost is the creator of Li'l Nibs; the most celebrated comic strip about four little aliens who crash-landed on Earth during the crisis and aptly announced, "Weez Comez in Peez!" However, to Giles, the funnies have caused nothing but conflict in his life. He's grown to resent Frost's crudely hand-drawn creations. But as the young Virtual Art professor soon learns, things aren't always as they appear. Like a cartoon wizard behind ink-stained curtains, Frost weaves a whimsical tale about the origins of the funnies, webcomics, and a terrorizing menace that threatens to kidnap every artist's childhood dreams! Whether Giles believes it or not, the fate of the funnies is in his hands.
Made-in-Canada Humour
Made-in-Canada-Humour is an interdisciplinary survey and analysis of Canadian humour and humorists in the nineteenth and twentieth centuries. The book focuses on a variety of genres. It includes celebrated Canadian writers and poets with ironic and satiric perspectives; oral storytellers of tall tales in the country and the city; newspaper print humorists; representative national and regional cartoonists; and comedians of stage, radio and television. The humour gives voice to Canadian values and experiences, and consequently, techniques and styles of humour particular to the country. While a persistent comic theme has been joking at the expense of the United States, both countries have influenced one another’s humour. Canada’s unique humorous tradition also reflects its emergence from a colonial country to a postcolonial and postmodern nation with contemporary humour that addresses gender and racial issues.
Eat, Drink and Remarry
With an emphasis on the liberation and second chance that divorce can bring, this book's collection of quotes and cartoons offers a lighthearted look at the process of separation.
Team Cul de Sac
Homages to Richard Thompson and his newspaper strip Cul de sac.
