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The Schopenhauerian Mind
Arthur Schopenhauer (1788-1860) is now recognised as a figure of canonical importance to the history of philosophy. Schopenhauer founded his system on a highly original interpretation of Kant’s philosophy, developing an entirely novel and controversial worldview guided centrally by his striking conception of the human will and of art and beauty. His influence extends to figures as diverse as Fredrich Nietzsche, Ludwig Wittgenstein and Iris Murdoch within philosophy, and Richard Wagner, Thomas Hardy, Sigmund Freud, Thomas Mann, Samuel Beckett and Jorge Luis Borges outside it. The Schopenhauerian Mind is an outstanding, wide-ranging collection that explores the rich nature of Schopenhauer's ...
Aesthetics
A revised second edition of the bestselling anthology on the major figures and themes in aesthetics and philosophy of art, the ideal resource for a comprehensive introduction to the study of aesthetics Aesthetics: A Comprehensive Anthology offers a well-rounded and thorough introduction to the evolution of modern thought on aesthetics. In a collection of over 60 readings, focused primarily on the Western tradition, this text includes works from key figures such as Plato, Hume, Kant, Nietzsche, Danto, and others. Broad in scope, this volume also contains contemporary works on the value of art, frequently-discussed continental texts, modern perspectives on feminist philosophy of art, and essay...
The Cosmos of Duty
Roger Crisp presents a comprehensive study of Henry Sidgwick's The Methods of Ethics, a landmark work first published in 1874. Crisp argues that Sidgwick is largely right about many central issues in moral philosophy: the metaphysics and epistemology of ethics, consequentialism, hedonism about well-being, and the weight to be given to self-interest. He holds that Sidgwick's long discussion of 'common-sense' morality is probably the best discussion of deontology we have. And yet The Methods of Ethics can be hard to understand, and this is perhaps one reason why, though it is a philosophical goldmine, few have ventured deeply into it. What does Sidgwick mean by a 'method'? Why does he discuss only three methods? What are his arguments for hedonism and for utilitarianism? How can we make sense of the idea of moral intuition? What is the role of virtue in Sidgwick's ethics? Crisp addresses these and many other questions, offering a fresh view of Sidgwick's text which will assist any moral philosopher to gain more from it.
Freiheit nach Kant
Kant’s conception of freedom is of special importance in the history of philosophy. It not only brings together older traditions but has great influence on later theories of freedom. The edited volume analyzes Kant’s theory, referring to the concepts of will, choice, autonomy, and reason. It consists of four parts: Kant’s theory in its historical context; Kant’s own conception as developed in his various philosophical works; central conceptions of freedom in German Idealism after Kant (including Reinhold, Schiller, Maimon, Jacobi, Fichte, Schelling, Hegel, Schopenhauer); the systematic relevance of Kant’s conception of freedom with regard to recent debates in analytic philosophy (agent causality, compatibilism and incompatibilism).
Happiness
Part I. Historical Sources. Part II. Contemporary theories.
Proceedings and Addresses of the American Philosophical Association
List of members in v. 1- .
Nietzsche’s Engagements with Kant and the Kantian Legacy
Nietzsche has often been considered a thinker independent of the philosophy of his time and radically opposed to the concerns and concepts of modern and contemporary philosophy. But there is an increasing awareness of his sophisticated engagements with his contemporaries and of his philosophy's rich potential for debates with modern and contemporary thinkers. Nietzsche's Engagements with Kant and the Kantian Legacy explores a significant field for such engagements, Kant and Kantianism. Bringing together an international team of established Nietzsche-scholars who have done extensive work in Kant, contributors include both senior scholars and young, upcoming researchers from a broad range of c...
The Oxford Handbook of Schopenhauer
This collection of thirty-one essays encompasses Schopenhauer's central contributions, his influences, and the scope of his impact, especially on the arts and philosophy. Six sections cover the wide range of his thought, including its connection to religion, ethics, and art, as well as his influence and legacy.
Změnit svět uměním
Arthur Coleman Danto (1924–2013) patřil k nejvýznamnějším postavám analytické filozofie umění 20. století. Jeho texty o ontologii a historické podmíněnosti umění měly nesporný vliv na to, jak o soudobém umění uvažujeme. Tato studie se zaměřuje na Dantův přístup k definování umění. Neomezuje se však pouze na výklad jednotlivých charakteristik umění, ale klade si za cíl doložit, že Danto podstatu umění spojuje s tzv. zkušenostní dimenzí. Oproti tradičnímu čtení, které zdůrazňuje sémantický rozměr Dantovy definice, argumentuje, že Danto dlouhodobě zastával názor, že umělecká díla mají nejen obsah, ale také schopnost vyvolat na straně vnímatele emocionální reakci, potažmo proměnit jeho náhled na svět.
The Kantian Sublime
In recent years Kant's aesthetic theory has been the subject of a widespread revival of interest amongst English-speaking philosophers. This revival, however, has not so far encompassed Kant's aesthetic of the sublime. This neglect is unfortunate because, amongst Continental philosophers, the Kantian sublime is currently receiving widespread discussion in debates about the nature of postmodernism. Paul Crowther thus breaks new ground by providing what is probably the first monograph in any language to be devoted exclusively to Kant's theory of the sublime.
