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In this gorgeous third collection, Sandra Lim investigates desire, sexuality, and dream with sinewy intelligence and a startling freshness. Truthful, sensuous, and intellectually relentless, the poems in The Curious Thing are compelling meditations on love, art making, solitude, female fate, and both the mundane and serious principles of life. Sandra Lim’s poetry displays stinging wit and a tough-minded approach to her own experiences: She speaks with Jean Rhys about beauty, encounters the dark loneliness that can exist inside a relationship, and discovers a coiled anger on a hot summer day. An extended poem sequence slyly revolves the meanings of finding oneself astray in midlife. A steely strength courses through the volume’s myriad discoveries—Lim’s lucidity and tenderness form a striking complement to her remarkable metaphors and the emotional clamor of her material. Animated by a sense of reckoning and a piercing inwardness, these anti-sentimental poems nevertheless celebrate the passionate and empathetic subjective life.
Here, available for the first time in an English translation, is The Wilderness by Moritake Takeichi, who is known, along with Iboshi Hokuto and Batchelor Yaeko, as one of the "Three Great Ainu Poets". This seminal work should be considered must reading for anyone interested in Ainu culture and history, and Japanese literature in general. These poems provide an especially poignant insight into the intense pressures experienced by the Ainu people after Hokkaido was annexed by Japan in 1879, when assimilation became synonymous with survival. Moritake, whose Ainu name was Itakunoto was born in the fishing village of Shiraoi in southwestern Hokkaido in 1902, the eldest son of Ehechikari (father)...
Poetry. "LOVELIEST GROTESQUE is a darkly fascinating book. It's a sweet, shape-shifting creature and a fun postmodern romp. Page after page fills with energetic surprises, keeping the reader intrigued--formal quatrains juxtaposed against prose vignettes... short-line riffs against skinny sonnets against a ballad that spreads across the page against a pantoum with the word "orient" in it. Finally, the slippery slope of too much fun might stop for a nano moment to contemplate an important existential question: "Why were there manatees at all?" Obviously, the answer is this: after 9/11, in the new millennium, all formal discourses must explode, splinter and fragment and coalesce again into a stunning, new voice."--Marilyn Chin
Wen Zhou is determined to create a future for herself that is more satisfying than the life her parents expect her to lead. Equal parts heartbreaking and hopeful, the CBCA shortlisted Tiger Daughter is a wonderfully compelling and authentic Own Voices novel about growing up Asian in Australia. WINNER: 2022 CBCA Book of the Year, Older Readers WINNER: 2022 Victorian Premier's Literary Awards, People's Choice SHORTLISTED: 2022 NSW Premier's Literary Award, Ethel Turner Prize for Young People's Literature SHORTLISTED: 2022 NSW Premier's Literary Award, Multicultural NSW Award SHORTLISTED: 2021 QLD Literary Awards, Griffith University Young Adult Book Award What I feel most days is that nothing ...
A new anthology of wicked, subversive young women poets
Poetry. Asian & Asian American Studies. Winner of the 2018 Frost Place Chapbook Competition, selected by Sandra Lim. "SÉANCE IN DAYLIGHT is about desire, transformation, and dreams; it is also about intricate, yet light-footed sessions with the dead. The ever-present undertow of the poet's sharp observations keeps these lush, yet lapidary lyrics from slipping into solipsism or sentimentality. 'Back home, my body thin and healthy / cooling my feet on a crystal ball like a psychic out of business,' says one speaker, returning from an imagined visitation. These poems remind us that at times, life's very existence feels unbearably inexplicable, beautiful, perverse, moody, and touching. Yuki Tanaka connects these feelings with a spiritual intensity and a sweet wit. His images startle, 'A bare white arm / disinfected. Plump, sizzling,' and they pierce into our inwardness, 'This pile of wood wished to be a stairway / but couldn't. Will you pretend to climb it.'"--Sandra Lim
With the help of several animal characters, this picture book takes a look at the bedtime ritual.
Global social work: crossing borders, blurring boundaries is a collection of ideas, debates and reflections on key issues concerning social work as a global profession, such as its theory, its curricula, its practice, its professional identity; its concern with human rights and social activism, and its future directions. Apart from emphasising the complexities of working and talking about social work across borders and cultures, the volume focuses on the curricula of social work programs from as many regions as possible to showcase what is being taught in various cultural, sociopolitical and regional contexts. Exploring the similarities and differences in social work education across many countries of the Americas, Asia, Europe and the Pacific, the book provides a reference point for moving the current social work discourse towards understanding the local and global context in its broader significance.
Workplace aggression is a serious problem for workers and their employers. As such, an improved scientific understanding of workplace aggression has important implications. This volume, which includes chapters written by leading workplace aggression scholars, addresses three primary topics: the measurement, predictors and consequences of workplace aggression; the social context of workplace aggression; and the prevention of workplace aggression. Of note, the book encompasses the various labels used by researchers to refer to workplace aggression, such as 'abusive supervision', 'bullying', 'incivility' and 'interpersonal conflict'. This approach differs from those of previous books on the topic in that it does not focus on a particular type of workplace aggression, but covers an intentionally broad conceptualization of workplace aggression - specifically, it considers aggression from both the aggressors' and the targets' perspectives and includes behaviors enacted by several types of perpetrators, including supervisors, coworkers and customers.
'Sharanya's poems are, in her own phrase, a form of phosphorescence - glowing in darkness, simmering with wonder, mythic in resonance, boldly embodied, hence surprisingly spiritful, even spiritual in the finest sense of the word. They are also skeptical and reflective, tempering and enhancing the glowing flame. Riptides of Tamil hide beneath or within her honed English, for those who can hear and see.' - David Shulman. Sita in a forest, loved and left behind, looks towards the night sky and sees Lucifer's fall from grace. Inanna enters the underworld, holding her heart before her like a torch. It is not easy to bear the weight of light; wilderness takes time to turn into sanctuary. These are poems of exile, resurrection, impossible love, lasting redemption - and above all else, the many meanings of grace.