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Excavating the Medieval Image
This collection of essays celebrates Sandra Hindman's career as a professor of art history.
The Danse Macabre of Women
The 'Danse Macabre' of Women is a 15th-century French poem found in an illuminated late-medieval manuscript. This book contains reproductions of each manuscript folio, a translation and explanatory chapters by Ann Tukey Harrison. Art historian Sandra L. Hindman also contributes a chapter.
Sealed in Parchment
Chretien de Troyes was France's great medieval poet—inventor of the genre of courtly romance and popularizer of the Arthurian legend. The forty-four surviving manuscripts of his work (ten of them illuminated) pose a number of questions about who used these books and in what way. In Sealed in Parchment, Sandra Hindman scrutinizes both text and images to reveal what the manuscripts can tell us about medieval society and politics.
Toward an Art History of Medieval Rings
Toward an Art History of Medieval Rings gives a full survey of Merovingian, Byzantine, Medieval, and Renaissance rings ranging in date from around 300 to 1600 AD. They include marriage rings, seal rings, stirrup rings, tart mould rings, iconographic rings, merchant rings, and gemstone rings, and are arranged chronologically.
Divine Pursuits
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Flowering of Medieval French Literature
Although the earliest records of written French date from the 9th century, it was not until the 13th century, when there was an explosion of texts in the 'mother tongue', that French became widespread as a written language. And only in 1539, by King Francis I, was French deemed the official language of the kingdom. This beautifully illustrated catalogue explores the rise, affirmation and triumph of the French vernacular, focusing on a group of sixteen manuscripts all written in the French language between about 1300 and 1525. Because many of these manuscripts are virtually unknown and previously unpublished, firsthand study of them offers a unique opportunity to reassess certain approaches t...
