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Picturing Piety
Two dozen Books of Hours mostly from the 15th and 16th centuries, with examples from France, the Netherlands and Belgium, are presented chronologically. Many are previously unknown and unpublished.
Flowering of Medieval French Literature
Although the earliest records of written French date from the 9th century, it was not until the 13th century, when there was an explosion of texts in the 'mother tongue', that French became widespread as a written language. And only in 1539, by King Francis I, was French deemed the official language of the kingdom. This beautifully illustrated catalogue explores the rise, affirmation and triumph of the French vernacular, focusing on a group of sixteen manuscripts all written in the French language between about 1300 and 1525. Because many of these manuscripts are virtually unknown and previously unpublished, firsthand study of them offers a unique opportunity to reassess certain approaches t...
Diplomatics
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France 1500
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Law
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An Intimate Art
Books of Hours are probably the most famous of all medieval illuminated manuscripts. Presented here are 12 Books of Hours that date from the origins of the genre in the 13th century to its eclipse in the 16th century. Examples come from France, Italy and the Southern and Northern Netherlands and are by many notable artists, including Pietro da Pavia, Belbello da Pavia, the Masters of Zweder van Culenburg, the Masters of the Gold Scrolls, Willem Vrelant, Guillaume tile Roy and Jean Poyer. Some are richly illustrated; others are more modest. Each manuscript is wholly unique, offering a captivating glimpse into the lives and preoccupations of their owners, the concerns and contributions of thei...
Commerce and Its Discontents in Eighteenth-Century French Political Thought
This book uncovers the ambivalence towards commerce in eighteenth-century France, questioning the assumption that commerce was widely celebrated in the era of Adam Smith.
Mixed Metaphors
This groundbreaking collection of essays by a host of international authorities addresses the many aspects of the Danse Macabre, a subject that has been too often overlooked in Anglo-American scholarship. The Danse was once a major motif that occurred in many different media and spread across Europe in the course of the fifteenth century, from France to England, Germany, Scandinavia, Poland, Spain, Italy and Istria. Yet the Danse is hard to define because it mixes metaphors, such as dance, di ...
