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The desert has a hypnotic presence in Australian culture, simultaneously alluring and repellent. The 'Centre' is distant and unknown to most Australians, yet has become a symbol of the country. This exciting book, highly illustrated in full colour, reveals the singular impact that the desert, both geographical and metaphorical, has had on Australian culture. At the heart of the book is the profound relationship that Aboriginal Australians have with the desert, and the complex ways in which they have been seen by white people in this context.
Murdoch's Flagship provides the first in-depth overview of the Australian, mapping its uneven and uncharted progress across its first three decades. While the Fairfax and Packer media groups have received detailed historical coverage over the years, Rupert Murdoch's News Limited and the Australian have not been given the same systematic attention by historians. Denis Cryle draws on a vast amount of secondary print material, his own extensive interviews with past and present staff and a detailed reading of the Australian's newspaper files to capture the vitality of the newspaper over three seminal decades.
Jeffrey Smart's vision, which has altered the way we see the technologies of change that impel us through the fabric of time, curiously searches for an elusive stillness that lies at the heart of it, and may be seen in Master of Stillness, and appreciated with a selection of many of his most important masterpieces.
How do we represent ouselves and the cultures we live in? Is it possible to trace any boundaries between reality and self-representation? Because the self represented is the product of a process of selection and choice, in many ways to represent the self is, often simultaneously, to create the self and negate the self. What, then, becomes of the self once it is represented? Because the process of self-representation cumulates in a tangible result and given that any representation of the self is necessarily a construct which aims to render visible or knowable in concrete form the unseen and unknown, self-representation is vulnerable to assessments of its naturalness or artificiality, its hone...
There have been many histories of Christian art and architecture but none written be a theologian such as Kevin Seasoltz. Following a chapter on culture as the context for theology, liturgy, and art, Seasoltz surveys developments from the early church up through the conventional artistic styles and periods. Comprehensive, illuminating, ecumenical.
The most publicly accessible art of the late Roger Kemp is perhaps the magnificent tapestries that hang in the great hall of the National Gallery of Victoria. This major figure of Australia's post war art world is the subject of Christopher Heathcote's latest book.
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This anthology brings together leading Australian and North American nature writers for the first time. Responding to places that sustain, inspire and sometimes sadden, the pieces are propelled by passion, anger and history.
The Boyd family is Australia's most remarkable artistic dynasty. This work traces the emergence of an extraordinary artistic tradition. It places the Boyds in their historical and personal contexts, tells the interwoven stories of their brilliant careers, and analyses the shaping influences on their lives.