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1000 Quilt Inspirations
A collection of one thousand quilt details showing how others utilize color and design elements to craft creative pieces.
Handbook to Life in Renaissance Europe
The word renaissance means "rebirth," and the most obvious example of this phenomenon was the regeneration of Europe's classical Roman roots. The Renaissance began in northern Italy in the late 14th century and culminated in England in the early 17th century. Emphasis on the dignity of man (though not of woman) and on human potential distinguished the Renaissance from the previous Middle Ages. In poetry and literature, individual thought and action were prevalent, while depictions of the human form became a touchstone of Renaissance art. In science and medicine the macrocosm and microcosm of the human condition inspired remarkable strides in research and discovery, and the Earth itself was explored, situating Europeans within a wider realm of possibilities. Organized thematically, the Handbook to Life in Renaissance Europe covers all aspects of life in Renaissance Europe: History; religion; art and visual culture; architecture; literature and language; music; warfare; commerce; exploration and travel; science and medicine; education; daily life.
Quarantine Quilts
Learn how our creative development is shaped by experiences that isolate us from other people. The insightful words of 97 contemporary quilt artists combine with evocative photos of their quarantine creations during the COVID-19 pandemic's first months. Giving us a fascinating perspective, these visual and personal stories of concerns, despair, and ideas can help connect our own experiences with pandemic to the larger world of creativity. Topics include Coronavirus Circling the Globe; Home Is Where the Art Is; Be Smart, Be Vigilant; Pandemic Patterns; Pandemic Landscapes; and Politics and Protest. Learn from makers' notes, their reactions to and experiences with COVID-19, and the visual results of creators' new ways of thinking.
The European Emblem
The ten papers in this volume were all presented at the first International Conference "The European Emblem", held in Glasgow in August, 1987 under the auspices of the Society for Emblem Studies. The conference included papers discussing most of the major European languages in which emblem books flourished, and the papers selected for the presented volume represent something of the variety and scope of current scholarship in this field. Subjects dealt with include a protoemblematic Latin translation of the Tabula Cebetis, the Emblematum Liber by Andreas Alciat, the earliest reception of the 'Ars Emblematica' in Dutch, the career of Thomas Palmer, Daniel Cramers 80 Emblemata moralia nova, and the Emlimata of Polockij. The papers selected for this volume demonstrate the vigor and variety of work in this field, whilst also suggesting some of the directions and opportunities for further research.
Mosaics of Meaning
This volume examines, in English, the role of emblems in the Portuguese-speaking world, their distinctive qualities and their links with the wider European tradition. Luis Gomes brings together studies ranging over a wide corpus of material, in both Portugal and Brazil, from manuscripts to printed books to the famous azulejos."
Exploring Your Artistic Voice in Contemporary Quilt Art
This compact guide will make a huge impact on how you choose to express yourself in quilt art. Think of the artists whose work you admire, individuals with a distinctive style or perhaps several styles developed over the years. You might like their use of color, materials, craft expertise, and subject matter. But above all, you recognize in these makers an authenticity, a confident approach to the quilt medium. That is their artistic voice. Develop your own unique artistic voice, see your work mature, and become confident and happy with what you are doing in the studio. Renowned quilt artist Sandra Sider acts as a companion along the path to discovering your voice, and offers photos of dozen...
Art Quilts Unfolding
From 1965 through today, the art quilt movement has grown to become one of the most exciting art forms of the 21st century. Until now, there has not been a comprehensive, chronological history of the studio art quilt, which has become an international phenomenon. This feast for the eyes offers full-color images of 400 masterpieces along with engaging interviews and profiles of 58 influential artists, key leaders, important events, and significantcollections. Organized by decade, an additional 182 international artists' works are featured. An introduction by Janet Koplos, former senior editor of Art in America, and a conclusion by Ulysses Grant Dietz, emeritus chief curator of the Newark Museum, help us to understand the impact and the future of the art. This publication originated with Studio Art Quilt Associates, a non-profit professional organization founded in 1989 and now serving 3,500 members in nearly forty countries.
Memoirs
The memoirs of Hortense (1646–1699) and of Marie (1639–1715) Mancini, nieces of the powerful Cardinal Mazarin and members of the court of Louis XIV, represent the earliest examples in France of memoirs published by women under their own names during their lifetimes. Both unhappily married—Marie had also fled the aftermath of her failed affair with the king—the sisters chose to leave their husbands for life on the road, a life quite rare for women of their day. Through their writings, the Mancinis sought to rehabilitate their reputations and reclaim the right to define their public images themselves, rather than leave the stories of their lives to the intrigues of the court—and to their disgruntled ex-husbands. First translated in 1676 and 1678 and credited largely to male redactors, the two memoirs reemerge here in an accessible English translation that chronicles the beginnings of women’s rights to personal independence within the confines of an otherwise circumscribed early modern aristocratic society.
Hieroglyph, Emblem, and Renaissance Pictography
Robin Raybould’s Hieroglyph, Emblem and Renaissance Pictography is the first English translation of Ludwig Volkmann’s Bilderschriften der Renaissance, the classic text which promoted the symbol as a defining cultural and literary characteristic of early modern Europe. Volkmann enumerates and describes many of the works which illustrated the contemporary obsession with hieroglyph, emblem and device, particularly those from France and Germany, thus complementing Karl Giehlow’s earlier Hieroglyphenkunde on the subject. Volkmann’s book highlights both Renaissance theories of the image as language and the symbol as an aid to an understanding of the meaning of life and the nature of God. Raybould’s translation has been described as elegant, admirable and impeccable and includes an introduction, extensive notes and several additional essays on topics relevant to the field.
