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Writing the Holy Land
The book shows how the Franciscans in Jerusalem in the fourteenth to sixteenth centuries wrote works which standardized the cultural memory of the Holy Land. The experience of the late medieval Holy Land was deeply connected to the presence of the Franciscans of the Convent of Mount Zion in Jerusalem, who welcomed and guided pilgrims. This book analyses this construction of a shared memory based on the continuous availability of these texts in the Franciscan library of Mount Zion, where they were copied and adapted to respond to new historical contexts. This book shows how the Franciscans developed a representation of the Holy Land by elaborating on its history and describing its religious groups and the geography of the region. This representation circulated among pilgrims and influenced how contemporaries imagined the Holy Land
Judaism and Christian Art
Christian cultures across the centuries have invoked Judaism in order to debate, represent, and contain the dangers presented by the sensual nature of art. By engaging Judaism, both real and imagined, they explored and expanded the perils and possibilities for Christian representation of the material world. The thirteen essays in Judaism and Christian Art reveal that Christian art has always defined itself through the figures of Judaism that it produces. From its beginnings, Christianity confronted a host of questions about visual representation. Should Christians make art, or does attention to the beautiful works of human hands constitute a misplaced emphasis on the things of this world or,...
Notes and Queries
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Disembodied Heads in Medieval and Early Modern Culture
Discussing medieval and early modern 'disembodied heads' this collection questions the why and how of the primacy of the head in the bodily hierarchy during the premodern period. On the basis of beliefs, mythologies and traditions concerning the head, they come to an ‘cultural anatomy’ of the head.
Visual Psychophysics and Physiology
Visual Psychophysics and Physiology: A Volume Dedicated to Lorrin Riggs illustrates a particular approach to the study of vision. It also celebrates Lorrin Riggs' retirement from formal teaching duties. During his teaching career Riggs advised and directed about fifty doctoral and postdoctoral students, many of whom wrote the chapters that make up this volume. The book is organized into six parts. Part 1 explains the approach to the study of vision, thus providing the philosophical theme for the chapters that follow. Part 2 on physiological mechanisms presents examples of comparative and physiological investigations. Part 3 on sensitivity and adaptation examines new research that bears direc...
Proceedings
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