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'When I finished Sara Baume's new novel I immediately felt sad that I could not send it in the post to the late John Berger. He, too, would have loved it and found great joy in its honesty, its agility, its beauty, its invention. Baume is a writer of outstanding grace and style. She writes beyond the time we live in.' Colum McCann Struggling to cope with urban life - and with life in general - Frankie, a twenty-something artist, retreats to the rural bungalow on 'turbine hill' that has been vacant since her grandmother's death three years earlier. It is in this space, surrounded by nature, that she hopes to regain her footing in art and life. She spends her days pretending to read, half-list...
SHORTLISTED FOR THE COSTA FIRST NOVEL AWARD 2015 LONGLISTED FOR THE GUARDIAN FIRST BOOK AWARD 2015 LONGLISTED FOR THE DESMOND ELLIOTT PRIZE 2016 WINNER OF THE SUNDAY INDEPENDENT NEWCOMER OF THE YEAR, IRISH BOOK AWARDS 2015 WINNER OF THE GEOFFREY FABER MEMORIAL PRIZE FOR FICTION You find me on a Tuesday, on my Tuesday trip to town. A note sellotaped to the inside of the jumble-shop window: COMPASSIONATE & TOLERANT OWNER. A PERSON WITHOUT OTHER PETS & WITHOUT CHILDREN UNDER FOUR. A misfit man finds a misfit dog. Ray, aged fifty-seven, ‘too old for starting over, too young for giving up’, and One Eye, a vicious little bugger, smaller than expected, a good ratter. Both are accustomed to bein...
In this contemplative short narrative, the artist and writer charts the daily process of making and writing, exploring what it is to create and to live as an artist
“One of the most beautiful novels I have ever read.” —New York Times Book Review A stunning, powerful novel about a couple that pushes against traditional expectations, moving with their dogs to the Irish countryside where they embed themselves in nature and make attempts to disappear from society. It is the winter following the summer they met. A couple, Bell and Sigh, move into a remote house in the Irish countryside with their dogs. Both solitary with misanthropic tendencies, they leave the conventional lives stretched out before them to build another—one embedded in ritual, and away from the friends and family from whom they’ve drifted. They arrive at their new home on a clear ...
Tor Ulven is one of the most renowned Norwegian authors of the twentieth century, beginning his career writing poetry and ending it with unclassifiable explorations of the possibilities of prose, reminiscent of writers such as Ingeborg Bachmann and Peter Handke. Replacement, his only novel, published two years before Ulven's suicide, is a miniature symphony, wherein the perspectives of unrelated characters are united into what seems a single narrative voice: each personality, directing the book in turn; each replacing its predecessor and forming another link in a chain leading nowhere. These people reminisce, reflect, observe, and talk to themselves; each stuck in their respective traps, each dreaming of escape. A masterpiece of compression and confession, Replacement dramatizes the tension between the concrete realities we think we cannot alter, and our interior lives, where we feel anything might still be possible.
"The short dirk in the hands of Muriel Spark has always been a deadly weapon," said The New York Times, and "never more so than in The Abbess of Crewe." An elegant little fable about intrigue, corruption, and electronic surveillance, The Abbess of Crewe is set in an English Benedictine convent. Steely and silky Abbess Alexandra (whose aristocratic tastes run to pâté, fine wine, English poetry, and carpets of "amorous green") has bugged the convent, and rigged her election. But the cat gets out of the bag, and--plunged into scandal--the serene Abbess faces a Vatican inquiry.
LONGLISTED FOR THE 2021 RATHBONES FOLIO PRIZE In Strangers, Rebecca Tamás explores where the human and nonhuman meet, and why this delicate connection just might be the most important relationship of our times. From ‘On Watermelon’ to ‘On Grief’, Tamás’s essays are exhilarating to read in their radical and original exploration of the links between the environmental, the political, the folkloric and the historical. From thinking stones, to fairgrounds, from colliding planets to transformative cockroaches, Tamás’s lyrical perspective takes the reader on a journey between body, land and spirit—exploring a new ecological vision for our fractured, fragile world. Essays: On Wat...
'A writer of real gravitas and potency.' Ali Smith 'An extraordinary journey ... Engrossing, original and eloquent.' Helen Dunmore 'Elegiac and beautifully observed.' Observer 'Vivid and captivating.' Stylist I didn’t realise my mother was a person until I was thirteen years old and she pulled me out of bed, put me in the back of her car, and we left home and my dad with no explanations. I thought that Ma was all that she was and all that she had ever wanted to be. I was wrong... As Ma and Alex make their way from Virginia to California, each new state prompts stories and secrets of a life before Alex. Together they put to rest unsettled scores, heal old wounds, and search out lost friends. But Alex can't forget the life they've left behind.
Six weeks after her fortieth birthday, Harriet is struck by a rare and lifethreatening illness. What follows is a long, painful and arduous stay at Charing Cross Hospital. From the first day in Critical Care, whenever Harriet tries to sleep, the backs of her eyes come alive with soul-sucking gargoyles; she remains awake for the entire six weeks. Such wakefulness produces its own hallucinations: the gargoyles become metaphors for lurking demons, fear of death, her relationship with her late father, and her dream of having a family. A stunning blend of poetic memoir and essays, Gargoyles explores the effects of illness, grief, love, and loss, but is also about the power of memory, which both haunts and enriches. It asks us to celebrate that which is in front of us, not taking our lives and health for granted. Sometimes, this means we have to learn to live with the gargoyles.
LONGLISTED FOR THE GORDON BURN PRIZE 2019 SHORTLISTED FOR THE ENCORE PRIZE 2020 Sammy and his three friends are country boys from Armagh, the disputed borderlands of a country cannbalising itself. They love sharp clothes, a drink, and a night on the town singing Perry Como's classics. Their dream is a Free State, and their methods for achieving this are uncompromising. Heading for Belfast - ground zero of the Troubles - they find themselves in the incongruous position of running a comic book shop by day. Their clandestine activities belong in the x-rated pages of graphic fiction: burglary, blackmail, extortion, torture, and murder. No criminal act is too taboo for these boys. But when punk r...