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Poetry. "Death Spiral, which signifies the cartwheeling display of the American bald eagle as it plummets to the ground, is not only a poem in this excellent collection, but a metaphor for the current state of the country. These beautifully rendered poems ask when will we roll out of our 'death dance, / and fall upwards, in thrall of sky?' While there are other books that address topics found here such as climate change, racism, and our wrought political times, what sets this book apart is its lyrical precision, imaginative leaps, and arresting imagery. Sarah Giragosian is a truly gifted poet."--Charlotte Pence "THE DEATH SPIRAL grounds us in the Anthropocene (a time of mass extinction and c...
PressVisceral, physical, and powerful . . . Giragosian's language is lush, uncanny, haunting. Queer Fish is a book of passions intellectual and animal, crafted by a poet of unmatched compassion and talent. -Jennifer Whitaker
Neoliberalism and Academic Repression: The Fall of Academic Freedom in the Era of Trump, co-edited by Erik Juergensmeyer, Anthony J. Nocella II, and Mark Seis, provides a theoretical examination of the current higher education system and explains how academia is being shaped into a corporate-factory-industrial-complex. This complex is transforming the relationships within and beyond the institution, transforming the mission of higher education from being the foundation of democracy to manager of professionalism. The outstanding contributors offer strategies of social change, policy suggestions, and important critiques of neoliberal practices. This timely collection challenges the neoliberal emphasis on valuation based on job readiness and outcome achievement—promoting equity, justice, and inclusivity in the process. Contributors include: Camila Bassi, Brad Benz, A. Peter Castro, Taine Duncan, Sarah Giragosian, Erik Juergensmeyer, Caroline K. Kaltefleiter, Peter N. Kirstein, Emil Marmol, Anthony J. Nocella II, Ben Ristow, JL Schatz, Mark Seis, Jeff Shantz, Kim Socha, Richard J. White.
"Sarah Giragosian's Mother Octopus is a book of love-erotic, familial, and above all, ecological. It is also a book of grief-for the speaker's mother, for the lacunae of language, for America and its many self-inflicted traumas, and especially for the dying earth. In richly musical, exquisitely lineated poems, Giragosian introduces readers to snowy owls, fig wasps, and, of course, the titular mother octopus, inviting us to slow down to the epic pace of glaciers, fossils, and stones even as we remain firmly planted in "the hour of the brutal present." Through her elegiac queer eco-poetics, Giragosian holds vigil for all that is and will be lost while still finding hope for the future embedded...
"There are no machine guns, or cameras, here." Any God Will Do is a collection that investigates the lines between worldliness and asceticism, belief and delusion, chance and design, desire and its transcendence. Internal and end rhyme structure these pithy and compact poems that are rife with classical, pop culture, and poetic allusions. They culminate in an argument that intimacy and creation through language are not only possible within a capitalist framework, but indeed may be the only ballasts we know.
Ecopoetics and the Global Landscape: Critical Essays surveys ecopoetry from a global perspective across different historical epochs. Its comparative approach foregrounds the importance of ecopoetics within the context of distinct national literatures and cultures to reveal the ubiquitous intersection of poetry with ecocriticism. The collection analyzes environmental problems resulting from the legacies of colonialism and focuses on issues of environmental justice and indigenous issues as well as on the intersection of genocide studies and environmentalism. It also examines ecologically-informed modes of relating to the world. In particular, it engages with interactions between the human and nonhuman as well as mind and matter. Finally, it broadens the scope of place to include both the absent land of exiled peoples, and the urban, built environment.
Poetry and astronomy often travel together in the political sphere, from Milton's meeting with Galileo under house arrest to NASA's practice of launching poems into space. Anchored in the post-war period but drawing on a long history of poetry and science, Lyric Poetry and Space Exploration from Einstein to the Present charts the surprising connection between poetry and extra-terrestrial space. In an era defined by the vast scales of globalization, environmental disaster, and space travel, poets bring the small scales of lyric intimacy to bear on cosmic immensity. While outer space might seem the domain of more popular genres, lyric poetry has ancient and enduring associations with cosmic in...
In a life full of chaos and travel, Elizabeth Bishop managed to preserve and even partially catalog, a large collection—more than 3,500 pages of drafts of poems and prose, notebooks, memorabilia, artwork, hundreds of letters to major poets and writers, and thousands of books—now housed at Vassar College. Informed by archival theory and practice, as well as a deep appreciation of Bishop’s poetics, the collection charts new territory for teaching and reading American poetry at the intersection of the institutional archive, literary study, the liberal arts college, and the digital humanities. The fifteen essays in this collection use this archive as a subject, and, for the first time, arg...
With its compact but inclusive survey of more than four centuries of poetry, Blank Verse is filled with practical advice for poets of our own day who may wish to attempt the form or enhance their mastery of it. Enriched with numerous examples, Shaw's discussions of verse technique are lively and accessible, inviting to all.
Revisiting the Elegy in the Black Lives Matter Era is an edited collection of critical essays and poetry that investigates contemporary elegy within the black diaspora. Scores of contemporary writers have turned to elegiac poetry and prose in order to militate against the white supremacist logic that has led to recent deaths of unarmed black men, women, and children. This volume combines scholarly and creative understandings of the elegy in order to discern how mourning feeds our political awareness in this dystopian time as writers attempt to see, hear, and say something in relation to the bodies of the dead as well as to living readers. Moreover, this book provides a model for how to productively interweave theoretical and deeply personal accounts to encourage discussions about art and activism that transgress disciplinary boundaries, as well as lines of race, gender, class, and nation.