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Part one of trilogy.
Thomas Dickerman and his wife, Ellen, came to Dorchester Massachusetts ca. 1636. He died there in 1657. Early descendants lived in Massachusetts, Vermont, New York, New Hampshire, Connecticut and then spread throughout the U.S.
William Valmont loses his long-time love and childhood friend, Mary Radcliffe after he cheats on her for an ex-girlfriend, Felicia Millerton. An angel named Gabrielle grants him five missions to retrieve five orbs to bring his love back to life.
This history of an Indian earthquake aftermath analyses the role of civil society, the colonial state and international aid in disaster relief.
War is traditionally considered a male experience. By extension, the genre of war literature is a male-dominated field, and the tale of the battlefield remains the privileged (and only canonised) war story. In Australia, although women have written extensively about their wartime experiences, their voices have been distinctively silenced. Shooting Blanks at the Anzac Legend calls for a re-definition of war literature to include the numerous voices of women writers, and further recommends a re-reading of Australian national literatures, with women’s war writing foregrounded, to break the hold of a male-dominated literary tradition and pass on a vital, but unexplored, women’s tradition. Sh...
Chapter 6. "Killing Kruger with Your Mouth" | The Actress, Charity Recitations, and the Second Anglo Boer War -- Chapter 7. The "Comforteers" | Actresses and Charity Activity during the First World War -- Conclusion | "Get an Actress First. If You Can't Get an Actress Then Get a Duchess."--Notes -- Bibliography -- Index
1918: Year of Victory, convened by the Australian War Memorial in Canberra in November 2008 to mark the ninetieth anniversary of the end of the Great War. Ashley Ekins (volume editor) is Head of the Military History Section at the Australian War Memorial in Canberra.
This edited volume contributes an important collection of chapters to the growing theoretical and empirical work being undertaken at the international level on men and migration. The chapters presented here focus on what we might call ‘migratory masculinities': the experiences men have of masculinity upon immigration into another national, ethnic, and cultural context. How do these men (re)construct their conceptions of masculinity? Where are the points of tension, ambivalence or assimilation in this process? Featuring interviews and data drawn from migrants working and living in Australia, this book explores how the gender identity of men from non-English-speaking backgrounds is influenced by the experiences of migration and settlement in an English-speaking culture, across various cultural spheres such as work, leisure, family life and religion.