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Like Father, Like Son
Murder is never a good thing... Fingertips have been turning up in various locations around the city. The problem is, Detective Inspector Matt Blacksmith has no idea why they're being left where they are. He knows who they belong to, though, so that's something. However, the man they used to be attached to isn't anywhere in sight, and Matt worries he's been killed. Detective Sergeant Aaron Thaxter is the man who has stuck by Matt through thick and thin for the past few years. In and out of bed, he's always there, the steadying hand that keeps Matt from drowning in the memories of his past. When the case takes a murky turn, forcing Matt to acknowledge those memories yet again, Matt is gratefu...
Voices
While working undercover, Langham thought he'd catch some kind of break. He thought wrong. Years ago, Langham was on a case where missing men were being buried in other people's graves. He's now working undercover at a cemetery, trying to glean information. Is someone who works at the graveyard involved? Will new bodies be dumped there now that men have started going missing again? He isn't sure, but when a man starts staring at him through the railings, Langham's instinct kicks in. Something isn't right. Before he can do anything about it, he's kidnapped and bundled into a van. Later, his lover Oliver is shoved into the van, too, and they're taken on a long journey. With the dead remaining silent and not giving Oliver anything to go on that will help them in their dilemma, the pair realize they're on their own. Left hanging by their wrists from a cellar ceiling, the two men acknowledge that maybe this time their luck really has run out. But what they don't see is what's going on in the big house they're incarcerated in, and that maybe, just maybe, someone might be on their side...
Leaving
There comes a time when you just have to walk away. Langham has had enough of murder and mayhem. For too many years he's dealt with the horrors of his job and it's taking a toll on him. Now he's got Oliver and is more settled in his private life, he doesn't need to be married to his job anymore. Can he divorce himself from it, though? And what else would he do anyway? Like Oliver says, the job is Langham's life. That's no longer true--Oliver is his life these days, and Langham wants nothing more than to spend quality time with his lover. However, crime doesn't stop just because Langham wants it to, and when a mysterious caller seems intent on drawing Langham into his weird and wicked web, Langham can't say no. But he can say this is the last case and that he'll be leaving the Force when it's all wrapped up. The problem is, The Caller has so many women on his kill list that the case isn't likely to end any time soon. And The Caller...is he taunting Langham or reaching out for help? As bodies mount up and the calls become more frequent, The Caller realizes he may well be playing a game he should never have started--and that Langham will stop at nothing to bring him to justice.
Voices
Their holiday should mean freedom and fun. Murder has other ideas... After a murder case ruined their last break away, Oliver and Langham try again by going to the Caribbean. Surely by flying so far from home, they'll get a few days of peace and quiet where crime doesn't mar their holiday. Unfortunately, like murder, fate has other ideas... They rent an idyllic vacation hut that stands on struts in a turquoise sea-so perfect, so tranquil... Until a body floats past and Langham rushes out to save their life. He's too late, though, and after going to the police station to give a statement, Langham and Oliver are dragged into the seedy underbelly of the seemingly quiet little town. There's a war going on between two gangs, and with a spirit telling Oliver he must complete a request to save someone else's life, he and Langham find themselves too close to one gang for comfort. Murder has once again dogged them-but if they're not careful, it might actually claim them as victims. Being kidnapped isn't their idea of a fun holiday activity, but neither is returning home to discover the nightmare isn't over after all...
Empathy for a Killer
Finding a killer isn't easy, but someone's got to do it... Detective Burgess Varley is called out to view a dead body. It isn't one of the best things about his job--but putting killers away for the rest of their lives? Now that's one of the best. Problem is, the victim has something in her mouth that has always scared Burgess--something that links him to the killer without him even knowing it. And that link is more than Burgess might be able to handle. Detective Shaw Peters, Burgess' partner for several years, loves Burgess in ways he perhaps shouldn't. Or ways that Burgess won't accept, anyway. But Shaw isn't one to back down from a challenge, and as well as being by Burgess' side on the hunt for a killer, he has his own mission to accomplish--getting Burgess to admit they're meant for each other. It won't be easy, but by God, he's going to give it a try. With Burgess and the killer learning things about themselves, their lives, and each other that they previously hadn't known, life--and death--is about to become serious.
Needing
Oliver gets calls from the dead, imploring him to help them find their killers. He's heard them since he was a child and now assists the police in their investigations. He works closely with Detective Langham--and has steadily fallen more in love with him every day of the six months he's known him. But does Langham feel the same? Is Langham even gay? When Oliver answers the call of a dead woman, he finds himself standing in a remote field, gazing down at her corpse. Someone else is out there with him, though, waiting to cause him harm. After he's run off the road, Oliver has no choice but to aid Langham in finding her killer--no choice because more people are killed and more people call out ...
Publications
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Outcast Cowboys
You can run but you can't hide. Problems have a habit of following you, even if it's only inside your head. Ross decides to start a new life away from the grim belly of London, England, unable to stomach being a cop any longer. He tells himself he's moving miles away to find himself a bed partner, but he's lying. He has to. Facing up to the real reason he's leaving isn't something he can handle. His last undercover job proved too much-his life was at risk-and if he stays in London he'll likely end up dead. Nightmares plague him, his subconscious unable to switch the past off. So he moves to a ranch in America, thinking the new surroundings and different lifestyle will help him to heal-and to...
A Coming to Terms
1910 Matthew's two-year-old twin brother, Mark, is accidentally scalded to death, forever altering the lives of the Masters family. Husband/Father Martin leaves his traveling job and opens a business closer to home. Unbeknownst to the family, his new partners have ties to the KKK and the Chicago Mob. Eldest Daughter Ruth makes a shocking discovery about her fiancé, turns away guests at the church on her wedding day and moves to Hollywood. Youngest Son Edward suffers a near-fatal childhood illness that robs him of his sight but leads to a career as a piano prodigy. Daughter Annie develops frightening paranormal powers that she worries could get out of control and be used for evil. Surviving Twin Matthew races through dentistry school in Chicago with the aid of an uncle who harbors a sinister secret. 1932 Martin's Stoic Wife, Sarah, comes to terms with the tumultuous past as she prepares for another shock in the future. "What choice did she have but to go on?" Growing up in the Michigan/Indiana area provided Probst inspiration for this novel. A Coming to Terms is woven around memories of the many bizarre stories he heard of that time and place.
The Clinician, the Brain, and 'I'
The clinician needs to make sense of many client experiences in the course of daily practice: do these experiences reflect the simple product of complex neurochemical activity, or do they represent another dynamic involving the subjective self? When research findings from the neurosciences are applied to clinical psychology, reductionist thinking is typically followed, but this creates problems for the clinical practitioner. In this book Tony Schneider draws together the three strands of philosophy, neuroscience, and psychology to explore the mind/body question as it affects the clinician. Taking a position more closely aligned with dualism, he argues for the utility in making distinctions b...
